Little Women - 1945 - Broadway Articles Page 3

The Jerome Robbins Dance Division has selected its new class of Dance Research Fellows. Selected from a record number of applicants, these researchers and artists will delve into the Dance Division's archives to explore the theme of dance and immigration.

ALL ARTS, the broadcast and digital platform created by New York Public Media company WNET, is excited to announce the Never in New York Festival, a broadcast and streaming celebration of international film, opera and theatrical works rarely presented to the New York audience. 

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task.  Check out our full list here! 

Elia Suleiman, Asian-American Filmmaking, LA HAINE, FilmAfrica, And More Announced At BAM, April-May 2020

Mabou Mines, the esteemed experimental theater company, and Weathervane Productions, in association with Philip Glass' Days and Nights Festival, add free documentary film screening and Promenade concert performance, and announce complete casting for a unique upcoming celebration of legendary playwright and director María Irene Fornés. The February 21-March 7 engagement centers on the New York premiere of Philip Glass' transformation of her five-page play Drowning into an opera and a version of Fornés' acclaimed Mud. JoAnne Akalaitis directs these two intimate productions-both with new music composed by Glass-at Mabou Mines (150 First Avenue).

Manhattan Theatre Club (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) has announced the lineup for the 2020 Ted Snowdon Reading Series.

Theatre fans need not travel all the way to New York City to get a taste of Broadway. Though the Big Apple boasts perhaps the freshest productions and greatest talents in the world, many of the most successful shows on Broadway will eventually hit the road- bringing and equally magical (though sometimes slightly updated) version of their production to cities across the country.

On Sunday 26 January, Yellow Earth Theatre launched Tsunagu/Connect; a project that aims to uncover the lives of Japanese Women living in the UK.

A new musical adaptation of Enid Blyton's Malory Towers is heading to Storyhouse during Summer 2020.

David Pugh will present Emma Rice's critically acclaimed musical adaptation of Enid Blyton's Malory Towers, originally created with Wise Children. This new production will be co-produced with Theatre by the Lake, Keswick, where the production will open on 27 March 2020, before going on a national tour, concluding at Southbank Centre's Queen Elizabeth Hall, where it will play from 27 July to 31 August, with national press performances on 31 July, 1 and 2 August.

Vancouver Art Gallery presents Rapture, Rhythm and the Tree Of Life - Emily Carr and Her Female Contemporaries from December 7, 2019 to June 28, 2020. Emily Carr (1871-1945) is an iconic Canadian artist who is widely recognized for her paintings of the forested landscapes of British Columbia that evoke the possibility for transcending the material world through the colour, shapes and rhythms of nature. Drawn primarily from the Gallery's permanent collection, this exhibition features a number of Carr's paintings of forest interiors-environments that she often described in her journals as offering an almost rapturous connection to the divine.

Theatre for a New Audience founding artistic director Jeffrey Horowitz, having just received the Lifetime Achievement Award at the 2019 OBIEs, today announces TFANA's 40th anniversary season. The 2019-2020 programming exemplifies what makes TFANA, in the words of the OBIE committee, one of the city's most vital institutions championing adventurous and urgent productions of Shakespeare alongside other writers.

'I hope they laugh at times, cry at times, and walk away filled with love for everyone!'

Wise Children's adaptation of Enid Blyton's Malory Towers, co-produced by York Theatre Royal in association with Bristol Old Vic, will star Rebecca Collingwood as Gwendoline Lacey, Mirabelle Gremaud as Irene Bartlett, Vinnie Heaven as Bill Robinson, Izuka Hoyle as Darrell Rivers, Renee Lamb as Alicia Johns, Francesca Mills as Sally Hope and Rose Shalloo as Mary Lou Atkinson. Adapted and directed by Emma Rice, the musical opens on 25 July 2019 at The Passenger Shed in the company's home city of Bristol, before embarking on a national tour to Cambridge, York, Exeter, Manchester and Oxford.

The FSCJ Artist Series, sponsored by Vystar Credit Union, is proud to announce the 19/20 Broadway in Jacksonville season, filled with award-winning blockbusters and family favorites. Next season's Broadway lineup will expand to five shows, featuring the eagerly anticipated HAMILTON, joined by WICKED, RENT 20th ANNIVERSARY TOUR, BANDSTAND and ANASTASIA. All performances will be at the Times-Union Center.

Celebrating the life and work of Ethyl Eichelberger with panelists, live performances and archival materials. The event, curated by Michal Gamily, is moderated by Miss Joan Marie Moossy; with panelists, Brian Belovitch, Joe E Jeffreys, John Kelly, Lori E Seid, Black-Eyed Susan, and Mark Russell; live performances by Black-Eyed Susan, Jennifer Miller, and Jeremy Halpern with Auntie Belle; and archival material from the La MaMa Archives.

Arena Stage at the Mead Center for American Theater announces the full company for Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square. After growing up subjected to her father's disinterest and strong resentment, a young woman in the 1850s discovers what love is in her journey towards independence, growth and strength, without an impactful female role model in her life. Directed by Deputy Artistic Director Seema Sueko, The Heiress runs February 8 - March 10, 2019 in the Fichandler Stage.

As a self-proclaimed musical theater geek, I'll admit to some gaps in my geekdom and Tom Jones and Harvey Schmidt's 1966 musical "I Do! I Do!" falls squarely into that gap. Before going to see the current production at Village Theatre I knew nothing about it. I don't even think I've heard the errant song from it off one of my many compilation albums. And now having seen it I'm more than happy to let it fall back into obscurity. With its paper thin, almost conflict free storyline, and songs that simply peter out into an air of forgetfulness, the only thing that saved the evening were the two people performing the show, Kendra Kassebaum and Peter Saide, but even they couldn't save this one.

Arena Stage at the Mead Center for American Theater announces the full company for Ruth and Augustus Goetz's melodrama, The Heiress, suggested by the Henry James novel, Washington Square. After growing up subjected to her father's disinterest and strong resentment, a young woman in the 1850s discovers what love is in her journey towards independence, growth and strength, without an impactful female role model in her life. Directed by Deputy Artistic Director Seema Sueko, The Heiress runs February 8 - March 10, 2019 in the Fichandler Stage.

American Captives: Lena Baker & Sandra Bland, will open Thursday, October 4th, 2018. Written and performed by Connie Winston, and directed by Rhonda 'Passion' Hansome, this poignant visceral theatrical experience combines the two stories, Lena Baker and Sandra Bland. After a one-day trial in 1945, an all-white male jury deliberates for under an hour and sentences Lena Baker to death for killing her abusive lover. Three days after being pulled over by a Texas State Trooper in 2015 for not using a turn signal, Sandra Bland was found dead in a Waller County jail cell.

Performances have begun for American Captives: Lena Baker & Sandra Bland, written and performed by Connie Winston and directed by Rhonda "Passion" Hansome. The limited engagement will play at Dixon Place Fridays and Saturdays through October 20 at 7:30pm.

American Captives: Lena Baker & Sandra Bland, will open Thursday, October 4th, 2018. Written and performed by Connie Winston, and directed by Rhonda 'Passion' Hansome, this poignant visceral theatrical experience combines the two stories, Lena Baker and Sandra Bland. After a one-day trial in 1945, an all-white male jury deliberates for under an hour and sentences Lena Baker to death for killing her abusive lover. Three days after being pulled over by a Texas State Trooper in 2015 for not using a turn signal, Sandra Bland was found dead in a Waller County jail cell.