An exhilarating and dazzling show that swerves the controversies
8 / 10
It’s a sophisticated take on a jukebox musical, staged by Wheeldon with such energy and panache that the trajectory is breathtaking, scenes folding in and out of each other seamlessly. One particularly vivid sequence, for example, sweeps us from a disco party of celebration into the shapes and atmosphere of “Thriller”, complete with the press corps as the zombies and Jackson’s father Joseph as chief villain, into Jackson’s triumphant night at the 1984 Grammys, when he swept the board.
