BWW Review: SHADOWLANDS, Chichester Festival Theatre
Shadowlands can feel a little outdated, but it wins you over with the warmth and wit of the characters and two wonderful performances from Hugh Bonneville and Liz White.
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Shadowlands can feel a little outdated, but it wins you over with the warmth and wit of the characters and two wonderful performances from Hugh Bonneville and Liz White.
Mike Poulton's new version of Ibsen's Ghosts will play on your nerves and force you to confront some dark truths.
Ben Alderton takes swipes at every stripe in the political rainbow, but lacks the precision required to bring a plague on all their houses.
Miriam Gould's portrait of herself and her parents is as personal as one would expect, but its also beautifully judged and accessible, weaving music in and out of its narrative to great effect.
Market Boy takes us back to the days of George and Andrew with plenty of bad boys in Romford.
Ain't Misbehavin' crashes through the gloom of Brexity Britain with bangin' tunes and bubbly bantz.
The curtain rises at the Theatre Royal to reveal a heavily decked-out Chinese restaurant, with a sea of red lanterns hanging from polystyrene roof tiles.
Other People's Money shows us that the misogyny and avarice scrawled on social media and polluting today's politics, can trace its roots back 30 years at least.
It's a sensible time to be tackling Timberlake Wertenbaker's modern classic Our Country's Good.
Night of the Living Dead Live! pays homage to its inspiration, the George A.
Sheffield's Merlin Theatre celebrates its 50th anniversary with its first professional production.
The Marvelous Wonderettes is a jukebox musical that does exactly what it says on the tin - the four singers vocally splendid in front of a fine band.
Queen of the Mist is a curious musical about the nearly forgotten woman who was first to go over Niagara Falls in a barrel and who lived to tell her story - the problem was that few wanted to hear it the way she told it.
The Noises traps us in a room with Luna, as she tells us her story from puppy to dog / bodyguard while the world disintegrates outside.
David Mamet's 'Glengarry Glen Ross' pulls no punches and draws the audience straight into the story of four struggling real estate salesmen in 1980's corporate Chicago.
Written more than 100 years ago, Joseph Conrad's novella Heart of Darkness continues to be a hugely influential, and deeply controversial, work of literature.
Recreating the political tensions that swirled around John and Yoko's Bed-In protest of 50 years ago, this play with music strives for a radical approach to its material, but forgets some theatre basics.
Malorie Blackman's young adult novel Noughts & Crosses was ground breaking when it was first published in 2001, and now Pilot Theatre have brought it to the stage to capture a new generation.
The White Crow focuses on Rudolf Nureyev's life from birth until his sensational defection at the age of 23.
Wolfie glows with the energy and hope of youth, even as it paints a grim picture of a world stacked against it by the alienating forces of a society retreating from its obligations to its children.
Sheffield's Richard Hawley-based musical is a spectacular piece of theatre that is full of humour and love - without dodging difficult social issues.
Othello remains as relevant today as ever it were, Phil Willmott's adaptation setting it in the Raj of 1919, but it's as much in the White House and Palace of Westminster of 2019.
A bold and often beautifully staged production that makes women men and men women to throw light on the often brutal text.
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