Harewood is similarly understated in the title role. This military genius is suave and faintly self-satisfied, yet his descent into madness never really tugs at the emotions. Harewood falls heavily to the ground in the scene where Othello slips into a paralytic fit, but there’s not much light and shade to his verse-speaking. (It didn’t help, to be honest, that throughout the evening the audience was prone to chortle at scenes and lines that weren’t remotely comical.)
There’s a lack of dynamism and propulsion to the direction. There’s also an uncertainty of tone: the endless assertions of Iago’s honesty come across as absurd rather than ironic. Multiple scenarios provoke titters rather than horror, including Iago’s invented account of Cassio (an unremarkable Luke Treadaway) sleepily snogging him in bed while dreaming of Desdemona, and Desdemona’s cry of “kill me tomorrow” on the point of her death.
| 1751 | Broadway |
Broadway |
| 1865 | Broadway |
Broadway |
| 1904 | Broadway |
Broadway |
| 1905 | Broadway |
Broadway |
| 1906 | Broadway |
Broadway |
| 1907 | Broadway |
Broadway |
| 1907 | Broadway |
Broadway |
| 1907 | Broadway |
Broadway |
| 1909 | Broadway |
Broadway |
| 1911 | Broadway |
Broadway |
| 1913 | Broadway |
Broadway |
| 1914 | Broadway |
Broadway |
| 1915 | Broadway |
Broadway |
| 1918 | Broadway |
Broadway |
| 1925 | Broadway |
Broadway |
| 1935 | Broadway |
Broadway |
| 1937 | Broadway |
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| 1943 | Broadway |
Broadway |
| 1945 | Broadway |
Broadway |
| 1970 | Broadway |
Broadway |
| 1982 | Broadway |
Broadway |
| 2009 | West End |
London Production West End |
| 2016 | Off-Broadway |
NYTW Off-Broadway Revival Off-Broadway |
| 2017 | West End |
National Youth Theatre Adaptation West End |
| 2025 | Broadway |
Broadway Revival Production Broadway |
| 2025 | West End |
West End |
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