BWW Review: STRIKE UP THE BAND, Upstairs at the Gatehouse
The Gershwins' sublime music and lyrics rescue a show hamstrung by a confused and clumsy book and some very familiar characters.
The latest reviews and critic recommendations from UK Regional.
The Gershwins' sublime music and lyrics rescue a show hamstrung by a confused and clumsy book and some very familiar characters.
When Matthew Bourne's Swan Lake received its world premiere in 1995, it ripped up the rulebook in terms of traditional dance and storytelling.
The Project is set in an in-between space in history, not freedom, but not yet the death camps, but its fails to explore the possibilities that environment suggests, lost in too many words and too little credibility.
Seen for the first time in 35 years, Athol Fugard's play loses none of its relevance as two men and one woman fall apart under the strain of living under the Apartheid regime.
Sheffield Theatres bring debbie tucker green's play to the city in this vibrant revival.
It's fitting that the once industrial space of the Tobacco Factory is now the dystopian setting for the latest outing of the Factory Company - a gender-bending A Midsummer Night's Dream.
There's something undeniably irrepressible about Kinky Boots - it's a fully sequined, unabashed romp through a true (ish) story of a shoe factory threatened with closure until a radical idea to start producing oh so fabulous boots for drag queens appears.
Cheating Death fails to solve the considerable problems of writing and staging farce in an ambitious show that falls well short of expectations.
David Bromley brings Italo Svevo back to life in Howard Colyer's monologue, As A Man Grows Younger, and finds plenty of parallels with the Europe of today.
There's much to admire in Eden, a play that pits town against country, development against conservation, corruption against integrity, love against careers, the big guy against the little guy.
Presented by Just Add Milk as part of Let's Talk @ VAULT Festival - a collaboration with Guy's and St Thomas' NHS Foundation Trust to start a conversation about death and grief - Digging Deep sees 22-year-old Mossy (Kyle Rowe) fundraising his own funeral.
Beauty pageants and bus boycotts seldom belong on the same page, but in Chinonyerem Odimba's joyously playful and beautifully played Princess & the Hustler, they're brought together by Princess James, a flamboyant young girl who is black, beautiful, and brilliantly funny.
Phil Willmott tries to rescue two shows with the plot of a third, but his show also never quite coheres, for all the energy expended by the hard-working cast.
The King's Head pulls off another re-imagining of a classic opera that packs plenty of punch and is a joy for newbies and old hands alike.
Sheffield Theatres' revival of Githa Sowerby's play skillfully balances drama and humour.
From mathematics professor Lewis's insomnia and amnesia plagued night emerges a poetic, fragmented and poignant reflection on race, forgetfulness, and legacy enlightened by two fine performances in a thoughtfully directed production from Eleanor Rhode as part of the Ustinov Studio's UK premieres fro
Mike Leigh's iconic class comedy, Abigail's Party, has arrived at Nuffield Southampton Theatres on its UK tour.
The Moscow Pushkin Drama Theatre brings its modern, surreal take on Chekhov's classic play to The Barbican, with a barb or two directed towards some familiar faces.
Nuffield Southampton Theatres celebrates the first birthday of its modern city-centre venue with the return of The Shadow Factory; the first show performed at NST City which proved to be a sell-out in 2018.
The Orchestra digs into the hearts of the six women and one man stuck playing light classics in a hollowed out French spa town and finds bleak, Chekhovian humour in their plights.
'Comedy is tragedy that happens to other people' writes Angela Carter in her 1992 book Wise Children and that is the starting point for Emma Rice's furiously fast adaptation in this, the first outing for her newly formed theatre company of the same name.
American Idiot brings Green Day's much-loved album to life in a punk-rock production that rebels against the musical archetype and vigorously sticks its middle finger up to everything and anything that gets in its way.
A Modest Little Man tells us something of the man and his achievements, Clement Attlee surrounded by egos and rivals (talented though) in this gem of a political comedy.
Those who have attended an excruciatingly awkward cocktail party will revel in this production of Abigail's Party by Mike Leigh.
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