Review: ORPHEUS IN THE UNDERWORLD at Artscape Opera House
A hilarious, gorgeous 1920s reimagining of the Greek myth.
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A hilarious, gorgeous 1920s reimagining of the Greek myth.
There is no denying the extreme talent of the A CHORUS LINE cast.
What did our critic think of GUDEG NANIK: WUTAH at MIMIC THEATER?
This exciting sizzling hit arrives just in time for summer!
What did our critic think of THE View UPSTAIRS at Barbershop Theatre? Street Theatre Company opened their final show of their 20th season.
What did our critic think of COME FROM AWAY at Guthrie Theater?
According to the Director’s note, The Drowning Girls is based on a true story.
Here is your complete guide to everything happening at The Festival, the three-day Broadway event taking place this August.
Death, it turns out, is an excellent alibi for a party, even one being held in your honour.
The Pulitzer Prize-nominated writer and actor Eisa Davis discusses her new play at the Vineyard, ||:GIRLS:||:CHANCE:||:MUSIC:||, as well as her other upcoming projects including a revival of Angela’s Mixtape and the new musical Warriors.
Hale Centre has opened its youth production of SINGIN' IN THE RAIN JR.
The Royal Ballet's Senior Benesh Choreologist and Assistant Répétiteur Gregory Mislin and Benesh Choreologist Daniel Kraus explain how Benesh Movement Notation is used to record and restage dance works, including a Kenneth MacMillan ballet.
Recently, we had the chance to speak with Mark Ball, the Artistic Director of the Southbank Centre.
Becky Shaw concludes its limited Broadway engagement at the Hayes Theatre following 19 previews and 80 regular performances.
An hilarious homage and caution about teenage fame and unchecked egos, the Tragedy Of Macbeth is transformed in MACKENZIE.
One-person productions are typically autobiographical: the performer teaches the audience about themself, as themself.
The beloved novel-turned film remains precisely *for* the faint of heart in stage form.
What did our critic think of THE PRODUCERS at BrightSide Theatre?
What did our critic think of TWO OUT OF THREE FALLS at The Factory Theater?
It would be pretentious to call it drama, but God of Carnage at the New Jewish Theatre is certainly an evening of good entertainment.
A bittersweet production with good performances all around.
Songwriter Joey Contreras, who wrote the viral musical 'In Pieces,' exclusively tells BroadwayWorld what’s next after the show’s recent sold-out London run.
This summer, PCPA invites audiences to enjoy a season of inspiring true stories, family-friendly adventures, and memorable music.
Back by popular demand, Front of House: The Broadway Takeover will return to 54 Below with a special SIX edition, celebrating the vocal talents of Broadway’s Front of House staff.
Creekside Theatre Fest’s RABBIT HOLE is heart-wrenching in its exploration of unimaginable grief and human connection.