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UK / WEST END THEATER REVIEWS

The latest reviews and critic recommendations from UK / West End
Review: CONCRETE LATES X FABRIC: BLACKHAINE, Southbank Centre

Review: CONCRETE LATES X FABRIC: BLACKHAINE, Southbank Centre

by Matthew Paluch — September 14, 2024
The Queen Elizabeth Hall Foyer turned into a gig venue on September 13th for Concrete Lates x Fabric. The lights were low, the crowd was very cool, and the “iconic electronic music institution Fabric” was celebrated for the role it's played in the dance music scene over the last 25 years. ...
Review: ZOË COOMBS MARR: EVERY SINGLE THING IN MY WHOLE ENTIRE LIFE, Soho Theatre

Review: ZOË COOMBS MARR: EVERY SINGLE THING IN MY WHOLE ENTIRE LIFE, Soho Theatre

by Kat Mokrynski — September 16, 2024
Zoë Coombs Marr: Every Single Thing in My Whole Entire Life certainly has a fascinating hook -  the show description claims that it will be a “tell-all, personal storytelling comedy show.” Unfortunately, audiences actually learn very little about Coombs Marr’s life....
Review: THE REAL ONES, Bush Theatre

Review: THE REAL ONES, Bush Theatre

by Katie Kirkpatrick — September 13, 2024
At once intimate and expansive, The Real Ones follows the friendship of Zaid and Neelam from age nineteen to thirty-six. Once kindred spirits, moving in sync, they fall out of step when the harsh reality of adult life sends them in different directions. Waleed Akhtar (Olivier winner for The P Word) ...
Review: BBC PROMS: PROM 70 – PROKOFIEV'S ROMEO AND JULIET, Royal Albert Hall

Review: BBC PROMS: PROM 70 – PROKOFIEV'S ROMEO AND JULIET, Royal Albert Hall

by Debbie Gilpin — September 13, 2024
Another helping of Shakespeare, in this otherwise rather Eastern European-themed Prom. The BBC National Orchestra of Wales was guided through the evening’s events by Principal Guest Conductor Jaime Martín, who seemed to relish every moment of his appearance on the Royal Albert Hall stage, and br...
Review: RHYTHM & RUSE, The Vaults

Review: RHYTHM & RUSE, The Vaults

by Franco Milazzo — September 13, 2024
With a Jazz Age theme and plenty of cabaret, cocktails and close-up magic, London’s latest slab of immersive fun Rhythm & Ruse opens at The Vaults....
Review: ABIGAIL'S PARTY, Stratford East

Review: ABIGAIL'S PARTY, Stratford East

by Cindy Marcolina — September 13, 2024
The Seventies were a time for cheesy pineapple, bellbottom jeans, Elton John, and ABBA. Written in 1977, Mike Leigh’s darkly comic picture of the English middle class turns out to be an evergreen classic. Revived some ten miles from the story’s real-life setting, this is Nadia Fall’s last show...
Review: LONDON CITY BALLET: RESURGENCE, Sadler's Wells

Review: LONDON CITY BALLET: RESURGENCE, Sadler's Wells

by Louise Penn — September 13, 2024
Almost thirty years since they last performed, London City Ballet are making a return to their former home at Sadler's Wells this week. Artistic director Christopher Marney has assembled a small company of talented dancers and in this Resurgence programme, a mixture of classic pieces half-forgotte...
Review Roundup: What Did the Critics Think of WHY AM I SO SINGLE?, from the Creators

Review Roundup: What Did the Critics Think of WHY AM I SO SINGLE?, from the Creators of SIX

by Aliya Al-Hassan — September 13, 2024
From the writers of SIX, comes a brand-new British musical where the lonely little lives of two BFFs are transformed into an all-singing, all-dancing extravaganza about dates, mates, and celebrating love in all its forms....
Review: KIRILL RICHTER - THE SANDS OF TIME, London Coliseum

Review: KIRILL RICHTER - THE SANDS OF TIME, London Coliseum

by Franco Milazzo — September 12, 2024
Have you ever invited a guest to your own party and then seen them totally upstage you? If so, spare some sympathy for Kirill Richter who presented his new work The Sands Of Time alongside the National Symphony Orchestra of Uzbekistan for one night only at the London Coliseum....
Review: BURLESQUE THE MUSICAL, Theatre Royal Glasgow

Review: BURLESQUE THE MUSICAL, Theatre Royal Glasgow

by Natalie O'Donoghue — September 17, 2024
When Ali heads to the bright lights of New York in search of her mother, she finds herself drawn into a dazzling underground world where the beat of the music and the heat of the dance moves will change her life forever. Among this unlikely family of misfits, dreamers and schemers, Ali will unwittin...
Review: OUR COUNTRY'S GOOD, Lyric Hammersmith

Review: OUR COUNTRY'S GOOD, Lyric Hammersmith

by Alexander Cohen — September 12, 2024
Is it serendipity or a testament to good writing? A day after the government mandate two thousand prisoners to enjoy an early release a new production of Our Country’s Good premieres: a play about deported British convicts forging a new life in newly colonised Australia couldn’t be timelier....
Review: THE BELT- PAST & FUTURE, Coronet Theatre

Review: THE BELT- PAST & FUTURE, Coronet Theatre

by Matthew Paluch — September 12, 2024
I've said it before, and I'm sure I'll say it again…but what The Coronet Theatre is doing feels new, relevant and exciting. Currently on show is The Belt - Past & Future by Korea's Ambiguous Dance Company. The work is The Coronet's first-ever site-specific event, and I think it's an absolute corke...
Review: KIM'S CONVENIENCE, Riverside Studios

Review: KIM'S CONVENIENCE, Riverside Studios

by Josh Maughan — September 12, 2024
Kim’s Convenience is a tight hug of a show. There’s enough here for plenty of laughter and a little bit of heartstring-pulling. It’s not trying to be the next breakthrough or radical piece, and therefore, in its form, it’s great. If you’re looking for some warmth as the weather grows colde...
Review: THE ROCKY HORROR SHOW, Dominion Theatre

Review: THE ROCKY HORROR SHOW, Dominion Theatre

by Franco Milazzo — September 11, 2024
Featuring a press night appearance from creator Richard O’Brien and Jason Donovan as the suspender-donning scientist Frank N. Furter, The Rocky Horror Show returns to the West End. The raucous homage to the films and music of the 1950s as seen through a pansexual lens lays a claim to being the UK�...
Review: UGLY SISTERS, New Diorama Theatre

Review: UGLY SISTERS, New Diorama Theatre

by Josh Maughan — September 11, 2024
I’m still not sure I’ve completely digested Ugly Sisters – maybe I never will. What I do know, however, is this: It is a show our families need. It is a show our industry needs. It is a show our country needs. Thank you, Laurie Ward and Charli Cowgill, I feel a little more confident in our fut...
Review: WHY AM I SO SINGLE?, Garrick Theatre

Review: WHY AM I SO SINGLE?, Garrick Theatre

by Aliya Al-Hassan — September 12, 2024
Toby Marlow and Lucy Moss' new show Why Am I So Single? is billed as 'A big fancy musical'. Bright, bold and funny, it is unashamedly focused on the Gen-Z experience, but gets lost with indulgent in-jokes, repetition and an over-long running time....
Review: BBC PROMS: PROM 68 – BRITTEN'S A MIDSUMMER NIGHT'S DREAM, Royal Albert Hall

Review: BBC PROMS: PROM 68 – BRITTEN'S A MIDSUMMER NIGHT'S DREAM, Royal Albert Hall

by Debbie Gilpin — September 11, 2024
“What angel wakes me from my flowery bed?” More often than not, when Shakespeare is adapted into different formats, the text is largely lost but the story remains - not so in this case. Benjamin Britten and his partner Peter Pears opted to go without a librettist, instead taking Shakespeare’s ...
Review: COME DINE WITH ME THE MUSICAL, Turbine Theatre

Review: COME DINE WITH ME THE MUSICAL, Turbine Theatre

by Mica Blackwell — September 10, 2024
There’s potential for Come Dine With Me: The Musical to become a Michelin-starred delight, and its Edinburgh Fringe production has the foundations for it. The cast are all great, the writing has its laughs and the songs are catchy. It just needs more time to simmer and extra spice to give it that ...
Review: GUYS AND DOLLS, Bridge Theatre

Review: GUYS AND DOLLS, Bridge Theatre

by Amber-Rae Stobbs — September 10, 2024
Gina Beck is a tremendous new Sarah Brown in London's must-see musical revival...
Review: HUGH PANARO: THE MAN WITHOUT THE MASK, Crazy Coqs

Review: HUGH PANARO: THE MAN WITHOUT THE MASK, Crazy Coqs

by Mica Blackwell — September 9, 2024
Possessing a booming yet silky tenor voice and a natural charm, it’s clear why Panaro’s career has been so successful. Even when accustomed to performing in thousand-seater theatres and working with heavyweights like Barbra Streisand and Elton John, his humbleness shines in this concert as he re...
Review: 23.5 HOURS, Park Theatre

Review: 23.5 HOURS, Park Theatre

by Cindy Marcolina — September 10, 2024
Leigh’s husband was arrested for inappropriate sexual conduct with a minor. A teacher once loved by students and parents alike, he’s now out of prison and facing the casualties of his violent fall from grace. Playwright Carey Crim explores the effects of these serious allegations on the ones who...
Review: BBC PROMS: PROM 65: HANDEL'S MESSIAH, Royal Albert Hall

Review: BBC PROMS: PROM 65: HANDEL'S MESSIAH, Royal Albert Hall

by Aliya Al-Hassan — September 9, 2024
The climax to the Proms' Choral Day could only be George Frideric Handel's majestic Messiah. This 1789 arrangement by Mozart was performed by The Academy of St Martin in the Fields, joined by an incredible six (yes six) choirs, conducted by an ebullient John Butt....
Review: LA TRAVIATA, Royal Ballet And Opera

Review: LA TRAVIATA, Royal Ballet And Opera

by Alexander Cohen — September 9, 2024
Heavily reliant on strong vocals...
Review: OLIVER LEITH: WRITTEN IN SWAMP AND GOLD, Bold Tendencies

Review: OLIVER LEITH: WRITTEN IN SWAMP AND GOLD, Bold Tendencies

by Matthew Paluch — September 9, 2024
“Visionary British composer Oliver Leith makes music that brings people together” seems like a very good place to start. Judging by the massive crowd at Bold Tendencies on September 7 he does just that....
Review: ZOONATION: THE MAD HATTER'S TEA PARTY, Royal Ballet And Opera

Review: ZOONATION: THE MAD HATTER'S TEA PARTY, Royal Ballet And Opera

by Matthew Paluch — September 9, 2024
It's not often one comes across theatre that's transformative; but when you do, you know. Case in point: ZooNation’s The Mad Hatter's Tea Party....
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