Just for Love

The concert offered an intimate tribute to Joni Mitchell's unique genius, offering a revelatory look at the cultural milieu and musical streams that fed into her art, and then poured out of her Laurel Canyon home and into her unique ways of mixing other genres and artists into her music – or inspired them to create their own.

“Politics have no place in theatre,” says a person who has no idea that some of the first-ever plays from Ancient Greece were political. From Antigone by Sophocles to Julius Caesar by Shakespeare, there has been no shortage of bold theatre spreading a message.

Whatever Jerome Elliott's magic touches--writing, performing, directing, and more--has always brought me to my feet.  This time, it also brought me to tears--of joy and appreciation for all his conributions to the Coachella Valley.  Jerome's solo show, The Bridges I Have Maniacally Crossed, played for one night last April at the Palm Springs Cultural Center.. Those who had the privilege of seeing it rose spomtaneously.  Those who didn't:  Cross your fingers that Jerome will bring it back.

National Black Theatre announced its 2026–2027 season, themed 'Just Beyond the Horizon,' featuring five productions including Sarah Jones' North American Premiere and a new musical by Lynn Nottage and John Legend.

Ensemble Studio Theatre and the Alfred P. Sloan Foundation announced ten recipients for their 2026 Science and Technology New Play Commissions, continuing a 25-year program that has developed over 300 plays exploring science.

wild project has revealed a slate of upcoming programming at its Lower East Side venue, including a solo polaroid exhibition by Rob Roth, staged readings from Cherry Picking, and the launch of a new live music series, Sound Stage.

When it comes to experimental theatre in North America, few have a legacy as long, dedicated, and influential as Richard Foreman. When Foreman died in 2025, he left an archive of over 50 years of work from his Ontological-Hysteric Theatre company, founded in 1968. Foreman’s theatrical explorations prioritized immediacy and the present over a fixed sense of narrative, focusing on the process of the play’s creation and the audience’s interpretation.

End of the Rainbow offers a rare chance to witness Judy Garland’s final chapter brought to life with extraordinary depth by Tammy Lukas. Her performance captures Judy’s fire, fragility, and humor with a precision shaped by years of study and a lifelong connection.

Much has been written about the proliferation of pop singer-songwriters writing new musicals for Broadway and off-Broadway. Less covered is the trend of pop singers performing on Broadway, which has made for a number of memorable appearances in current and recent seasons. 

Deep Flight Productions will present an encore engagement of WHO WE BECOME, a program of rarely produced Lanford Wilson one-acts, at Factory Series at the Chain Studio Theatre in New York.

Goodman Theatre Artistic Director Susan V. Booth and Executive Director John Collins have revealed the 2026/2027 Season line-up, beginning this fall. With 12 productions—five world or Chicago premieres, a reinvestigated classic and more.

Beautifully acted, engagingly riveting, and populated with impactful characters, Reggie D. White's thoughtfully sprawling and emotionally layered new play—directed by Lili-Anne Brown—delivers an ambitious, deeply affecting examination of generational legacy, Black identity, masculinity, and the elusive pursuit of emotional healing. Set almost entirely within the walls of a suburban home in Southern California, the touching, and, often times, quite humorous play unfolds across multiple decades, chronicling the intersecting lives of three generations of African-American men connected not only by blood, but by inherited silence, buried resentment, generational trauma, and a complicated yearning for deep connection.

While harmonizing to perfection, Katis rules the piano with the sensitivity necessary to realistically perform King’s songs of self-awareness and the longing to find your place in the world, while Clews’ finger-picking expertise on guitar adds a real sense of introspective musical magic to Taylor’s.

Friendship is nearly always a side element in musicals. From the comic sidekick of the leading character to the backup pals who provide background vocals, friends are part of the fabric of many shows—but rarely are they the main event. 

Hello Gorgeous! Lakewood Theatre brings the curtain down on its 73rd season in spectacular fashion with the heartfelt, funny, and moving musical comedy Funny Girl. What a way to say goodbye to a landmark season. Get tix https://lakewood-center.org/

As Dionne Warwick took the stage at Groton Hill Music Center in Groton recently, before she had sung a single word, she was met by a rousing standing ovation. It was clear from the get-go that the capacity audience knew they were in the presence of a legend.

The Stanford Jazz Workshop has announced the 54th annual Stanford Jazz Festival at Stanford University. This year's festival will feature a diverse lineup including jazz legends and contemporary artists across various genres.

South Coast Repertory has revealed the lineup for the 28th Pacific Playwrights Festival, anchored by two world premieres of fully staged productions.

Next week, 54 Below will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Allison Bailey, Jordan Tyson and more. 

The city of Memphis is 63% African American. The nation’s first Black newspaper began here under the leadership of Ida B. Wells. The 1968 Sanitation Workers’ Strike brought Martin Luther King Jr. to this city, leading to his assassination and dramatically accelerating the national civil rights movement.

It’s… Hairspray! BroadwayWorld is taking a look back at what the cast of this beloved musical has been up to since the show first graced the Broadway stage!

What did our critic think of HAIR at Palm Canyon Theatre?

Brendan O'Leary (Romeo) and Nadia Ra'Shaun (Juliet) pull back the curtain on the 'young energy' and intense preparation behind their title roles in Shakespeare's most famous tragedy. From the technicalities of 'Juliet Boot Camp' and the secret musicality of Shakespearean vowels to the high-stakes anxiety of playing dead for 16 minutes while school groups watch for a flinch, the duo explores how they keep a 400-year-old story feeling urgent and real.

Next month, 54 Below, Broadway’s Supper Club & Private Event Destination, will present some of the brightest stars from Broadway, cabaret, jazz, and beyond, including Vanessa Williams, Tony Danza and more. 

54 Below will honor the Black performers, producers, and artists who are vital members of our artistic community this Black History Month, featuring performances by Vanessa Williams and more.