Interview: Bailey Frankenberg of PETER PAN at The Fox Theatre
by Joseph Harrison - Apr 24, 2025
In today’s culture, it is hard to find anyone who doesn’t have some experience with the story of Peter Pan. For many, their first exposure to the “boy who refused to grow up” was through Walt Disney’s classic 1953 animated film. Others first journeyed off to Neverland with Peter and Wendy by reading the original 1904 play by J.M. Barrie. And in between (and beyond) have come many different iterations of this timeless adventure. But for musical theatre fans, there is just one PETER PAN – the classic 1954 stage musical which starred Mary Martin and was captured for posterity through a 1955 NBC broadcast. So how does one take a story with its beautiful score but also some troublesome stereotypes and bring it to an audience in 2025? That is just what Larissa FastHorse and the team bringing PETER PAN to life on the stage at the fabulous Fox Theatre have done – taken a classic and updated it for a new generation. And in the role of Tiger Lily, Bailey Frankenberg has a front row seat to what makes this story so magical. I had the chance to catch up with Bailey and hear all about her career and what it is like to play an iconic (but updated) heroine as well as serve as Fight and Flight captain for the show.
Broadway Musicals for Every US State
by Jennifer Ashley Tepper - Apr 13, 2025
This time, the reader question was: There are only three states in America without known Broadway musicals set within their borders. Can you guess which three? WE're breaking it down state by state.
An In-Depth History of the Orpheum Theatre
by Jennifer Ashley Tepper - Feb 9, 2025
Some of the shows that the Orpheum has been best known for are Stomp, which ran there for an astounding 29 years, from 1994 to 2023, and the original production of Little Shop of Horrors which spent over five years at the theater from 1982 to 1987.
Review: Re-Imagined PETER PAN Takes Flight at Citizens Opera House
by R. Scott Reedy - Jan 24, 2025
Theater fans have a long and affectionate history with the musical “Peter Pan,” and the J.M. Barrie play, “Peter Pan; or the Boy Who Wouldn’t Grow Up,” and subsequent novelization, “Peter and Wendy,” of the classic story of the little boy who can fly that inspired it.
Review: PETER PAN at Orpheum Memphis
by AniKatrina Fageol - Nov 29, 2024
These are some of the first lyrics that made me fall in love with musical theatre. I have been a fan of Peter Pan as long as I can remember, and was always jumping around my room, trying to fly. When I worked at Walt Disney World, Peter Pan and Tinkerbell were my favorite characters to work with, and before I left Disney, I got a tattoo of Peter's shadow, to always remind me to embrace my inner child.
Review: A Delightful, Reimagined PETER PAN Musical Flies Into OC's Segerstrom Center
by Michael Quintos - Aug 14, 2024
Aimed at offering a more progressive framework that tweaks the infamous story, this admirable revised version reflects a purposefully modern approach to the classic story, attempting to balance the original's charm and whimsy with contemporary sensibilities. This brand new national tour continues at Segerstrom Center for the Arts thru August 18.
Review: PETER PAN National Tour Presented by Broadway In Chicago
by Zac Thriffiley - Mar 29, 2024
This newest adaptation of PETER PAN unquestionably corrects injustices that never should have been committed in the first place. But by flying Peter so enthusiastically into 2024, the creative team has stripped him and his story of some of their magic, making the boy who wouldn't grow up more out of touch than out of time.
GASLIGHT Will Tour Australia in 2024
by Stephi Wild - Oct 18, 2023
Set to be one of the most talked about performances of 2024, Gaslight, a modern adaptation of the 1940’s suspenseful thriller by Patrick Hamilton and starring Geraldine Hakewill and Toby Schmitz, is set to tour Australia from February 2024.
Review: PETER PAN at Knight Theater
by Perry Tannenbaum - Apr 28, 2023
The new Charlotte Ballet production of PETER PAN, choreographed by Christopher Stuart, is the most inclusive and politically correct I've seen, retaining sets and costumes from previous editions while completely changing the music. Plenty of delightful surprises and only one SOS: it's a no-fly zone.