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HOPE MILL THEATRE


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Review: EVENING ALL AFTERNOON, Donmar Warehouse


by Cindy Marcolina - February 25, 2026

“What a thing to have a mother!” That’s how Anna Ziegler’s new play ends. Studies show that it takes two to five years for a blended family to become a cohesive unit, and when Jennifer marries John, his daughter Delilah refuses to cooperate. Jennifer badly wants to be in Delilah’s life. In...

Review: BIRD GROVE, Hampstead Theatre


by Clementine Scott - February 24, 2026

George Eliot’s Middlemarch was, and is, radical for its acknowledgement of how society places limits on even the most ambitious and idealistic of its inhabitants. In his new play, Alexi Kaye Campbell explores how that notion of compromise may have affected Eliot herself, both to her own benefit an...

Review: TO MAURY WITH LOVE, Theatre Royal Drury Lane


by Louise Penn - February 23, 2026

To Maury With Love at Theatre Royal Drury Lane celebrated composer Maury Yeston’s 80th birthday with songs from Titanic, Nine, and Grand Hotel. Featuring the London Musical Theatre Orchestra, the charity concert supported Bowel Cancer UK, delivering strong performances despite limited context and ...

Review: WHAT I’D BE, Jack Studio


by Clementine Scott - February 20, 2026

The premise of What I’d Be is disarmingly simple: two estranged sisters sit on a bench in a small town, and talk. In one unflinchingly cathartic hour of theatre, they’ve ricocheted from outright resentment to reconciliation....

Review: A MIDSUMMER NIGHT'S DREAM, Leeds Playhouse


by Gary Naylor - February 19, 2026

Innovative take on familiar comedy proves hit and miss as lovers and fairies fight...

Review: THE STORY OF PEER GYNT: AN EVENING WITH KÅRE CONRADI, The Coronet Theatre


by Cindy Marcolina - February 20, 2026

f we’re speaking technically, a dramatised lecture is an educational performance that joins drama and academia in order to make the topic more entertaining to the public. In this case, Conradi offers an engaging one-man show that makes the bulky five acts of Peer Gynt accessible and smooth. He lig...

Review: SAUL at LONDON HANDEL FESTIVAL, Sinfonia Smith Square


by Louise Penn - February 19, 2026

Opening the London Handel Fetsival, this flawless presentation of Saul was a celebration of Handel that set the tone of the performances to follow. The acoustics in the hall were exceptional, with clear enunciation throughout and a sense of occasion....

Review: THE BATTLE, Birmingham Rep


by Laura Lott - February 18, 2026

Before Taylor Swift versus Charli XCX - but after The Beatles versus The Rolling Stones - came Blur versus Oasis. David Niven's debut comedy at Birmingham Rep takes us back to the summer of 1995, when temperatures and egos both soared and the nation was gripped by the chart battle between Oasis’ �...

Review: SPANISH ORANGES starring Maryam d'Abo, Playground Theatre


by Gary Naylor - February 17, 2026

#MeToo and cancel culture needs a new angle sadly lacking in humdrum new play...

Review: DEEP AZURE, Sam Wanamaker Playhouse


by Cindy Marcolina - February 18, 2026

While most people knew Chadwick Boseman for his blockbuster appearances in the Marvel Cinematic Universe as T’Challa/Black Panther, the actor was also a playwright and director. His early career was spent treading the boards in New York, where he became a Drama League Directing Fellow at 24 years ...

Past Shows

Meet Me at Dawn
Meet Me at Dawn
May 25 – May 29, 2021

MEET ME AT DAWNTwo women wash up on a distant shore following a boating accident. Dazed by their experience, they look for a path home....

Perfectly Ordinary
Perfectly Ordinary
Jul 22 – Jul 24, 2019

Addiction and mental illness are growing problems in our ever-changing world.Perfectly Ordinary, a brand new British musical, examines these issues and asks what all of...

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