My Master Builder - West End Creative Team

National Theatre credits include Pinocchio, Follies, Mosquitoes, Common, Angels in America, The Red Barn, The Suicide, Wonder.land, Behind the Beautiful Forevers, Table, This House (also West End and Chichester), The Curious Incident of the Dog in the Night-Time (also West End and Broadway, Olivier Award for Best Lighting 2013, Tony Award for Best Lighting), The Comedy of Errors, Danton, The Power of Yes, Phedre, Death and the King's Horseman, War Horse (also West End and Broadway, 2011 Tony Award for Best Lighting), Some Trace of Her, Women of Troy, Triple Bill, Saint Joan, Attempts on Her Life, The Caucasian ... read more Adam Cork writes mainly for the stage, creating integrated music/sound scores embracing instrumental music, electronic music, sound design and song. His musical London Road (NT) won the 2011 Critics’ Circle Award for Best Musical. A film version was released in 2015. His other scores and sound designs include King Lear (Donmar Warehouse, Olivier Award 2011), Anna Christie (Evening Standard Award 2011), Red (Donmar Warehouse/Broadway, Tony Award 2010), Travesties (Tony nomination 2018 Best Sound), Enron (Tony nominations 2010 Best Score, Best Sound), Macbeth (Tony nomination 2008), Frost/Nixon (Broadway 2007). Michael Grandage is the recipient of Tony, Olivier, Drama Desk, Evening Standard, British Critics' Circle and South Bank Awards. His Olivier Award-winning musicals include Merrily We Roll Along, Grand Hotel and Guys and Dolls. Grandage received a Tony Award for Best Direction for Red and Tony nominations for Frost/Nixon and The Cripple of Inishmaan. Grandage served as Artistic Director of London's Donmar Warehouse for 10 acclaimed seasons before establishing the Michael Grandage Company (MGC) in 2012. As Artistic Director of MGC, he directed Photograph 51, Henry V, The Cripple of Inishmaan, Peter and Alice and the feature film Genius. www.MichaelGrandageCompany.com