So This is Love - 1928 - West End Articles Page 8

The Drowsy Chaperone makes its Theatre Memphis debut on the Lohrey Stage March 9-31, 2018. In this comedic call back to the Golden Age, a man appears on stage and puts on his favorite record: the cast recording of a fictitious 1928 musical. The recording 'comes to life' and you have the ingredients for a masterful madcap evening that lovingly pokes fun at the musical theatre genre. Lovers on the eve of their wedding, desperate, bumbling friends, not-so-bright characters, imposters, and more perform one toe-tapping, rousing musical number after another.

The Drowsy Chaperone makes its Theatre Memphis debut on the Lohrey Stage March 9-31, 2018. In this comedic call back to the Golden Age, a man appears on stage and puts on his favorite record: the cast recording of a fictitious 1928 musical.  The recording "comes to life" and you have the ingredients for a masterful madcap evening that lovingly pokes fun at the musical theatre genre.  Lovers on the eve of their wedding, desperate, bumbling friends, not-so-bright characters, imposters, and more perform one toe-tapping, rousing musical number after another.

One thing becomes abundantly clear while witnessing Bailey McCall Thomas' emotionally charged performance of the song 'Cabaret' during a performance of the iconic Broadway musical of the same name: there is perhaps no 'title song' quite so evocative, quite so stunning as John Kander and Fred Ebb's composition for Cabaret. For it is during that song, performed by Sally Bowles in a Weimar era nightclub in Berlin, that the show's entire focus - every theme that shapes the work in order to tell its totally engrossing and entertaining story - is brought sharply into view, set to a memorable melody that seems at once to be both joyous and mournful, ensuring that every audience member experiences a response unique to them.

Following the success of their 2nd Annual Winter, the Peterborough Players are already looking ahead to summer with an announcement of their 2018 Summer Season; their 85th summer on Hadley Road. Their upcoming season promises to have everything audiences have come to love about the Peterborough Players. From known classics and engaging character studies, to a contemporary comedy and a big book musical: Summer 2018 is going to be a season to remember at the Players!

Working intimately with directors like Yasujiro Ozu, Akira Kurosawa, Kenji Mizoguchi and Kon Ichikawa on some of their most important films, Kazuo Miyagawa (1908-99) pushed Japanese cinema to its highest artistic peaks through his lyrical, innovative, and technically flawless camerawork. Considered the greatest cinematographer of postwar Japanese cinema whose career endured through the 1990s, Miyagawa has influenced generations of leading filmmakers around the world.

March line-up of Overture Presents and community programs provide engagement, entertainment and educational opportunities for all ages.

Following a sell-out season at the Abbey Theatre as part of the 100th anniversary celebrations of the 1916 Easter Rising, as well as a successful Irish and US tour, The Plough and the Stars comes to the Lyric Hammersmith as a co-production with the Abbey Theatre.

Artistic Director Rupert Goold today announces the Almeida Theatre's new season.

The 70th anniversary season of the Festival d'Aix-en-Provence will present an incomparable collection of artists from around the globe in six major opera productions; recitals, chamber music and orchestral concerts from July 4 through 24; plus multiple events from the Acad mie du Festival d'Aix in June and July. This double anniversary season - the Festival's 70th and the Academy's 20th - also celebrates the conclusion of Bernard Foccroulle's eleven-year tenure as general manager of the Festival. His legacy will be on display in the 2018 season with commissions, new productions, major participatory events, and significantly broader outreach to Arab and local audiences. Foccroulle will be succeeded by Park Avenue Armory artistic director and Dutch National Opera director Pierre Audi in September 2018.

Featuring a remarkable, awards-worthy, tour-de-force performance by actor John Tufts that will easily win you over no matter what your personal tastes or beliefs or politics may be, this admirable new regional production of Doug Wright's Tony and Pulitzer Prize-winning play I AM MY OWN WIFE---beautifully directed by Jenny Sullivan---continues performances at the Laguna Playhouse through January 28. Emotional, spiritual, and impressively staged, the play is one of these unique theatrical experiences that genuinely deserves your attention.

California Pops Orchestra, the country's only all-request pops orchestra, greets the New Year with songs spanning the Great White Way and the Silver Screen in Broadway Meets Hollywood at Cupertino's Flint Center. Packed full of songs from Tony and Oscar Award winners, Broadway Meets Hollywood performs one time only on Sunday, January 28, 2018, at 3 p.m. For tickets ($20-$55, standard ticket service fees apply), the public can visit www.ticketmaster.com or call (650) 856-8432.

The 70th anniversary season of the Festival d'Aix-en-Provence will present six full-scale opera productions and an international roster of exceptional artistry from July 4 through 24, 2018. The anniversary season also marks a milestone, as it celebrates the conclusion of Bernard Foccroulle's eleven-year tenure as general manager of the Festival. His legacy will be demonstrated in the coming season with commissions, new productions, major participatory events, and significant outreach to Arab, Mediterranean, and local audiences. Foccroulle will be succeeded by Park Avenue Armory artistic director and Dutch National Opera director Pierre Audi in September, 2018.

Miles Richardson leads an 11-strong cast of J. M. Barrie's rarely performed play DEAR BRUTUS in its centenary year at Southwark Playhouse, presented by Troupe Theatre and directed by Jonathan O'Boyle.

In a remarkable find, a previously unknown composition by Kurt Weill was recently discovered in a Berlin archive. The three-page manuscript in the composer's hand bears the peculiar title 'Lied vom wei en K se' ('Song of the White Cheese,' lyric by G nther Weisenborn).

Miles Richardson leads an 11-strong cast of J. M. Barrie's rarely performed play DEAR BRUTUS in its centenary year at Southwark Playhouse, presented by Troupe Theatre and directed by Jonathan O'Boyle.

Actors Co-0p Theatre Company (Ovation Award-Winner 2014 Best Intimate Theatre Musical for 110 in the Shade) presents the second show in its 26th Season, George S. Kaufman and Moss Hart's beloved comedy classic THE MAN WHO CAME TO DINNER.

Social commentary and satire with parallels to today, told through fantasy or absurdism, will be the focus of Promethean Theatre Ensemble's 2017-18 season.

CSULB's Powerful Production of MACHINAL Shines Light on a Woman's Struggle For Freedom in Cal Rep's 29th Season

In collaboration with the Recording Academy, GREAT PERFORMANCES presents GRAMMY Salute To Music Legends 2017, the second annual all-star concert offering a primetime spotlight for the Academy's 2017 Special Merit Awards recipients.

In collaboration with the Recording Academy, GREAT PERFORMANCES presents GRAMMY Salute To Music Legends 2017, the second annual all-star concert offering a primetime spotlight for the Academy's 2017 Special Merit Awards recipients.

To celebrate the 60 th anniversary of the classic Audrey Hepburn/Fred Astaire musical film, FUNNY FACE, Verve Records/UMe is releasing an expanded version of the colorful soundtrack featuring, for the first time ever, all the songs from the beloved romantic comedy resequenced in the order in which they're heard in the film.

Who better than Cumberland County Playhouse's artistic director Britt Hancock to take the helm of The Drowsy Chaperone, the latest show slated to open on the mainstage of Crossville's iconic theater? After all, he starred as Broadway producer Feldzieg in the national touring company of the Tony Award-winning show, tap dancing his way across the country and winning hearts and rave reviews all along the way.

1917. In a remote English village there are rumours of an enchanted wood. One of the inhabitants - a mysterious old man - invites eight strangers to stay. They all have something in common. When, one evening, the wood miraculously appears the guests feel compelled to enter. What happens there has the power to change their lives forever…

Belvoir has announced the productions making up their 2018 season, launched at an event at Belvoir St Theatre.

BroadwayWorld continues our exclusive content series, in collaboration with The New York Public Library for the Performing Arts, which delves into the library's unparalleled archives, and resources. Below, check out a piece by Annemarie van Roessel, Assistant Curator of the Billy Rose Theatre Division of the New York Public Library for the Performing Arts, on: Rare Portraits from the Golden Age of Circus.