Review: ARSENIC AND OLD LACE at The Candlelight Theatre
by Rosanne DellAversano - May 19, 2026
It doesn’t matter if you know the stage version, or the movie version, or don’t know anything about it, just know ARSENIC AND OLD LACE has an easy to follow plot that leads you down a path of hijinks straight to your funny bone.
Review: RAGTIME at Candlelight Music Theatre
by Greer Firestone - Sep 28, 2025
Ragtime, like the mega-musicals of the late 1990s (Les Mis, Phantom, Miss Saigon), is epic in scope. Candlelight’s staging, running through October 26, is a monumental success — vocally, visually, and emotionally.
Interview: James Mirrione of THE GRIPPE at Main Street Theater
by Armando Urdiales - Sep 22, 2025
James Mirrione, the bookwriter behind The Grippe, invites audiences to revisit a pivotal moment in history through the lens of theatre. Inspired by the overlooked story of the 1918 Spanish Flu and its striking parallels to contemporary society, Mirrione combines rigorous historical research, personal family history, and music of the era to craft a play that is both enlightening and emotionally resonant.
Lost Broadway Theaters Still Standing... Continued!
by Jennifer Ashley Tepper - Sep 28, 2025
Multiple lost Broadway theaters intersect with the Hammerstein family. This follows since Oscar Hammerstein I was a theater owner and builder. In addition to Hammerstein’s which was named after him and is now the Ed Sullivan, and the New Victory which he originally built, there is also the Hammerstein Ballroom. Read more here!
Review: BBC PROMS: PAPPANO CONDUCTS PUCCINI AND STRAUSS, Royal Albert Hall
by Debbie Gilpin - Aug 20, 2025
How better to welcome the London Symphony Orchestra’s Chief Conductor to this year’s Proms than with an opera-themed programme? Sir Antonio Pappano is a vibrant character in the world of classical music, and the Royal Albert Hall felt like a fitting venue for him to showcase his continued passion for the artform; two powerful 20th century operas were the order of the day, performed to a packed out auditorium.
Review: BBC PROMS: THE PLANETS AND STAR WARS, Royal Albert Hall
by Debbie Gilpin - Aug 10, 2025
“Do, or do not. There is no try.” On this occasion, the National Youth Orchestra chose to ‘do’, as they took on some of the most iconic orchestral music of the 20th century. The teenage ensemble were very keen to perform Gustav Holst’s Planets, and so it was quite natural that a suite of music from the Star Wars films should follow; the first performance at the Proms of Caroline Shaw’s The Observatory was chosen as a natural bridge between the two. This was kimono-clad conductor Dalia Stasevska’s first time working with the National Youth Orchestra - her natural enthusiasm proved a great match for their youthful exuberance.
Interview: Lila Coogan Talks About Her Journey with ANASTASIA
by Carla Maria Verdino-Süllwold - May 28, 2025
Laden with intrigue, mystery and tumultuous historical events, Lynn Ahrens and Stephen Flaherty’s musical, ANASTASIA, opens the Maine State Music Theatre season on June 4. It is tale which has fascinated and enchanted theatre-goers for decades. Perhaps the most dazzling and yet poignant incarnation is the musical version which premiered on Broadway in 2017. It tells the compelling story of the Romanov princess, Anastasia, who was said to have escaped assassination at the hands of the Bolsheviks in 1917, and resurfaced in Paris years later, seeking to be reunited with her grandmother, the Dowager Empress. Maine audiences will now have a chance to relive the drama and romance in a dazzling, lavish new co-production staged by MSMT, in collaboration with the Fulton Theatre.
Interview: Roc Living of CAMP LOGAN at The Ensemble Theatre
by Armando Urdiales - Jan 22, 2025
For over 20 years, Camp Logan has been a powerful cornerstone in Roc Living's journey as an actor, taking him from the roles of Franciscus and Bugaloosa to his current portrayal of Gweely Brown. Now, audiences at The Ensemble Theatre will have the chance to experience this gripping story, set against the backdrop of the historic 1917 Houston Riot, when the production opens soon. Camp Logan offers a lens into a pivotal yet often overlooked chapter of African-American history. For Roc, this role is a return to a familiar story and an opportunity to take on one of his most challenging and rewarding characters yet. From Gweely's humor that masks pain to his deep bonds of brotherhood, Roc's performance promises to bring this untold story to life with emotional depth and authenticity.
Review: BIRDSONG, Richmond Theatre
by Gary Naylor - Oct 3, 2024
Touring production will pull in fans of the book, but needs to find something more to say if it is to convert those new to the story. See what our critic thought of the production.
Review: TRAVESTIES at ICT Rep At The Welsbacher Theatre At The WSU Metroplex On Oliver & 29th
by Paula Makar - Jul 29, 2024
What did our critic think of TRAVESTIES at ICT Rep At The Welsbacher Theatre At The WSU Metroplex On Oliver & 29th?
I had the unique pleasure of attending ICT Rep’s production of Tom Stoppard’s Travesties on its final performance. The comedy ran for one week, July 18-21st, at the Welsbacher Theatre in the WSU Metroplex building on Oliver & 29th. It was a delightful way to wile away a hot July Sunday afternoon. It brought back pleasant memories of youthful Sunday afternoons spent in the Court House Theatre at the Shaw Festival on Niagara-On-The-Lake. Scripts like Travesties are not de rigueur here in Wichita. Wichita Community Theatre presented Stoppard’s most well known play, Rosencrantz & Guildenstern Are Dead quite a few years back.
Geoffrey Cantor Steps In For Karen Carpenter as Director of OCTOBER 7
by Blair Ingenthron - Apr 20, 2024
OCTOBER 7, a verbatim play about the terrorist attacks on Israel as told by those who survived them, has announced its full cast and a new director, as Geoffrey Cantor (Marvel's Daredevil & The Punisher on Netflix) steps in for Karen Carpenter as the production's director
Review: PRIVATE JONES at Signature Theatre
by David Friscic - Feb 16, 2024
The shattering of the world that took place during World War I propelled humanity into a fight for survival amidst the onslaught of enemy forces. The cacophony and horror of that war was fought in the trenches and on the open fields as portrayed in the poem “In Flanders Fields”, and in the many films including All Quiet on the Western Front and 1917, etc. Right now, however, this war is being fought theatrically (and with an emotional gut punch) on the stage of the Max at Signature Theatre.