Review: Arts Club Theatre Company’s KIMBERLY AKIMBO Leaves a Lasting Impression
by Alyson Eng - Apr 14, 2026
A teenager with a dysfunctional family, a first crush, and a body that refuses to follow the rules of time. It’s an unusual combination, and one that has helped set KIMBERLY AKIMBO apart from other coming-of-age stories. At the Stanley BFL Canada Stage in Vancouver, BC, the Arts Club Theatre Company’s latest production brings that story to life.
Eastern Grace on a Western Stage: Lily’s Poetic Resonance in Angela Fantine Wan’s The Garden
by Team BWW - Apr 13, 2026
In 2025, London welcomed a new musical, The Garden, created by Angela Fantine Wan, offering theatre lovers a deeply evocative reimagining of a timeless story. Adapted from the classic children’s novel The Secret Garden by Frances Hodgson Burnett, the production invites audiences into a poetic landscape where memory, loss, and renewal intertwine.
LA Phil Reveals 2026/27 Walt Disney Concert Hall Season
by Chloe Rabinowitz - Mar 17, 2026
LA Phil President & CEO Kim Noltemy has unveiled the 2026/27 LA Phil season at Walt Disney Concert Hall. The season features figures including Esa-Pekka Salonen, who takes up his newly established role of Creative Director.
Jazz Power Initiative Honors Advocates of Jazz and the Arts at 2026 Syncopated Celebration
by A.A. Cristi - Mar 11, 2026
The Jazz Power Initiative will honor WBGO President & CEO Steven A. Williams, saxophonist Lakecia Benjamin, and Council Member Carmen De La Rosa at the Syncopated Celebration 2026. This event, set for May 14 at Leonard Nimoy Thalia at Symphony Space in Manhattan, celebrates the historical and cultural impact of jazz. Williams will receive the Rothman Family Syncopated Partnership Award, recognizing his contributions to jazz and his leadership at WBGO. The celebration underscores the enduring inf
Student Blog: To Bootleg or Not To Bootleg: Are Bootlegs Ethical?
by Student Blogger: Bella Noor - Mar 1, 2026
On stage performances are tangible, visceral, and unbelievably authentic. Yet, in this day and age, with a Broadway ticket averaging at over $100, finding accessible professional shows feels like a rarity. If the beauty of theater is experiencing it live, fully present, in a room with hundreds of other strangers, enjoying this specific, individual moment in time, are bootlegs killing or popularizing theater?