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Pretty Woman (Non-Equity) 2023 US Tour — Photo Coverage

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Pretty Woman (Non-Equity) US Tour


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Review: 'THE BOYS IN THE BAND' at Palm Canyon Theatre

by Charlie Thomas - Apr 17, 2024

What did our critic think of 'THE BOYS IN THE BAND' at Palm Canyon Theatre?

Photos: First Look at Jessie Davidson as Vivian Ward in PRETTY WOMAN: THE MUSICAL National Tour

by Chloe Rabinowitz - Oct 13, 2022

The producers of the first national tour of PRETTY WOMAN: THE MUSICAL have released first look photos of Jessie Davidson as Vivian Ward after her debut performance in Memphis, TN. Check out the photos here!

Photos: First Day of Rehearsals for THE LUCKY STAR at 59E59 Theaters

by Marissa Tomeo - Apr 7, 2022

Producer Douglas Denoff and 59E59 Theaters have announced the full cast and creative team of The Directors Company's production of The Lucky Star by Karen Hartman, part of the inaugural VOLT Festival at 59E59. Directed by Noah Himmelstein (Rooted), The Lucky Star begins previews on April 26, 2022, in Theater A and opens May 5 for a run through June 12, 2022.

BWW Review: HEIDI DUCKLER DANCE PRESENTS “THE CHANDELIER “ at The Wallis Annenberg

by Valerie-Jean Miller - Aug 28, 2021

They got hit with a double whammy. Not only were they sidelined first by the pandemic for a year and a half, but to now present 'The Chandelier' all this time later, and still under many Covid restrictions, the entire piece, which was to be 'site-specific' had to be reworked and reimagined. Heidi Duckler, the Founder/Artistic Director of Heidi Duckler Dance, and Choreographer of the piece gave a short introduction explaining how this World Premiere presentation came to be. 'The Chandelier' was inspired by a novel of the same name written by Brazilian Clarice Lispector and published originally in 1946. The book was translated recently from Portuguese into English by Magdelena Edwards and Benjamin Moser. The piece was first constructed to be performed at the Wallis Annenberg Center, highlighting different areas and spaces inside and outside of the theatre, different architectural patterns and settings, to tell the story of a young woman, Virginia, through her own musings and ideations. That was the original plan, however with all the Covid rules and restrictions still in place, it was realized it needed to be performed outside, and contained in one space, with the audience socially distanced. What was created was an innovative, stylized space that became different sets/places as the narrative unfolded, magically and mystically bringing her inner imagination to life.

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