Nanny McPhee The Musical - West End Creative Team

Recent credits: Heisenberg (Wyndham's); Fatherland (Royal Exchange Theatre); Common (National Theatre); Angels in America (National Theatre); Junkyard (Bristol Old Vic); Fracked! (Chichester and tour); Before I Leave (Cardiff); Elegy (Donmar); Uncle Vanya (Almeida); Husbands and Sons (National); Hangmen (Royal Court and Wyndham's); The Curious Incident of the Dog in the Night-Time (Olivier Award and Drama Desk Award - Gielgud, National Theatre, Broadway, and UK and US tours); Jerusalem (Royal Court, West End and Broadway); This House (National Theatre, Chichester and Garrick Theatre); The River (Royal Court and Broadway); The Nether (Royal Court/West End); Love's Sacrifice (RSC); The Days the Nights ... read more Chris Fisher is a member of The Magic Circle. He works worldwide as International Illusions & Magic Associate for Harry Potter & The Cursed Child. Theatre credits as Illusion Consultant include: Peter Gynt (National Theatre), Superhero(Tony Kiser Theater, NY); A Very Very, Very Dark Matter (Bridge Theatre); Company(Gielgud); Julie (National Theatre); Angels in America (National Theatre & Broadway); Macbeth (RSC, Swan Theatre & Barbican); Barnum (Menier Chocolate Factory); The Hypocrite (Hull Truck Theatre/RSC, Swan Theatre); Big The Musical (Plymouth Theatre Royal/Dublin Bord Gáis Theatre); No Man’s Land (Wyndham’s); Into the Woods(Royal Exchange); Here We Go, Treasure Island (National Theatre); Xanadu(Southwark Playhouse); ... read more Video Designs include: Groundhog Day, No's Knife (Old Vic Theatre); People, Places and Things (Wyndham's Theatre/National Theatre); 1984 (Northern Ballet); The Suicide, From Morning To Midnight (National Theatre); Coriolanus (Donmar Warehouse); The Boy in the Striped Pajamas, Pitcairn (Chichester/Tour); Silent Night (Philadelphia Opera/Minnesota Opera/Tour); Villette (West Yorkshire Playhouse); The Machine (The Armoury NYC); The Impresario/Le Rossignol (Santa Fe Opera); Into The Hoods: Remixed (Peacock Theatre/Tour); Hansel and Gretel (Vienna State Opera); No Way Back (Frantic Assembly); Man To Man (Wales Millennium Centre, Edinburgh Fringe); Peter Grimes (Grange Park Opera); Pressure, Union (Lyceum Theatre); Sane New World (Ruby Wax Tour); Cinderella, ... read more Theatre includes: Girl from the North Country (Old Vic, West End, Public Theater, Broadway), Tootsie (Broadway), Kiss My Aztec (Berkeley Rep), Guys and Dolls (Royal Exchange, Manchester), Romantics Anonymous (Shakespeare’s Globe, Bristol Old Vic), Spring Awakening (Broadway/West End, US/Worldwide Tour), Women on the Verge of a Nervous Breakdown (West End/Broadway), Whisper House (The Other Palace/San Diego), Side Show (Southwark Playhouse), Company (Sheffield Crucible), Strictly Ballroom (West End/West Yorkshire Playhouse/Toronto), Finding Neverland (Boston/Broadway), One Love (Birmingham Rep). Film includes: Spectre - E-on Productions (The Writing’s on the Wall for Sam Smith). Television includes: Sam Smith at the Academy Awards ceremony 2016 (orchestral conductor). Awards ... read more Rob Howell has designed sets and costumes extensively in the theatre and opera in the UK and abroad including at The Royal Court, The Donmar Warehouse, The Old Vic, The National Theatre, The Royal Shakespeare Company, The Royal Opera House and The Metropolitan Opera and on Broadway. He has received numerous Olivier and Tony nominations, including a current Olivier nomination for The Ferryman, and was awarded Oliviers for Best Set Designer in the years 2000, 2006 and 2012 and a Tony for Best Set Designer in 2013. London based Tony & Olivier nominated choreographer, Ellen Kane is currently working on Legally Blonde for Regent's Park Open Air Theatre (dir. Lucy Moss) and has been working as the Choreographer for Matilda (feature film dir. Matthew Warchus for Netflix) and A Chorus Line (dir. Nikolai Foster) for the Curve in Leicester. Other credits include: Choreographer West Side Story (dir. Nikolai Foster) for the Curve in Leicester and Dance & Movement Supervisor on Cats (dir. Tom Hooper), Co-Choreographer of Groundhog Day The Musical (dir. Matthew Warchus), Old Vic Theatre London and the August Wilson Theatre Broadway (Tony and Olivier nominations); ... read more Nigel Lilley is a British musical director, arranger, and conductor who has worked extensively in the West End and on Broadway. He was born in London and began his career as a pianist and musical director in regional theaters across the UK. Lilley's West End credits include serving as musical director and conductor for productions such as "Les Misérables," "Miss Saigon," "The Phantom of the Opera," "Mary Poppins," and "Billy Elliot." His work on "Les Misérables" earned him an Olivier Award nomination for Best Musical Director. He also served as the musical supervisor for the West End production of "The Bodyguard," ... read more Rebecca started her theatrical career at Pola Jones in 1996, where she worked on many West End musicals and UK tours, including Return to the Forbidden Planet, Tommy, Chicago, West Side Story, Spend Spend Spend and Fosse. She then general managed Our House for Tiger Aspect and the original production of Billy Elliot for Working Title (both winning Olivier Awards for Best Musical). In 2008 she joined Stage Entertainment, where her credits include both Hairspray and Sister Act in the West End. Thompson's first successful effort on the London stage was a revival of the 1930s musical ME AND MY GIRL. After a 15-month run, Thompson was exhausted but, the role granted her a breakthrough. Her next breakthrough was in 1987 when she had leading roles in two television series: FORTUNES OR WAR and TUTTI FRUTTI. In 1989, Thompson went back to the stage with her ex-husband Kenneth Branagh for a revival of LOOK BACK IN ANGER. Later that year, the pair starred in a televised adaptation of the play. Thompson's first big-screen performance was in 1989 when she starred in the romantic ... read more