Working - 1978 - Broadway Articles Page 5

Kathy St. George – who will receive the Elliot Norton Prize for Sustained Excellence from the Boston Theater Critics Association at the 42nd annual Elliot Norton Awards on June 2 at the Huntington Theatre – is that rare breed, a show business quadruple threat.

Few honors in entertainment are as coveted—or as rare—as achieving EGOT status. This elite distinction marks a career filled with versatility, longevity, and extraordinary talent across multiple mediums. What does it all mean? We're taking a closer look at the artists who have managed to join one of the industry’s most exclusive clubs.

Playwrights Foundation will present a public reading of Driving the Girls, a new play by Resident Playwright Cat Brooks on Saturday, May 17, 2025 at Yerba Buena Center for the Arts.

The new musical Goddess can currently be seen in its New York premiere production at the Public Theater on Lafayette Street. Directed by the Public’s associate artistic director and resident director Saheem Ali, who is currently Tony Award-nominated for directing Buena Vista Social Club, Goddess is playing at the Public’s largest space by capacity, the Newman Theatre.

The Leah Ryan Fund has announced casting for its upcoming readings of Tammy Ryan's The Boy King In Queens, winner of the first Boost Commission grant and the play which inspired it, The Wire by Leah Ryan.

Vincent Victoria is a playwright, director, filmmaker, actor, and fashion icon who has been producing work in the Houston Community for at least the last ten years, probably more. He has written scripts for his theatrical and film company that strive to bring historical figures of the black community alive in plays and movies.

D. Jerome is originally from North Carolina and is described as a formidable triple threat; many of his past shows indicate that. Broadway World writer Brett Cullum got to catch up with him, right before he hits the stage as the Tin Man!

In celebration of the 50th Anniversary of two groundbreaking, iconic musicals CHICAGO and A CHORUS LINE, Segerstrom Center for the Arts in association with Spot-On Entertainment presented a one-nigh-only star-studded concert featuring the music of John Kander, Fred Ebb, and Marvin Hamlisch. The lineup included Tony Award nominees Tony Yazbeck and OC native Eden Espinosa, plus Max Clayton, Jason Graae, and original A CHORUS LINE cast member Kay Cole. The event was hosted by Scott Coulter and featured pianist John Boswell and the Fabulous 50 orchestra under the direction of Rob Istad.

The Leah Ryan Fund will present upcoming readings of Tammy Ryan's The Boy King In Queens. Learn more about the performances here and see how to attend.

In “Sojourners,” the first play in the nine-part Ufot Family Cycle by first-generation Nigerian American playwright Mfoniso Udofia – presented last fall by the Huntington – Boston audiences met Abasiama, a hardworking Nigerian living in Houston, Texas, in 1978 and working toward a degree in biology.

The Board of Directors of Chanhassen Dinner Theatres (CDT) has announced the appointment of Tamara Kangas Erickson as its new President and Artistic Director. 

Opening this December, After the Rain will feature 10 large-scale, multi-disciplinary installations that celebrate inter-generational legacies and cultural warriors of the past, present and future.

Four-time Grammy nominated UB40 has announced their upcoming U.S. 'RELENTLESS TOUR' - which will begin on August 17 in Atlanta, Georgia through October 5 at Encore Theater at Wynn Las Vegas in Las Vegas, Nevada.

As part of its 2025 Spring Puppet Forum Series, the Ballard Institute and Museum of Puppetry will host Puppetry and Photography, a UConn Puppet Forum with Richard Termine.

Grease was first staged in 1971, with music, lyrics, and a book by Jim Jacobs and Warren Casey. It had its debut on Broadway in 1972 until it was eventually adapted into a movie starring John Travolta & Olivia Newton-John in 1978. This play and its consequent movie were a cultural icon, with songs that persist through time and are deeply rooted in modern pop culture. And for the first time, in 2025, it was performed in Jakarta, Indonesia.

A new exhibition at The Carle explores the often-overlooked creativity of endpapers—the decorated pages inside a book's covers—which have become an expanded artistic canvas in contemporary children's publishing. Learn how to attend.

My time at Atlantic has given me the tools to construct work professionally while never letting go of the playfulness and care that came naturally. When I walk into a room, I remember the standards that instructors like Karen Kohlhaas engrained in me: to honor the work and the talent of others in the room by being truly present.

Purchase College, State University of New York’s Broadway Technical Theatre History Project will present the Eleventh “Backstage Legends and Masters Award” to Michael Wyatt.

In some ways, Lolita Chakrabarti's Life of Pi, adapted from the novel by Yann Martel and directed by Max Webster, can feel like a grown-up version of the puppet-heavy visual multimedia spectacles often seen in high-end children's theatre.

The American Mavericks Project has revealed the winners of its inaugural 2024 Call for Scores, which solicited solo piano works by Black American composers of all ages. Learn more.

This Week's New Classified Listings on BroadwayWorld for 1/23/2025 include new jobs for those looking to work in the theatre industry.

The Jim Henson Foundation and the Ballard Institute and Museum of Puppetry at the University of Connecticut will present a new exhibition, American Puppet Theater Today: The Photography of Richard Termine. Learn how to purchase tickets.

Playwright August Wilson will be honored posthumously with the 2,799th star on the Hollywood Walk of Fame. Learn more about the honor and how to stream the ceremony here!

It is all about just telling stories through this little world that we create together, and many of us just bring in many of our personal experiences as actors or even just through our lives. And the show really invited that openness, for sure, because LOVE BOMB or just love in general is a topic that can go so many different ways.

Read our interview with Brian Jucha of LOVE BOMB at Catastrophic Theatre.