All That I Will Ever Be - Off-Broadway Creative Team

Credits: The Royale (Lincoln Center Theater, Old Globe); Indecent (La Jolla Playhouse, Yale Rep, Vineyard); Natasha, Pierre and the Great Comet of 1812 (ART, Ars Nova, Kazino); Time and the Conways (Old Globe); Stage Kiss, 100 Saints You Should Know (Playwrights Horizons); Marie Antoinette (ART, Yale Rep, SoHo Rep); Three Pianos (NYTW, ART); The Human Scale (The Public); Telephone (Foundry Theatre); How We Got On, Death Tax, A Devil at Noon (Humana Festival); Hammock and Blueprints of Relentless Nature (Liz Lerman Dance Exchange). As a company member of The TEAM, Matt has designed Roosevelvis, The Holler Sessions, Waiting for You ... read more Recent Designs include Father Comes Home From the Wars (Parts 1, 2 & 3) (Royal Court London), Mughal-e-Azam (NCPA Mumbai), Born for This (The Broad Stage, L.A.), The Crucible (Glimmerglass Festival), Indian Ink (Roundabout), Mr Burns, a post-electric play and Stage Kiss (Playwrights Horizons) and Norma (L.A. Opera). TV/film production design for "The Path" (Hulu), "In Treatment" (HBO), "Little Boxes" (Netflix), Some Velvet Morning (Tribeca Films). Exhibition designs for Space, Force, Construction; VAC Foundation, Venice. EMILIO SOSA hails from Santo Domingo, Dominican Republic and has been working as a costume designer for years. He realized his passion for design when he was merely 14 years old, continuing to work towards that goal until he achieved it. A fan of Charles James, he’s had plenty of experience in the world of fashion and has even won several awards. Emilio Sosa has received TDF/Irene Sharaff Young Master Award in 2006 and was named Design Virtuoso by American Theater Magazine in 2003. He admits that he’s been inspired by historical events, which he incorporates into his design aesthetic. ... read more Previously at the Friedman: The American Plan,To Be or Not To Be, The Royal Family, Top Girls, and Time Stands Still. He is a Tony and Obie Award-winning sound designer whose work for theater and dance has been heard in over 500 Productions nationally and internationally, on Broadway and off. His accolades for Sound Design include the Bay Area Theater Critics Circle, Lucille Lortel and AUDELCO Awards. He a two-time Henry Hewes Design Award winner, and a proud recipient of the Princess Grace Award statue.