So This is Love - 1928 - West End Articles Page 5

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

We continue our series of interviews with leaders of the Garden State theatre community to find out how they are dealing with the current times and their plans for the future. We had the opportunity to learn about Union County Performing Arts Center (UCPAC) in Rahway, thanks to the Center's Executive Director, Brian Remo.

BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!

Quintessence Theatre Group, Philadelphia's professional classic repertory theatre, closes out its 10th Anniversary season with its first-ever three show repertory. From March 25-May 17, 2020 the company is presenting the Dreams and Madness Repertory. Each of these three plays explores the danger of love, the difference between dreams and madness, and the destructive power of authority and government. 

Aisle Say loves the ludicrous, is passionate for the preposterous, seeks the non-sequiturs, fancies the fool headed. Bring on LEND ME A TENOR, SPAMALOT, THE IMAGINARY INVALID and others of that genre.

a?oeHow can you feel liberated when your city's been crushed?a?? In the post-WWII setting of AN AMERICAN IN PARIS, this is the dilemma faced by the people who call the City of Light home--through birth, choice, or the displacement of war. For the young protagonists, healing comes through art, friendship, and love.

Now celebrating its 18th year, the annual production of THE MANOR has become a Los Angeles/Beverly Hills institution with several performances selling out even before tickets go on sale to the public. Its popularity, no doubt, is due to the scandalous true story as told by the talented actors who each inhabit their characters to a tee, costumed to time-period perfection, as well as the chance to be inside the grand and glorious architectural landmark in which the events of 91 years ago actually took place, performed in two acts taking place 10 years apart. The names of all characters in the tragic Doheny family saga have been changed, of course, a?oeto protect the guiltya?? as we are told before the play begins by the mansion's loyal butler, James, portrayed this year by David Hunt Stafford who also produces the show for Theatre 40 in association with The City of Beverly Hills.

With the topic of illegal immigration so prevalent in today's news, now is the perfect time to take a very personal look at the trials and tribulations of those who immigrated, both legally and illegally, to our country in THE NEW COLOSSUS, a new play co-written by The Actors' Gang ensemble and its Artistic Director Tim Robbins, who also directs the production. In it, twelve of the acting troupe's members tell their ancestors' stories, reflecting their great diversity, struggles and journeys from oppression to freedom, a real personal testament celebrating the courage and great character of the refugees who came to this country throughout the last 200 years.

2020 is upon us, we're back in the twenties! The cousins that get them shows buzzin', Brock Harris and Johnson Brock, bring you The Secret, Not-So-Secret Show. Mums the word but if you happen upon this ad please join us for a rousing night of jazz and drinks a?"speakeasy style. Rumor has it Courtney Reed (Aladdin, In the Heights) will be headlining with Telly Leung (Aladdin, a?oeGleea??) and there are whispers of other Broadway crooners and flappers attending our hotsy totsy evening. The roaring 20s are upon us, join for a night of crooning, swooning, and vintage costuming.

Orlando was a deeply engaging, intriguing and thought-provoking exploration whose pondering, messages, striking soundscapes and visuals reverberated and lingered long after the curtain had closed. It is a highly ambitious undertaking but Neuwirth and her colleagues were up for the challenge. What is most exciting is what has now been established for a venue such as The Wiener Straatsoper as we move into a new decade of uncertain times when it is vital that radical expressions of art and activism combined are given such a grand stage with which to proclaim their truths.

The Old Globe's 2020 Summer Season brings to Balboa Park an extraordinarily talented group of artists who will delight audiences with their unique takes on four great works of theatre. The season incudes a classic American musical, a new adaptation of a 20th century thriller, and two of Shakespeare's masterworks on our outdoor stage.

An interview with Beverly and Kirby Ward, producers and directors of the new production of 'Big River' at the Rubicon Theatre Company.

Wild Party is loosely based on a poem from 1928 about a couple who host a party. The description doesn't sound terribly appealing, does it? But this party was not your average dinner party. Often the cast interacted with the VIP audience members and the bartender, making us feel like we were all attending this party. While the guests wore their most elegant attire (superbly dressed by costume designer Rachael Dugas-Murray), this soiree degenerated into debauchery with sex, infidelity, a snort of cocaine, and a gun.

THE DROWSY CHAPERONE with music and lyrics by Lisa Lambert and Greg Morrison, book by Bob Martin and Don McKellar, offers audiences a toe-tapping trip back to the golden age of musicals, and took Broadway by storm, winning five Tony Awards. It spoofs musical-comedy fanatics and the genre itself, often called one of the wittiest, craziest shows ever to hit Broadway. The very entertaining production at Santa Monica's Morgan-Wixson Theatre through October 13 is directed by Kristie Mattsson, produced by Michael Jackson Heimos, with music direction by Daniel Koh, and choreography by Niko Montelibano.

The Firehouse Theatre has announced its 2020 season, which includes beloved classics, new work, a fan favorite, and a holiday show. The theme for the season is Do Something. The bold season opens with patron favorite The Drowsy Chaperone January 30 a?" February 23, 2020, which The Firehouse Theatre produced five years ago starring Janelle Lutz. The Firehouse Theatre Artistic Director Derek Whitener explains, a?oeOur patrons have been asking us to produce The Drowsy Chaperone again for years. It's the perfect way to open our anniversary season.a?? Janelle Lutz returns to Dallas to reprise her role as Janet van de Graaf in The Drowsy Chaperone.

2019 TCG Peter Zeisler Memorial Award Recipient Bishop Arts Theatre Center presents The Wild Party, a steamy prohibition tale, by Andrew Lippa. Directed by Adam Adolfo at the Bishop Arts Theatre Center, The Wild Party runs October 10 through October 27. Press Night/Opening Night will be Saturday, October 12 at 8:00 p.m.

Villanova Theatre is proud to present Orlando directed by Whiting and Barrymore Award winner James Ijames. Orlando runs Sept 24-Oct 6. i??

The Boston Modern Orchestra Project (BMOP), the nation's premier orchestra dedicated exclusively to commissioning, performing, and recording new orchestral music, begins its 24th season with a nod to the Jazz Age of the 1920s. The program's first half spotlights the preternatural theremin (invented in the 1920s) with the instrument's first concerto, written by Joseph Schillinger, juxtaposed with the world premiere of Dalit Warshaw's Sirens: A Concerto for Theremin and Orchestra, both performed by world renowned thereminist Carolina Eyck. The concert continues with three works representing the Roaring Twenties and its fascination with American pop culture: John Alden Carpenter's Krazy Kat and Skyscrapers, and Kurt Weill's Little Threepenny Music.

Theatre Baton Rouge will proudly present Andrew Lippa's THE WILD PARTY directed by Lily McGill from August 16-25!

On Wednesday, July 24, 2019, Santa Fe Opera presented Leoš Janáček's powerful dramatic opera Jenůfa. Laura Wilde, a former Santa Fe Apprentice who performed the title role at English National Opera in 2016, again sang the lead while Patricia Racette, who has often sung Jenůfa, portrayed her stepmother, Kostelnička. Both artists gave glorious dramatic interpretations of their roles in this shattering but moving opera.

The Merry a?" Go a?" Round Playhouse is now enchanting audiences with a breathtaking production of Grand Hotel the Musical. Director Brett Smock's productions often are memorable and this one is no exception. With the lavish set, spot on casting, and impressive choreography this production is one of the top productions I've seen presented at The Merry - Go a?" Round Playhouse.

When it opened on Broadway in 2006, The Drowsy Chaperone boasted an all-star cast and garnered five Tony Awards, including Best Book of a Musical and Best Original Score. You can expect that same quality in Broadway at Music Circus' third production of the summer, with Lynne Wintersteller returning to Sacramento in the title role. Lynne was last seen here in 2017 as Dolly Levi in Hello, Dolly! and as Mother Superior in Sister Act, where she solidified her place as Music Circus royalty and left audiences anticipating her return. We are now lucky enough to witness that event and Lynne was generous enough to speak with Broadway World Sacramento about her newest role and what we can expect from her in the future.

The evening was dedicated to the late Frank Ford, the founder of the Cabaret Festival.

Ute Lemper talks to BroadwayWorld UK about her role in Rendezvous with Marlene, her 'personal homage to that great lady', at the Arcola Theatre

Charlotte Ballet's SPRING WORKS, with a surprise cameo from the Merce Cunningham centennial, is another varied and provocative display by the Queen City's preeminent performing arts troupe