Mixed to negative Parker, whose performance in White’s play marks her sixth time on Broadway, has said that “The Snow Geese” feels like “a lost Chekhov” – and that’s about right, although not in the way she surely meant. It loses in the Chekhov competition to last season’s far more lively Vanya and Sonia and Masha and Spike. Yes, that play was ridiculous in some ways, a spoof as much as an homage. White’s play is more elegant, the allusions to the masterful Russian dramatist (slightly) more subtle. The snow geese of the title are a more useful recurring metaphor (for waste, for example; the family kills more than they can retrieve or eat) than Sonia’s “I am a wild turkey” refrain. But, despite Daniel Sullivan’s polished direction, an extraordinary cast, especially Danny Burstein and Victoria Clark; a beautiful and inventive set design by the reliable John Lee Beatty; Jane Greenwood’s as-usual spot-on costumes; and Japhy Weideman’s strikingly atmospheric lighting, “The Snow Geese” leaves you feeling at a loss as to what to make of the play. The Snow Geese Review: Mary-Louise Parker As Widow on Broadway
THE BOOK OF MORMON
AN AMERICAN IN PARIS
THE LION KING
THE KING AND I
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