The Shining Hour

The North American tour of Girl From the North Country is now underway, after launching in October in Minneapolis, MN.   Read the reviews for Girl From the North Country here!

The inaugural Alabama International Fringe Festival takes place May 12th-14th, 2023 in the River Region of Alabama. With live theatrical performances, pop-up performances, a film festival, live stories and even a digital fringe, the AIFF strives to provide a space to showcase unique theatrical experiences from anywhere in the world in the vibrant arts scene of the Alabama River Region.

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

Science Channel Three-Part Docu-Series to Offer Revealing Look at History of Computer and Tech Industry

The CAPA Summer Movie Series, the longest-running classic film series in America, celebrates its 47th anniversary in 2017 with an impressive assembly of classics, cult favorites, and beloved films.

Casting is today announced for Girl from the North Country which previews from Monday 10 July 2017 with a press night on Wednesday 26 July 2017.

The 67th season of the Festival d'Aix-en-Provence, under the leadership of General Manager Bernard Foccroulle, will present the world premiere productions of operas by Handel and Mozart; the French premiere of Jonathan Dove's children's opera The Monster in the Maze led by Sir Simon Rattle with the London Symphony Orchestra; and a revival of director Robert Carsen's acclaimed 1991 Festival production of Benjamin Britten's A Midsummer Night's Dream. The Festival's major vocal presentations this season will also include Serbian composer Ana Sokolovi?'s unconventional one-act a capella opera Svadba (Marriage), and a double bill presenting Persephone,Stravinsky's melodrama for tenor, female narrator, choir, children's choir, dancers and orchestra, with Tchaikovsky's last opera, Iolanta.

The national tour of ANYTHING GOES, Cole Porter's classic musical, will appear at Riverside's Fox Performing Arts Center for two performances, on Tuesday, November 25th and Wednesday, November 26th, at 7:30 p.m. each night. Dennis Setteducati, who plays Moonface Martin, spoke to Broadway World.

Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) announce recent recipients of the Alfred P. Sloan Foundation Initiative commissions for Manhattan Theatre Club. The commissioned writers are Jeff Augustin (Little Children Dream of God), Courtney Baron (A Very Common Procedure) and Juliana Nash (Murder Ballad), Nell Benjamin (The Explorers Club), Madeline George (The (curious case of the) Watson Intelligence), Tom Holloway (And No More Shall We Part), Nathan Jackson (Broke-ology), Branden Jacobs-Jenkins (An Octoroon), Greg Pierce (Slowgirl), and Alexandra Wood (The Initiate).

Steve Ross and Karen Oberlin's recent duo effort at 54 Below, Cheek to Cheek, was a show oozing charm, class, charisma, and chemistry, but most of all they conveyed their love for these legendary performers and the classic tunes associated with them.

In anticipation of the New York Philharmonic's staged performances of György Ligeti's 1975-77 opera, 'Le Grand Macabre', and its first complete New York performances May 27-29, 2010, Music Director Alan Gilbert and Douglas Fitch - the production's director and designer - will preview the unusual aspects of this production of the fantastical, absurdist opera in an Insights Series event, Tuesday, May 11, 2010, at 6:30 p.m.

In anticipation of the New York Philharmonic's staged performances of György Ligeti's 1975-77 opera, 'Le Grand Macabre', and its first complete New York performances May 27-29, 2010, Music Director Alan Gilbert and Douglas Fitch - the production's director and designer - will preview the unusual aspects of this production of the fantastical, absurdist opera in an Insights Series event, Tuesday, May 11, 2010, at 6:30 p.m.

Penned by a pair of downtown revue writers (Betty Comden and Adolph Green), composed by a wunderkind New York Philharmonic conductor (Leonard Bernstein), choreographed by a Ballet Theatre soloist (Jerome Robbins) and originally directed by musical comedy master George Abbott, there's never been a musical on Broadway that mixes highbrow and lowbrow with such a wondrous cacophonous clash as On The Town.