The Women - 1936 - Broadway Articles Page 10

Multi Grammy Award-nominee violinist Philippe Quint celebrates his new album Chaplin's Smile, out Friday, January 11, 2019 on Warner Classics, with a international tour of concerts commemorating Charlie Chaplin's compositional talents as well as his encounters with the great composers of his day. Chaplin's Smile will be performed on Wednesday, January 16, 2019 at 12:15pm at the Chicago Cultural Center, presented by Dame Myra Hess Memorial Concerts, and later that day at 6:30pm in a free concert at the Chicago Women's Athletic Club.

2018 was an amazing year for theatre in Santa Fe and Albuquerque, and if the proposed seasons for area theatres are any indication, 2019 is going to be a great one, too. From classic plays to super contemporary ones, and of course, a decent amount of musicals, this year has a lot for theatregoers to look forward to. Here are some productions I'm particularly excited about in the coming months.

The fourth annual 'American Dance Platform' is now on stage at The Joyce from January 3-7 2019. The performances feature six of our nation's captivating companies in three inspired, shared programs.

Bay Street Theater is pleased to announce two of the three productions planned for the 2019 Mainstage Summer Season. The first will be the World Premiere of SAFE SPACE, which will run from May 28 - June 16. This new play is by Alan Fox and will be directed by three-time Tony Award Winner Jack O'Brien (The Hard Place, Hairspray, The Coast of Utopia).

The women of Yeshiva University's Stern College Dramatic Society (SCDS) present an all-women performance of THE GAME'S AFOOT at the Schottenstein Theater (560 West 185th street) Sunday, December 16 - Thursday, December 20.

City Repertory Theatre presents a staged reading of THE WOMEN, an all female 1936 classic, on Friday and Saturday, January 11 and 12 at 7:30 pm and Sunday, January 13 at 3 pm. The production brings together a star-studded ensemble of 10 of CRT's best actresses headed by Annie Gaybis, Anne Kraft and Julia Davidson Truilo. Every secret is laid bare in this no-holds barred struggle for social position, power and the 'right man'.

Macy Medford and Arden Guice may only be college students, but their performances as Violet and Daisy Hilton, the heroines of Side Show - the iconic musical by Bill Russell, Henry Krieger and Bill Condon that debuted on Broadway some 20 years ago - in Belmont University Musical Theatre's production that runs for just one weekend, are nothing less than a professional triumph for each young woman. Thoroughly committed and startlingly focused, Medford and Guice perform an oftentimes tricky, always challenging, task in order that the two young women effectively become their characters, ensuring the musical packs an emotional wallop delivered straight to the collective heart of its audience, while showcasing the evolution of a musical theatre program at the Nashville university, which over the years has gained a national reputation as the training ground of the next generations of Broadway stars yet to be.

A 1930s comedy for Christmas, Jeannie by rediscovered female playwright Aimee Stuart will open at the Finborough Theatre for a four-week limited season on Tuesday, 27 November 2018 (Press Nights: Thursday, 29 November and Friday, 30 November 2018 at 7.30pm).

A 1930s comedy for Christmas, Jeannie by rediscovered female playwright Aimee Stuart will open at the Finborough Theatre for a four-week limited season on Tuesday, 27 November 2018 (Press Nights: Thursday, 29 November and Friday, 30 November 2018 at 7.30pm).

The American Romanian Cultural Society (ARCS) in partnership with Romanian Cultural Institute, New York is excited to announce the full lineup for the 5th Edition of The Romanian Film Festival Seattle, screening November 2-4 at SIFF Cinema Uptown.

Kicking off their incredible 34th season, The Hampton Theatre Company (HTC) offers Ken Ludwig's hysterical play A Comedy Of Tenors. This comedy farce is actually a sequel to Mr. Ludwig's Tony nominated play Lend Me A Tenor and the wonderful cast at HTC certainly delivers. And we indeed need some laughter in these wearisome times.

The Public Theater announced the full line-up today for the 15th annualUNDER THE RADAR FESTIVAL, running January 3-13, 2019. This popular and highly-anticipated festival of The Public's winter season will include artists from across the U.S. and around the world, including Argentina, Australia, France, Lebanon, Nigeria, Norway, Palestine, and the UK. Curated by UTR Festival Director Mark Russell, this year's UNDER THE RADAR FESTIVAL continues to expand to venues throughout New York City in addition to The Public Theater's home at Astor Place. Tickets start at $25 and are on sale now.

'There is no better way of forgetting something than by commemorating it.' That's not from Bury the Dead, Irwin Shaw's 1936 expressionist anti-war play, but from Alan Bennett's The History Boys. The boys in question are clustered around a First World War memorial, learning, for the first time, a narrative that implicates Britain. 'So much for Our Glorious Dead,' says one of them.

The American Romanian Cultural Society (ARCS) in partnership with Romanian Cultural Institute, New York is excited to announce the full lineup for the 5th Edition of The Romanian Film Festival Seattle, screening November 2-4 at SIFF Cinema Uptown.

I decided to do our Much Ado with a company of women. It's a playful riposte to the numerous all-male productions of Shakespeare's - and indeed our own - time. And a wonderful opportunity to give women - including skilled, experienced 'older' women - a chance to play this rich range of parts.

On November 11, 2018, at 22 concerts around the world, 100 works by Polish composers will be performed to mark the 100th anniversary of Polish independence. “100 for 100: Musical Decades of Freedom,” presented in partnership with the Polish Cultural Institute New York, and PWM Edition, features the season-opening concert of the Oratorio Society of New York, at Carnegie Hall that Sunday at 2:00 pm.

Written by Nobel Prize Award-winner Luigi Pirandello, in a new version by Nicholas Wright, Naked begins performances Today, September 27 at 7pm at The Unicorn Theatre in Stockbridge, MA. Opening night is set for Saturday, September 29 at 7pm. Directed by Eric Hill (BTG: At Home at the Zoo, The Homecoming, Poe), the production features: David Adkins (Homeland BTG: The Petrified Forest, At Home at the Zoo) as Alfredo Cantavalle; Haley Aguero (BTG: Tarzan, The Music Man) as Emma; James Barry (Bloody Bloody Andrew Jackson BTG: The Caretaker, The Who's Tommy) as Franco Laspiga; Jeffrey Doornbos (A Thousand Miles Behind) as Consul Grotti; Tara Franklin (Sleep No More BTG: At Home at the Zoo, The Homecoming) as Ersilia Drei; Barbara Sims (A Streetcar Named Desire BTG: Benefactors) as Signora Onoria; and Obie and Drama Desk Award-winner, Rocco Sisto (The King and I BTG: The Homecoming) as Ludovico Nota. This production is sponsored by Lead Sponsor, Bobbie Hallig; Furlano and Arace, PC; The Westifeld News Group; Massachusetts Cultural Council and The Shubert Foundation.

With Spamilton: An American Parody currently running at the theatre, the Menier Chocolate Factory today announces full casting for their major revival of Hugh Whitemore's Pack of Lies. Hannah Chissick directs Jasper Britton as (Stewart), Sia Dauda (Sally), Alasdair Harvey (Peter Kroger), Chris Larkin (Bob Jackson), Macy Nyman (Julie Jackson), Tracy-Ann Oberman (Helen Kroger), Natalie Walter (Thelma) and Finty Williams (Barbara Jackson). The production opens on 1 October, with previews from 20 September, and runs until 17 November.

How do you remember those who came before? Season 35 begins with Milagro's beloved annual Dia de Muertos production. This year, we take inspiration from an imaginary creature unique to Mexican art. ¡Alebrijes! A Dia de Muertos Tale is a dream come to life, born out of one man's dying vision.

How do you remember those who came before? Season 35 begins with Milagro's beloved annual Dia de Muertos production. This year, we take inspiration from an imaginary creature unique to Mexican  art. ¡Alebrijes! A Dia de Muertos Tale is a dream come to life, born out of one man's dying vision.

Written by Nobel Prize Award-winner Luigi Pirandello, in a new version by Nicholas Wright, Naked begins performances Thursday, September 27 at 7pm at The Unicorn Theatre in Stockbridge, MA. Opening night is set for Saturday, September 29 at 7pm. Directed by Eric Hill (BTG: At Home at the Zoo, The Homecoming, Poe), the production features: David Adkins (Homeland BTG: The Petrified Forest, At Home at the Zoo) as Alfredo Cantavalle; Haley Aguero (BTG: Tarzan, The Music Man) as Emma; James Barry (Bloody Bloody Andrew Jackson BTG: The Caretaker, The Who's Tommy) as Franco Laspiga; Jeffrey Doornbos (A Thousand Miles Behind) as Consul Grotti; Tara Franklin (Sleep No More BTG: At Home at the Zoo, The Homecoming) as Ersilia Drei; Barbara Sims (A Streetcar Named Desire BTG: Benefactors) as Signora Onoria; and Obie and Drama Desk Award-winner, Rocco Sisto (The King and I BTG: The Homecoming) as Ludovico Nota. This production is sponsored by Lead Sponsor, Bobbie Hallig; Furlano and Arace, PC; The Westifeld News Group; Massachusetts Cultural Council and The Shubert Foundation.

Misty Copeland will open the 61st annual Dance Magazine Awards. The evening will honor Ronald K. Brown, Lourdes Lopez(presented by Darren Walker), Crystal Pite, and Michael Trusnovec (presented by Patrick Corbin). A special Leadership Award will be presented to Nigel Redden. Since 1954 the Dance Magazine Awards have recognized outstanding men and women whose contributions have left a lasting impact on dance. This year's Awards will take place on Monday December 3, 2018 at The Ailey Citigroup Theater at 7:30pm.

Irish master storyteller Brian Friel casts a nostalgic and transportive tale of five unmarried sisters and a household framed by their strength and persistence in the cherished classic Dancing at Lughnasa, directed by Amber Paige McGinnis, at Baltimore's Everyman Theatre, September 4 through October 7, 2018.

Cultural Revolution era China, an iconic Irish fiddle player, the centenary celebrations of the Republic of Estonia, and a link between architecture and mortality are among the inspirations for the new season of contemporary dance and performance at Tramway.

Perhaps if Clifford Odets' landmark pro-union drama, WAITING FOR LEFTY, hadn't opened the year before, Lillian Hellman's 1936 labor drama, DAYS TO COME, the sophomore Broadway effort of the playwright who made a huge name for herself two years earlier with THE CHILDREN'S HOUR, might have been better received.