Mel Brooks’s outrageous musical slims down nicely
8 / 10
As Leo Bloom, the neurotic accountant-turned-impresario, the rubber-limbed Marc Antolin spins around the floor like a broken Catherine wheel during a fit of hysterics. And there are satisfyingly OTT performances from Trevor Ashley as ultra-camp director Roger De Bris and Harry Morrison as demented Nazi composer and pigeon-fancier Franz Liebkind, who has his chorus line in the form of a row of swastika-wearing bird puppets.
