The Green Room
There’s something about the green room that doesn’t quite translate to anyone who hasn’t sat in it.
First-person stories from college and theatre students.
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There’s something about the green room that doesn’t quite translate to anyone who hasn’t sat in it.
When asked to write about creative risk and stepping out of your comfort zone this month, I wanted to reflect on the benefits I’ve had with breaking the typecast to provide comfort to those who may be afraid to take that risk.
Ultimately, designing has made me a better producer.
One of the most rewarding experiences I’ve had as an actor was interning for a children’s theatre.
Want to be in a musical? Audition! Want to start up dance classes? Figure out where! Want to own the most beautiful garden ever? Get a book from the library about gardening and get to work! I do not care how old you are - you can start anything new that you want to.
My unexpectedly memorable experience rushing the Suffs Broadway National Tour in Boston.
I hope to one day gain enough confidence in myself to bring my story to life.
How a lifelong passion for theatre and a new love for film production come together and can be used in combined ways that many may not realize.
Comfort zones are hard in theatre – and that’s the reality.
As we make our way through the lucky month of March, I keep thinking about the way people talk about luck in the arts, where the language of luck seems to follow almost every success story.
Despite the odds being stacked against them, this Florida-based student theater company stages Hedwig and the Angry Inch, a profound expression of queer resilience and joy.
Gravity has always had a personal vendetta against me, as evident by my height.
In 2026, it feels like the only way to get into the job market is to know the right people, which makes everything that much more complicated for us college students.
Fun Home, Representation, and Creating a Pathway for Understanding.
As both a self-proclaimed theatre geek and a college student, I am always listening to cast albums and soundtracks, no matter where I am or what I’m doing.
There it was–part invitation, part demand–put before me by my college voice instructor, Dr. Marilyn Govich.
As an actor, you worry about learning your lines, your harmonies, hitting your marks, executing your choreography flawlessly.
I had received an email a week ago announcing that the National Tour of Kinky Boots was performing at WVU's Lyell B.
Moving to New York City, I was worried I would lack alone time.
As someone in the performance industry of all sorts, there is no doubt that a lot of pressure comes with the execution of your talent.
In the world of live theatre, you only get one shot to capture the 'hero moment.' Discover how the chaos of a final dress rehearsal teaches more about emotional resonance and crisis communication than any marketing textbook ever could.
Singing and I still have a complicated relationship– I don’t think that will ever fully go away– but my experience with voice lessons serves as a constant reminder to never listen to people who try to dissuade you from doing what you love.
When you direct, it involves so much more than placing actors onstage and giving notes.
I have spent years being afraid of what makes me uncomfortable, and I am so happy that I have realized that to grow, I need to do things that I don’t know how to do, or things that I am not immediately good at, or things that I feel insanely silly doing.
Women’s History Month has always made me slow down a little.