Stuff Happens

Recently, BroadwayWorld had the chance to speak with Lea Salonga about what it has been like bringing this show to the West End. We discussed the collaboration process with team members like Cameron Mackintosh and Julia McKenzie, her favourite Sondheim songs, and mastering a British accent!

Emerging Artists Theatre (EAT) is kicking off their 30th anniversary season by changing the name of their bi-annual New Work Series to Spark Theatre Festival NYC. The company will also return to premiering new works Off-Broadway in Fall 2023.

BroadwayWorld chats with baritone Darren Drone & soprano Chanae Curtis, stars of Verdi's comedic masterpiece 'Falstaff' at Opera San Jose February 11-26. The 2 up-and-coming singers represent the new face of opera.

The US premiere and strictly limited, nine-week New York engagement of David Hare’s new play, Straight Line Crazy, starring Ralph Fiennes as Robert Moses and directed by Nicholas Hytner and Jamie Armitage, will be presented this fall at The Shed.

First up - Peter Yagecic, Executive Director of Technical Projects who during the pandemic was in charge of all virtual and streaming events and leads the companies' drive into new frontiers like the Metaverse and beyond.

Pasadena Playhouse has announced casting and creative team for the Los Angeles premiere of the Richard Nelson, Richard Pevear, and Larissa Volokhonsky translation of Uncle Vanya by Anton Chekhov coming to the Playhouse June 1 through June 26; the press opening is Sunday, June 5 at 5 p.m. 

This month, FEINSTEIN’S/54 BELOW, Broadway’s Supper Club & Private Event Destination, presents  some of the brightest stars from Broadway, cabaret, jazz, and beyond. To purchase tickets or for more  information, visit www.54Below.com or call (646) 476-3551. 

Tonight, NBC will air its sixth live musical production. Following in the footsteps of The Sound of Music, Peter Pan, The Wiz, Hairspray, and Jesus Christ Superstar, the peacock network will be presenting Annie. Based on Harold Gray's comic strip titled Little Orphan Annie, this musical tells the story of a little orphan with equal measures of pluck and positivity who charms everyone's hearts, despite a next-to-nothing start in New York City in the year 1933.

The 2021 Adelaide Festival program, prepared over this past turbulent year under ever-changing circumstances, may just turn out to be one of the most necessary – and memorable.

BWW Reviewer Peter Nason chooses the best TV episodes from the 1950's to 2020; see if your favorites made the list!

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

Magnet Theater presents The Eleventh Annual New York Musical Improv Festival from March 12 - 15, 2020 at 254 W. 29th Street, ground floor (between 7th and 8th Avenues), NYC. Most tickets are $5-$15 and feature performances by two to four different musical improv acts per show. Festival Workshops are also being offered to people of all levels of experience! Tickets and Workshops will available for purchase at www.nymif.com.

Kinves Out has just recently hit the cinemas. It has gained great reviews from critics and audiences. Unfortunately, there was one fellow who left the cinema with a great sigh. Me, who just two hours earlier had waited for an interesting murder-mystery that would have kept me on the edge of my seat from the beginning to the end like The Prestige (Nolan, 2006) did.

Goldie Dver talks and sings of life from tragedy to triumph in a very personal journey, BACK IN MAMA'S ARMS at Don't Tell Mama

When Chris Thorpe performed his one-man show Status at the 2018 Edinburgh Fringe, he claimed, provocatively, it wasn't about Brexit. Now, as the withdrawal date fluctuates, the Fringe First-winning, globe-spanning show about how we acquire our national identity, and what happens when we try to escape it, confronts head on the guilt, alienation and identity crisis experienced in response to the biggest political upheaval of the Century.

Tom Lowe is a pop singer/composer who recently released a short video entitled 'Polanco'. It's enchanting to watch this little miraculous film about a small Mexican city and what goes on in one of its popular bars. The story is based on a real life incident in which Lowe was robbed in the back of a taxi in Mexico City. His disgust of the people eventually turned to respect and love when many came forward, helped him to survive and to produce his video. The full story is at the next to last link at the bottom of our interview and is an exciting and humanely worthwhile read. Lowe, born in England and with a multi-cultural background both here and abroad, discusses 'Polanco'and also his fascinating career thus far as an international pop singer and musical theatre actor.

Serenbe Playhouse has become known in Metro Atlanta for its immersive outdoor productions, and for their latest endeavor, director Brian Clowdus has recruited musical star power.

When Chris Thorpe performed his one-man show Status at the 2018 Edinburgh Fringe, he claimed, provocatively, it wasn't about Brexit. Now, as the withdrawal date draws ever nearer, the Fringe First-winning, globe-spanning show about how we acquire our national identity, and what happens when we try to escape it, confronts head on the guilt, alienation and identity crisis experienced in response to the biggest political upheaval of the Century.

After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.

After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.

After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.

The following is the unofficial transcript of a CNBC EXCLUSIVE interview with DoubleLine Capital CEO Jeffrey Gundlach and CNBC's Scott Wapner on CNBC's 'Fast Money Halftime Report' (M-F 12PM – 1PM) today, Monday, December 17th. The following is video from the interview on CNBC.com here. 

After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.

Following four sold-out performances of Joshua L. Peugh's Aladdin, Habibi in the Elevator Project at AT&T Performing Arts Center in October, Dark Circles Contemporary Dance (which is being featured as WaterTower Theatre's Guest Company in Residence) moves to Addison Theatre Centre-the company's new home theatre for 2019-for a Winter Series featuring three world premieres centering on gay identity in America. The new works will explore gay narratives, themes, and ideas and will be performed by a mostly queer company of dancers. Dark Circles has commissioned budding gay choreographers Mark Caserta, Eoghan Dillon, and Mikey Morado for the program. A new creation by Peugh-in collaboration with queer multimedia artist Brian Kenny-closes the evening. Performances will run January 24 - 27, 2019 at Addison Theatre Centre.