So This is Love - 1928 - West End Articles Page 20

Rafael Fru?hbeck de Burgos will conduct the New York Philharmonic in the Overture to Glinka's Ruslan and Ludmila; Tchaikovsky's Violin Concerto, with Leonidas Kavakos as soloist; Debussy's Nocturnes, featuring the Women of the New York Choral Artists; and the Suite from Stravinsky's The Firebird (1919), Friday, November 26, 2010, at 8:00 p.m., Saturday, November 27, at 8:00 p.m. On Tuesday, November 30 at 7:30 p.m., Mr. Fru?hbeck will conduct the Orchestra in Glinka's Ruslan and Ludmila Overture; Haydn's Symphony No. 100, Military; Debussy's Noctures; and Stravinsky's Firebird Suite.

Music Director Alan Gilbert will conduct the New York Philharmonic in Aaron Jay Kernis's a Voice, a Messenger, a World Premiere-New York Philharmonic Co- Commission with the Big Band Association, featuring Philharmonic Principal Trumpet Philip Smith, and the New York Premiere of Christopher Rouse's Oboe Concerto, with Principal Oboe Liang Wang, Tuesday, December 28, 2010, Wednesday, December 29, and Thursday, December 30, at 7:30 p.m. Also on the program: Vivaldi's Concerto for Four Violins, RV 580, performed by Philharmonic violinists Sheryl Staples, Michelle Kim, Marc Ginsberg, and Lisa Kim; Hindemith's Horn Concerto, played by Principal Horn Philip Myers; and Ravel's Boléro.

Today we are talking to an Emmy-winning stage star best known for his unforgettable turns as the Wizard of Oz himself in the original Broadway cast of THE WIZ, as well as his Emmy-winning performance in both the Broadway and filmed version of AIN'T MISBEHAVIN'. In recent years, he has found much success with his choices of eccentric, oft-controversial roles, particularly those roles in the hot-button play PRYMATE and the David Yazbeck/Terrance McNally musical THE FULL MONTY. In this portion of our conversation, De Shields impresses with his effortless grace, studied theories on his craft and the art of theatre, all with taking a look forward to his newest stage venture - KNOCK ME A KISS by Charles Smith - which opens this weekend. We also discuss his role in the career of legendary songwriter Jim Steinman - from RHINEGOLD and BLOODSHOT WINE with Joe Papp in the 70s all the way to the workshop for the forthcoming BAT OUT OF HELL: THE MUSICAL.

Violinist Anne-Sophie Mutter joins the New York Philharmonic in the 2010-11 season as The Mary and James G. Wallach Artist-in-Residence. In this role she will perform three concerts with the Orchestra, conducted by Alan Gilbert, Michael Tilson Thomas, and Michael Francis (in his Philharmonic debut); two chamber concerts - with violist Yuri Bashmet and cellist Lynn Harrell in the first - and double bass player Roman Patkoló and Philharmonic musicians in the second; and a recital with her long-time collaborator, pianist Lambert Orkis. Ms. Mutter's programs will reflect a mix of eras, offering established violin repertoire alongside new works.

Violinist Anne-Sophie Mutter joins the New York Philharmonic in the 2010-11 season as The Mary and James G. Wallach Artist-in-Residence. In this role she will perform three concerts with the Orchestra, conducted by Alan Gilbert, Michael Tilson Thomas, and Michael Francis (in his Philharmonic debut); two chamber concerts - with violist Yuri Bashmet and cellist Lynn Harrell in the first - and double bass player Roman Patkoló and Philharmonic musicians in the second; and a recital with her long-time collaborator, pianist Lambert Orkis. Ms. Mutter's programs will reflect a mix of eras, offering established violin repertoire alongside new works.

Violinist Anne-Sophie Mutter joins the New York Philharmonic in the 2010-11 season as The Mary and James G. Wallach Artist-in-Residence. In this role she will perform three concerts with the Orchestra, conducted by Alan Gilbert, Michael Tilson Thomas, and Michael Francis (in his Philharmonic debut); two chamber concerts - with violist Yuri Bashmet and cellist Lynn Harrell in the first - and double bass player Roman Patkoló and Philharmonic musicians in the second; and a recital with her long-time collaborator, pianist Lambert Orkis. Ms. Mutter's programs will reflect a mix of eras, offering established violin repertoire alongside new works.

In his second consecutive week with the New York Philharmonic this season, Sir Colin Davis will lead the Orchestra in two works by Elgar - the Introduction and Allegro, and the Violin Concerto, with Nikolaj Znaider as soloist - and Mozart's Symphony No. 36, Linz, Thursday, December 9, 2010, at 7:30 p.m., Friday, December 10, at 8:00 p.m., and Saturday, December 11, at 8:00 p.m.

Florida Stage opens its 24th season with the new mystery 'Cane,' written by Andrew Rosendorf. Cane represents the first in a collection of plays being commissioned by Florida Stage about issues central to the state of Florida (The Florida Cycle). This is a deeply human and riveting new play with some extraordinary special effects-that looks at how it is possible that one of the wettest states in the nation has become so dry.

The Colony Theatre Company is thrilled to present its third and most magical production of its 36th season, BELL, BOOK AND CANDLE, written by John van Druten and directed by Richard Israel (Merrily We Roll Along), making his Colony Theatre directorial debut.

Rafael Fru?hbeck de Burgos will conduct the New York Philharmonic in the Overture to Glinka's Ruslan and Ludmila; Tchaikovsky's Violin Concerto, with Leonidas Kavakos as soloist; Debussy's Nocturnes, featuring the Women of the New York Choral Artists; and the Suite from Stravinsky's The Firebird (1919), Friday, November 26, 2010, at 8:00 p.m., Saturday, November 27, at 8:00 p.m. On Tuesday, November 30 at 7:30 p.m., Mr. Fru?hbeck will conduct the Orchestra in Glinka's Ruslan and Ludmila Overture; Haydn's Symphony No. 100, Military; Debussy's Noctures; and Stravinsky's Firebird Suite.

Violinist Anne-Sophie Mutter joins the New York Philharmonic in the 2010-11 season as The Mary and James G. Wallach Artist-in-Residence. In this role she will perform three concerts with the Orchestra, conducted by Alan Gilbert, Michael Tilson Thomas, and Michael Francis (in his Philharmonic debut); two chamber concerts - with violist Yuri Bashmet and cellist Lynn Harrell in the first - and double bass player Roman Patkoló and Philharmonic musicians in the second; and a recital with her long-time collaborator, pianist Lambert Orkis. Ms. Mutter's programs will reflect a mix of eras, offering established violin repertoire alongside new works.

Seattle Theatre Group (STG) and Northwest Film Forum (NWFF) present Trader Joe's Silent Movie Mondays this October at The Paramount Theatre in Seattle, Mondays at 7pm.

The Colony Theatre Company is thrilled to present its third and most magical production of its 36th season, BELL, BOOK AND CANDLE, written by John van Druten and directed by Richard Israel (Merrily We Roll Along), making his Colony Theatre directorial debut.

Reworking a classic story is not a new concept in the theatre world. Just ask the creators of Wicked or West Side Story. Taking something that audiences are already familiar with and turning it on its ear can be quite a task and is not without its challenges. First, there are the constant comparisons to the source material (or previous adaptations). Next, there is the daunting task to "reinvent" the plot and bring audiences on a fresh and new journey. But with the Alliance Theatre's premiere of Twist - an American Musical (a modern, American take on Charles Dickens' Oliver Twist) they beat the odds and have created a magical tapestry of music, story and life that, even with a classic tale at its heart, feels like a something completely new.

Last week I conducted an illuminating InDepth InterView with legendary producer and director Harold Prince in which we discussed his singular career, having won more Tony Awards than any other person on the planet for his near one-hundred productions since his start as George Abbott's assistant producer over fifty years ago. He produced such landmark musicals as DAMN YANKEES, THE PAJAMA GAME and WEST SIDE STORY in the 1950s and then went on to become a director in his own right with Kander & Ebb's FLORA, THE RED MENANCE (Liza Minnelli's Broadway debut), CABARET into the Sondheim series of masterpieces in the 1970s - COMPANY, FOLLIES, A LITTLE NIGHT MUSIC, PACIFIC OVERTURES, SWEENEY TODD - bridging into his two biggest commercial successes, the Andrew Lloyd Webber musicals EVITA and THE PHANTOM OF THE OPERA. Celebrating its 23rd year on Broadway in January, THE PHANTOM OF THE OPERA is the most successful entertainment of all time, more than any other musical, television show or even feature film in history. It's a juggernaut like no other and the mystery, magic and majesty that had made the show such a rousing success is thanks to the masterful eye-of-all-eyes, the true master director of the American Theatre, Harold Prince. But, will he be doing the sequel?

Performance Network, Michigan's most award-winning theatre, is proud to announce its 2010-2011 season. The year will feature seven shows beginning September 16, 2010 and running through August 28, 2011.

On September 1, 2010 The Alliance Theatre opened Twist for its Atlanta debut. Inspired by Charles Dickens' Oliver Twist, and in the rich musical tradition of Jelly's Last Jam, this heart-warming musical brings award-winning director/choreographer Debbie Allen (Fame) back to the Alliance, following her hugely successful Cat on a Hot Tin Roof (winner of the 2010 Olivier Award for Best Revival). The production runs through October 3, 2010. Check out the newly-released production photos below!