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UK Regional Theater Reviews

The latest reviews and critic recommendations from UK Regional.

BWW Review: THE PROJECT, White Bear Theatre

BWW Review: THE PROJECT, White Bear Theatre

by Gary Naylor — March 8, 2019

The Project is set in an in-between space in history, not freedom, but not yet the death camps, but its fails to explore the possibilities that environment suggests, lost in too many words and too little credibility.

BWW Review: A LESSON FROM ALOES, Finborough Theatre

BWW Review: A LESSON FROM ALOES, Finborough Theatre

by Gary Naylor — March 7, 2019

Seen for the first time in 35 years, Athol Fugard's play loses none of its relevance as two men and one woman fall apart under the strain of living under the Apartheid regime.

BWW Review: KINKY BOOTS, Bristol Hippodrome

BWW Review: KINKY BOOTS, Bristol Hippodrome

by Tim Wright — February 27, 2019

There's something undeniably irrepressible about Kinky Boots - it's a fully sequined, unabashed romp through a true (ish) story of a shoe factory threatened with closure until a radical idea to start producing oh so fabulous boots for drag queens appears.

BWW Review: CHEATING DEATH, Cockpit Theatre

BWW Review: CHEATING DEATH, Cockpit Theatre

by Gary Naylor — February 27, 2019

Cheating Death fails to solve the considerable problems of writing and staging farce in an ambitious show that falls well short of expectations.

BWW Review: EDEN, Hampstead Theatre

BWW Review: EDEN, Hampstead Theatre

by Gary Naylor — February 21, 2019

There's much to admire in Eden, a play that pits town against country, development against conservation, corruption against integrity, love against careers, the big guy against the little guy.

BWW Review: DIGGING DEEP, VAULT Festival

BWW Review: DIGGING DEEP, VAULT Festival

by Cindy Marcolina — February 21, 2019

Presented by Just Add Milk as part of Let's Talk @ VAULT Festival - a collaboration with Guy's and St Thomas' NHS Foundation Trust to start a conversation about death and grief - Digging Deep sees 22-year-old Mossy (Kyle Rowe) fundraising his own funeral.

BWW Review: PRINCESS & THE HUSTLER, Bristol Old Vic

BWW Review: PRINCESS & THE HUSTLER, Bristol Old Vic

by Leah Tozer — February 23, 2019

Beauty pageants and bus boycotts seldom belong on the same page, but in Chinonyerem Odimba's joyously playful and beautifully played Princess & the Hustler, they're brought together by Princess James, a flamboyant young girl who is black, beautiful, and brilliantly funny.

BWW Review: CAN-CAN!, Union Theatre

BWW Review: CAN-CAN!, Union Theatre

by Gary Naylor — February 15, 2019

Phil Willmott tries to rescue two shows with the plot of a third, but his show also never quite coheres, for all the energy expended by the hard-working cast.

BWW Review: CARMEN, King's Head Theatre

BWW Review: CARMEN, King's Head Theatre

by Gary Naylor — February 14, 2019

The King's Head pulls off another re-imagining of a classic opera that packs plenty of punch and is a joy for newbies and old hands alike.

BWW Review: BLUE DOOR, Theatre Royal Bath

BWW Review: BLUE DOOR, Theatre Royal Bath

by Leah Tozer — February 20, 2019

From mathematics professor Lewis's insomnia and amnesia plagued night emerges a poetic, fragmented and poignant reflection on race, forgetfulness, and legacy enlightened by two fine performances in a thoughtfully directed production from Eleanor Rhode as part of the Ustinov Studio's UK premieres fro

BWW Review: THE CHERRY ORCHARD, Barbican Theatre

BWW Review: THE CHERRY ORCHARD, Barbican Theatre

by Gary Naylor — February 6, 2019

The Moscow Pushkin Drama Theatre brings its modern, surreal take on Chekhov's classic play to The Barbican, with a barb or two directed towards some familiar faces.

BWW Review: THE ORCHESTRA, Omnibus Theatre

BWW Review: THE ORCHESTRA, Omnibus Theatre

by Gary Naylor — February 1, 2019

The Orchestra digs into the hearts of the six women and one man stuck playing light classics in a hollowed out French spa town and finds bleak, Chekhovian humour in their plights.

BWW Review: WISE CHILDREN, Bristol Old Vic

BWW Review: WISE CHILDREN, Bristol Old Vic

by Tim Wright — January 25, 2019

'Comedy is tragedy that happens to other people' writes Angela Carter in her 1992 book Wise Children and that is the starting point for Emma Rice's furiously fast adaptation in this, the first outing for her newly formed theatre company of the same name.

BWW Review: AMERICAN IDIOT, Mayflower Theatre, Southampton

BWW Review: AMERICAN IDIOT, Mayflower Theatre, Southampton

by Jo Fisher — January 25, 2019

American Idiot brings Green Day's much-loved album to life in a punk-rock production that rebels against the musical archetype and vigorously sticks its middle finger up to everything and anything that gets in its way.

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Vaillant Live, Derby (11/04-11/04)