BWW Reviews: Blue Rose Stage Collective and River CIty Theatre's Excellent Production of THE GUYS

As we approach the 10th anniversary of 911, Blue Rose Stage Collective and River City Theatre are presenting playwright Anne Nelson's The Guys, which looks back at that fateful day in a most unique and diverting manner. If there's one thing this tragic day has taught us, it's to be aware and ever-vigilant, but also to remember, not just the event itself, but the brave people who gave their lives trying to rescue those poor souls trapped in the twin towers as the planes guided by terrorists struck them. It's a powerful and surprisingly, at times, light-hearted look at a particular time in our history that must never be forgotten, and this production is outstanding.

It's September 23, 2001 in New York City, and Captain Nick is charged with the unenviable task of delivering eight eulogies for some of his fallen comrades. He's beside himself with grief and unable to put pen to paper to express how he feels. At the same time, Joan, a journalist, is wondering what she can do to help the survivors since she's not a plumber or a carpenter, and intellectuals have been told to get to the back of the line where aid is concerned. But, that issue is resolved when this pair meet up and Joan help Nick express in words the depth of emotion he actually is feeling for his men. It's a poignant afternoon, captured in a tidy 75 minutes that gives us a glimpse of the pain that still resides on the surface of both of these individuals.

Laurie McConnell gives a wonderful performance as Joan, letting us know how desperately she wants to do something, anything, to make a difference, and this opportunity affords her the chance to really do just that. She puts into words character sketches derived from her conversations over coffee with Captain Nick, and the pain is leavened with enough humor to remove the overall sting, without diluting the message. Alan Knoll is equally good, and together this pair (married in real life) make a genuine connection that touches the heart. Knoll's matter of fact portrayal reflects an honesty about how these firefighters take their job with the utmost seriousness, but how they're also human and full of the same faults and foibles we all share. Together they do masterful work.

Tom Martin's sensitive direction never lets the tone waver too far in either direction; this isn't maudlin in the least, just affecting, and it's never played straight for laughs, that would be in poor taste. Mark Wilson's lighting evokes the proper atmosphere while highlighting key moments, and his scenic design effectively conjures up an apartment setting. The video designs of Tyler Linke add a dramatic punch to the proceedings.

The Guys is another must-see event, with excellent acting and a timely story that will need to be retold for generations to come. This production continues through September 11, 2011 and there is an area in the lobby where donations to Backstoppers can be made.

 

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