BWW Review: MIRACLE ON 34TH STREET Proves the Existence of Santa Claus

BWW Review: MIRACLE ON 34TH STREET Proves the Existence of Santa Claus

Miracle on 34th Street

From the novel by Valentine Davies, Based on the Twentieth Century Fox motion picture, adapted by Mountain Community Theatre; Directed by Ilyse Robbins, Scenic Design by Erik Diaz, Costume Design by Gail Astrid Buckley, Sound Design by David Wilson, Lighting Design by Jeff Adelberg; Props Master, Joe Stallone; Production Stage Manager, Margaret Kayes

CAST (in alphabetical order): Elise Arsenault, MariAnna Bassham, Heather Buccini, Deirdre Burke, Kevin Fennessy, William Gardiner, Scott Giangrande, Talya Hamberg, Jesse Hinson, Jeff Mahoney, Harry McEnerny, Lydia Barnett-Mulligan, Sydney Newcomb, Sarah Newhouse, Haven Pereira, Gerard Slattery, Donna Sorbello, David Sullivan, Michael Underhill, Arthur Waldstein

Performances through December 29 at Stoneham Theatre, 395 Main Street, Stoneham, MA; Box Office 781-279-2200 or www.stonehamtheatre.org

There are only so many plays for a theater company to choose from in the month of December and only so many times you can stage A Christmas Carol before the audience can recite the lines as well as the actors. Revisiting its selection from 2007, Stoneham Theatre presents Miracle on 34th Street, an adaptation from the beloved 1947 film (based on the novel by Valentine Davies) which starred eight-year old Natalie Wood as Susan Walker, the little girl who didn't believe in fairy tales or Santa Claus, and Edmund Gwenn as Kris Kringle, the man who gave her reason to believe.

This holiday season, Boston theatergoers have the opportunity to experience another adored film being given the stage treatment with the national tour of A Christmas Story, The Musical; adding songs and dance has only increased its charm, much to the relief of cultists who feared tampering with an iconic story. Unfortunately, Miracle on 34th Street does not fare as well in its stage bound version, despite the best efforts of all involved. Rather than making the story feel more intimate as might be expected when shrinking it from the big screen, the play deflates the impact of the central theme of restoring belief because it doesn't show sufficient cause for single mother Doris Walker's rigid practicality in parenting her daughter; nor does the play allow Doris' relationship with the Macy's department store Santa to develop organically before making her his champion.

Director Ilyse Robbins has a nineteen member all-star cast of adults and a crop of budding young thespians (from Stoneham Theatre's young company comes to Mainstage program) to work with, and a great team of designers to visually create the world of the play. Gail Astrid Buckley's costume designs authentically evoke the dress of the late 1940s and she even manages to craft a Santa Claus outfit that is a bit out of the ordinary. Erik Diaz constructs a fantastic SantaLand where the bearded one sits on a red velvet throne surrounded by toys and garlands interwoven with colored lights, and an official-looking courtroom where Kris Kringle's fate is decided. Days and nights are marked by shifts in Jeff Adelberg's lighting design, and Sound Designer David Wilson provides piped-in Christmas music and background crowd sounds for the Macy's parade and the court proceedings.

The miracle in Miracle on 34th Street is the ability of Kris Kringle (William Gardiner) to infuse the holiday with the true spirit of Christmas in the face of raging commercialism, harried shoppers, cynical doubters, and an overworked justice system that is ill-equipped to determine someone's identity, let alone his sanity. Gardiner's performance is both natural and magical, and I will admit that he convinced this (Jewish) writer that his character is the real Santa Claus. He has the obligatory twinkle in his eye and shows a knack for listening to each child who sits upon his knee. He exudes warmth as he takes an interest in the adults around him, as well, and establishes a genuine rapport with Harry McEnerny's sweet, innocent custodian Alfred who lights up when he talks about playing Santa at the YMCA each year.




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Nancy Grossman From producing and starring in family holiday pageants as a child, to avid member of Broadway Across America and Show of the Month Club, Nancy has cultivated her love of the art and respect for the craft of theatre. She fulfilled a dream when she became an adult-onset tap dancer in the early 90's ("Gotta dance!"); she fulfills another by providing reviews for BroadwayWorld.com and evolving as a freelance writer. Nancy is an alumna of Syracuse University and a retired Probation Officer-in-Charge in the Massachusetts Trial Court system.


 
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