The Last Sweet Days of Isaac 1971

Even after 50 years, Jesus Christ Superstar is still rocking. It’s now celebrating its golden anniversary tour with a surplus of energy, talent, and, fittingly, golden glitter. It first began as a concept album in 1970 when the composers, Andrew Lloyd Webber and Tim Rice, were unable to get financial backing for a stage production. After the success of the album, the musical debuted on Broadway in 1971 and earned five Tony Award nominations.

BWW Reviewer Peter Nason chooses the 101 greatest Motown songs from 1960-1994. See if your favorite songs or artists made the list!

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

The 62nd BFI London Film Festival in partnership with American Express® today announces its full programme, featuring a diverse selection of 225 feature films from both established and emerging talent. This 12-day celebration of cinema illustrates the richness of international filmmaking, with films to delight and entertain audiences, and also films that probe and interrogate issues of significance.

Just four months after acclaimed Musical Director Barry Levitt tragically died of a heart attack just hours before a performance at the Laurie Beechman Theatre, Charlotte Patton--a beloved performer for whom Levitt frequently played and was one of his closest friends in Cabaret--died early Thursday morning at Mt. Sinai Hospital after an almost two-year battle with cancer. Both passed away at the age of 70. 

Acts listed below are performing at City Winery Chicago this October, 1200 W. Randolph Street, throughout the month.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

Sometimes it seems there is so much theater happening that it's difficult to keep track of it all. From personal experience, despite all the datebooks, smart phones, tablets, desktop computers and laptops...it's hard to keep everything straight in this wacky business of the show.

The Program Launch for the second half of 2015 shows that the Independent Music Theatre team comprising Luckiest Productions (David Campbell, Lisa Campbell and Richard Carroll), Neglected Musicals (Michelle Guthrie), and Neil Gooding Productions, the driving force behind Hayes Theatre Company, have no intention of slowing down are staying true to their vision to provide a permanent home for small-scale musical theatre and cabaret.

The Old Globe today announced the full cast and creative team for the World Premiere of Bright Star, a new American musical featuring music by Edie Brickell and Steve Martin, lyrics by Brickell, and book by Martin, based on an original story by Martin and Brickell. Directed by Walter Bobbie, Bright Star will run September 13 - November 2, 2014 on the Donald and Darlene Shiley Stage in the Old Globe Theatre, part of the Globe's Conrad Prebys Theatre Center. Preview performances run September 13 - September 27. Opening night is Sunday, September 28 at 7:00 p.m. Single tickets go on sale on Friday, August 8 at noon.

The acclaimed 1994 world premiere of the Klezmer musical Shlemiel the First, was at Boston's American Repertory Theater (ART).

Sonnet Repertory Theatre presents their Tenth Annual Benefit and Cabaret on Monday, November 14, bringing together a diverse and talented group of performers and composers at Joe's Pub to honor award-winning director and teacher, Gerald Freedman.

Sonnet Repertory Theatre presents their Tenth Annual Benefit and Cabaret on Monday, November 14, bringing together a diverse and talented group of performers and composers at Joe's Pub to honor award-winning director and teacher, Gerald Freedman.

Director-choreographer Mark Morris's much-lauded 2007 production of Gluck's Orfeo ed Euridice returns to the repertoire, with Stephanie Blythe taking on one of the pinnacles of the mezzo-soprano repertory, the role of Orfeo, for the first time in her career. Soprano Danielle de Niese, an acclaimed singer of eighteenth-century music and a graduate of the Met's Lindemann Young Artist Development Program, sings Euridice for the first time at the Met. Heidi Grant Murphy returns as Amor, which she performed at the production's premiere in 2007.