Virginia - 1928 - West End Articles Page 4

Gatsby isn't the only person who knows how to throw a killer party. The band is popping, the drinks are flowing, and the guests are lit like cigarettes. Theatre Baton Rouge's production of THE WILD PARTY is a scintillating and sweltering season opener full of lust and angst while driven by an electrifying jazz-rock-influenced score.

Oak Cliff's award-winning multicultural and multidiscipline center for the arts, Bishop Arts Theatre Center (BATC), announces the 2019/2020 theatre series season. Under the direction of Founder and Executive Artistic Director Teresa Coleman Wash, the 26th season celebrates color, culture, and creativity embodying the diverse community of voices that are found in North Texas.

On 8th December 2019, internationally celebrated American soprano, Constance Hauman, (www.constancehauman.com) will make her Vienna State Opera Debut. She will perform three roles (Queen Elizabeth I, Purity, Friend of Orlando's Child) in the cast of Orlando, a world premiere opera by Austrian composer, Olga Neuwirth, who is the first woman to be commissioned to compose an opera for the Vienna State Opera in over 150 years. Orlando is based on the novel (Published 11th October 1928) by Virginia Woolf. Costumes for the production will be designed by the legendary Japanese fashion designer, Rei Kawakubo, founder of Comme des Garçons fashion empire.

A high-spirited romp through history combining drama, live music, and comedy. Adapted by Sarah Ruhl and produced by Marvellous Machine Theatre Company.

high-spirited romp through history combining drama, live music, and comedy. Adapted by Sarah Ruhl and produced by Marvellous Machine Theatre Company.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

Signature Theatre presents Grand Hotel, the Musical directed by Signature Theatre Artistic Director Eric Schaeffer (Broadway's Gigi, Follies, and Signature's Titanic) and choreographed by Kelly Crandall d'Amboise (Signature's Light Years). Set in 1928 Berlin, a series of eclectic guests and staff including a fading ballerina, a destitute baron, a wannabe-starlet typist and an ailing bookkeeper collide at the bustling Grand Hotel. Grand Hotel the Musical runs through May 19, 2019 in Signature Theatre's intimate MAX Theatre.

With 'velvet stairs, easy chairs, and perfumed air gently blowing,' the Grand Hotel Berlin may not be a character in the traditional meaning of the word, however, it is the catalyst which sets in motion the fate of every guest who walks through its opulent revolving doors. For choreographer Kelly Crandall d'Amboise, it is her job to provide that motion as the production begins performances this week at Signature Theatre.

Jody Sperling/Time Lapse Dance presents Melting Ice/Changing Winds: Dance and Music of Climate Change from April 8-10, 2019 at The Center at West Park, Sanctuary Theater, 165 West 86 Street, NYC.  The performance schedule is Monday, April 8 at 7pm (followed by a talkback with the artists), Tuesday, April 9 at 7pm, and Wednesday, April 10 at 7:30pm.

Principal Guest Conductor David Charles Abell returns to his hometown of Philadelphia for Cole Porter's Broadway: Too Darn Hot, the explosive penultimate performance of The Philly POPS 40th Anniversary Season, April 12-14 at the Kimmel Center for the Performing Arts. 

Leonard Maltin, curator of the DVD release of the Silly Symphony series, said "Walt Disney was a visionary.  He used his Silly Symphonies to expand the medium of animation to the limits of his imagination.  They are among Walt's greatest achievements and deserve to be seen and enjoyed by a new generation."

In 1928 Virginia Woolf explored her freedom of identity with her novel Orlando. Coming out of a fierce but heartbreaking affair with Vita Sackville-West, Woolf imagined a young Elizabethan boy who lives for centuries, meeting poets and kings, and delving into sexuality and gender.

The Case Western Reserve University/Cleveland Play House MFA Acting Program is proud to present Noel Coward's classic comedy Hay Fever. This madcap play about a weekend with the eccentric Bliss family will star the MFA Class of 2020 and a guest performer.  Director Jerrold Scott's production will take the audience back to the 1920's and remind them of the joy of life and fear of boredom. The show will run from February 27th-March 9th in Helen Theatre at Playhouse Square.

After a sold out run last fall, the recent revival of The Diary of Anne Frank, by Frances Goodrich and Albert Hackett and newly adapted by Wendy Kesselman ('97 Broadway version) will return for a limited engagement previewing January 11, 2019.

The play will be shown from March 21, 2019 until March 24, 2019. 

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day today, September 21, 2018 from 1-7pm (open hours) and 3-6pm (performance/workshops) on the West Side of Broadway between 100th & 101st Streets.The event is free and for more information visit: http://timelapsedance.com/events/spot4dance/.

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day today, September 21, 2018 from 1-7pm (open hours) and 3-6pm (performance/workshops) on the West Side of Broadway between 100th & 101st Streets.The event is free and for more information visit: http://timelapsedance.com/events/spot4dance/.

Winner of the 2002 Tony Award for Best Play, The Goat, or Who is Sylvia? is about a profoundly unsettling subject: the irrational, confounding, and convention-thwarting nature of love. Martin-a hugely successful architect who has just turned fifty-leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with Sylvia, he sets in motion events that will destroy his family and leave his life in tatters. Albee's boundary-pushing play is puzzling, powerful, bawdy, and disturbing.

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day on Friday, September 21, 2018 from 1-7pm (open hours) and 3-6pm (performance/workshops) on the West Side of Broadway between 100th & 101st Streets. The event is free and for more information visit: http://timelapsedance.com/events/spot4dance/.

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day on Friday, September 21, 2018 from 1-7pm (open hours) and 3-6pm (performance/workshops) on the West Side of Broadway between 100th & 101st Streets.The event is free and for more information visit: http://timelapsedance.com/events/spot4dance/.

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day on Friday, September 21, 2018 from 1-7pm (open hours) and 3-6pm (performance/workshops) on the West Side of Broadway between 100th & 101st Streets.The event is free and for more information visit: http://timelapsedance.com/events/spot4dance/.

Jody Sperling/Time Lapse Dance, in conjunction with Community Board 7 presents Spot for Dance: A Micro Movement Festival and Community Zone as a part of PARK(ing) Day on Friday, September 21, 2018

Winner of the 2002 Tony Award for Best Play, The Goat, or Who is Sylvia? is about a profoundly unsettling subject: the irrational, confounding, and convention-thwarting nature of love. Martin-a hugely successful architect who has just turned fifty-leads an ostensibly ideal life with his loving wife and gay teenage son. But when he confides to his best friend that he is also in love with Sylvia, he sets in motion events that will destroy his family and leave his life in tatters. Albee's boundary-pushing play is puzzling, powerful, bawdy, and disturbing.

Interrobang Theatre Project is pleased to announce casting for the first show of its 2018-19 season: THE GOAT, OR WHO IS SYLVIA?, Edward Albee's provocative portrait of a marriage in flux, directed by Co-Artistic Director James Yost*.

HISTORY MATTERS/BACK TO THE FUTURE presents an evening of scenes from women's plays of the past, performed by renowned actors April Matthis (Lear; The Sound and the Fury; April Seventh, 1928), Maryann Plunkett (Blue Valentine, The Apple Family Plays) and Jay O. Sanders (Blindspot, The Apple Family Plays) directed by Joan Vail Thorne, founder of History Matters/Back to the Future.