They Wrote That?

Since The Lost Boys took Broadway by storm this spring, there has been much chatter about the “vampire curse” on Broadway being lifted. In the early 2000s, Broadway received a string of three vampire musicals, which all closed relatively quickly. Dance of the Vampires (2002), Dracula (2004), and Lestat (2006) each received attention in their own right, but they also received attention as a group, since it was remarkable that they came along in such quick succession. But the early 21st century wasn’t the first time vampires thirsted on Broadway. The play adaptation of Dracula was a hit all the way back in 1927 and an even bigger hit in a 1977 revival. And there have been vampires lurking in the theatre district in all sorts of other projects too…

Annika Low portrays Mary Poppins at Dutch Apple Dinner Theatre June 26-August 8!

Jesse Eisenberg's The Debut gets its first teaser posters! The A24 musical comedy stars Julianne Moore, Paul Giamatti, Bernadette Peters & more.

'...today's musical theater performer kids are smart...they understand...that there is an innate honesty to the material, all the while inhabiting this kind of stylistic choice in allowing it to be bigger than life.'

Tony and Emmy Award-winner Billy Crystal’s new one-man show, 860 will play a limited run at Broadway’s Imperial Theatre, beginning in October of 2026. The complete creative team will be announced in the coming weeks. 

It's the end of an era on Broadway. As BroadwayWorld reported last month, the curtain has officially come down on Boneau/Bryan-Brown, the iconic Broadway press office founded by ATPAM-members Chris Boneau and Adrian Bryan-Brown, after more than three decades representing theatre on Broadway, Off-Broadway and around the world.

Much has been written about the proliferation of pop singer-songwriters writing new musicals for Broadway and off-Broadway. Less covered is the trend of pop singers performing on Broadway, which has made for a number of memorable appearances in current and recent seasons. 

The stage production does make a lot of strides that strengthens the endurance and popularity of this love story. It repeats iconic moments from the popular 2004 film, but isn’t aping the original screenplay in any way. A new libretto offers a fresh take that borrows the basic structure of the novel and memorable film moments, whilst breathing in new voices and new scenes that add different layers to these familiar characters.

There’s a strange dichotomy that exists in live theater. I may not like the material, but will still find reason to love its execution. And at Theater West End, they’ve culled together a company of players who help elevate the material of POTUS into a comedy that now exists thanks to their approach to the characters. They form a symbiotic relationship with the audience throughout the two acts to make us still care for them, for their arcs, and for their resolutions – no matter how far-fetched it may seem. This is where the production of POTUS shines.

Ahead of the debut PBS airing of Suffs, BroadwayWorld caught up with Shaina Taub to discuss the origins of the Suffs proshot, the importance of arts accessibility, and why PBS was the right platform to spotlight this history-making musical. 

Tony and Emmy Award-winner Billy Crystal will return to Broadway this fall in a new one-man show, 860, written and performed by Mr. Crystal and directed by Olivier Award-winner Scott Ellis. We have all of the details!

Seven years ago, an already hot summer in Boston heated up even more during a pre-Broadway tryout of a truncated version of playwright Matthew Lombardo’s “Tea at Five” at the Huntington Theatre when its star, Academy Award winner Faye Dunaway, was fired after allegations that she physically and verbally assaulted crew members on the troubled production.

BroadwayWorld is featuring Ismael Loutfi in a special Off-Broadway Debut of the Month! Read BroadwayWorld's full interview with Ismael as he talks about performing Ismael Loutfi: Heavenly Baba Off-Broadway at SoHo Playhouse.

The biggest change from prior years is at The New York Times, where Helen Shaw became the first female chief theater critic at the paper of record earlier this year. Previously, The Times has had plenty of female second-string critics, but the top seat was always held by a man.

Broadway has a long history of one-person shows, including many that have been added to the canon in this century.  Seeing one actor powerfully create a whole world on stage can be an exceptional experience. Of course, one handers are hardly one-person projects; while there may only be one actor on stage, they are collaborating with an entire team of creatives, designers, and behind-the-scenes personnel to bring a show to life. 

The Tanglewood Popular Artist Series, which each year brings a star-studded lineup of musicians and performers to Tanglewood’s Koussevitzky Music Shed, continues to expand its 2026 summer season with the addition of Jon Stewart among a roster of major artists across genres including rock, country, pop, Broadway, and soul.

The Langham Directors’ Workshop will return to the Stratford Festival for the 2026 season with five new participants. Led by Esther Jun, the program offers selected artists the opportunity to work as assistant directors on Festival productions.

Theater West End was wise to split Angels in America in the season as two separate performances, each with their own block in the schedule. Originally, I was concerned that the Part Two of it all might turn away prospective theatergoers. But upon watching both parts now, and bearing in mind my own familiarity for the characters, I can also see now how the original production’s 18-month gap would have also been enticing for an audience.

The LA Phil has revealed the 2026 Hollywood Bowl summer season with performances at the world-renowned amphitheater in the Hollywood Hills from June to September 2026.

What did our critic think of THE NOTEBOOK at Orpheum Theatre?

It’s… Hairspray! BroadwayWorld is taking a look back at what the cast of this beloved musical has been up to since the show first graced the Broadway stage!

A new musical is in development based on the best-selling novel by Alice Hoffman and the cult-classic WarnerBros. Motion Picture, Practical Magic, with an original score by Grammy Award-winners Norah Jones and Gregg Wattenberg.

This January, the Jersey Shore Arts Center will become the staging ground for a masterclass in psychological warfare. Under the sharp, unflinching direction of Theo Devaney, Edward Albee’s seminal masterpiece, At Home at the Zoo, finds new life in a production that promises to be as visceral as it is intellectual. At the heart of this revival are two powerhouses of the craft: three-time Emmy winner and daytime icon Christian Jules LeBlanc and acclaimed Off-Broadway actor and Ruth Stage Chairman Matt de Rogatis.

The idea of the concept album took flight at the same time as the idea of the rock musical. A concept album introduces audiences to the score of a musical by deliberately releasing an album of the songs before any live production exists at all. The concept album ostensibly stands on its own terms.

What did our critic think of AJR ACOUSTIC SET at Newport Music Hall?