MORTON AMPHITHEATER

by Rob Levy - March 23, 2026

This jukebox musical, directed by Augustin Family Artistic Director Kate Bergstrom, offers a condensed biography of Cash’s life, told through his music. From his early childhood in Arkansas to his rise to fame at Sun Records, addiction battles, and his advocacy, there’s a lot to cram into two ho...

by James Lindhorst - March 21, 2026

Robbin, From the Hood has ambitious intent. Playwright Marlow Wyatt has crafted several potentially compelling scenarios about those living in impoverished and marginalized communities and how the conditions effect their population. But in its current iteration, Robbin, From the Hood loses its drama...

by Rob Levy - March 20, 2026

This ridiculously hilarious romp is gloriously wacky. Audiences should set aside any expectations and just go along for the ride. Giddy and wonderful, Promenade succeeds thanks to a stellar cast that relishes the ludicousness of it all. Happily devouring scenery as they goof off, they deliver an  i...

by Rob Levy - March 17, 2026

Blending the theater of the mind, math, logic, and visual trickery, The Enigmatist is a mind-blowing and engaging evening of entertainment that causes head shakes, screams of disbelief, and moments of euphoric amazement....

by James Lindhorst - March 15, 2026

Flyin’ West is a family drama set against the backdrop of the migration West. The Jon Royal directed production succeeds because of the naturalistic acting of Handy, Pryor, Lockett, and Yancy. The women create realistic, believable relationships among the women they portray. The chemistry in Royal...

by James Lindhorst - March 08, 2026

This year’s Spectrum 2026, produced by First Run Theatre, was unique. The six-play festival featured four wittily written plays that stood on their own. Two were flat-out funny, one was a bit macabre, and Tortured Poets Department was beyond charming....

by Steve Callahan - March 02, 2026

Opera is widely considered to be a seasonal flower.  Around the world opera festivals show their shoots in early spring, they blossom in the summer, and they stretch their glory into the fall.  In St. Louis, though, we find one of the few fine opera companies willing to brave the icy blasts of win...

by James Lindhorst - February 21, 2026

You will be entertained by Kathryn Bentley and Colin McLaughlin’s new play, but that is only one small part of why their work needs to be seen. This historical drama is an important part of St. Louis’ Black History. A Brick and a Bible is an empowerment story about women raising their voices for...

by Rob Levy - February 16, 2026

Filled with gamesmanship, deception, death, and creative differences, Stray Dog Theatre’s Deathtrap is sleuthing at its finest. Well-acted and draped in the unexpected, the production’s apprehensive atmosphere and inventive plot contortions cause audiences to gasp as the drama reaches a bloody c...

by James Lindhorst - February 16, 2026

Lucy Kirkwood’s play The Children is fascinating and compelling. Her script prompts discussion about corporate responsibility, what accountability an organization’s employees should own, and how tragic circumstances force people to face personal transgressions and the fallout from their poor dec...