Let's Make an Opera - 1950 Broadway History , Info & More
Let's Make an Opera - 1950 - Broadway Articles Page 1
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by A.A. Cristi - Sep 10, 2020
Nimble, resourceful, transformative, that's the Guerillas of Boston in a nutshell. In their 14th season they have expanded their digital programming to give you so much more!
by Peter Nason - Jun 11, 2020
BWW Reviewer Peter Nason chooses the 101 greatest Motown songs from 1960-1994. See if your favorite songs or artists made the list!
by Peter Nason - May 26, 2020
BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!
by Peter Nason - Apr 16, 2020
The Beatles! Rihanna! Michael Jackson! Johnny Cash! Kanye West! The Rolling Stones! Aretha Franklin! Bob Dylan! Miles Davis! Nirvana! BWW Reviewer Peter Nason chooses the greatest albums from the rock and rap era (1950-2020); see if your favorites made the grade!
by Peter Nason - Mar 30, 2020
BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!
by Peter Nason - Feb 29, 2020
Great voices and incredible sets and lighting cannot hide the weaknesses of the musical.
by Stephi Wild - Feb 20, 2020
Guerilla Opera, known for all things new, intimate, and experiential, gives you more new works, more composers, fabulous All Stars, and more events in their 13th season with performances in Boston and Washington D.C.!
by Walter McBride - Apr 29, 2019
BroadwayWorld is saddened to report that Broadway veteran Elizabeth Josephine 'Jo' Sullivan Loesser passed away yesterday, April 28, from heart failure in her New York City Home. She was 91 years old.
by Nicole Rosky - Feb 23, 2018
According to the New York Times, Tony and Emmy Award-winning star of the stage and screen, Nanette Fabray passed away yesterday at her California home. She was 97 years old.
by Rachel Weinberg - Apr 28, 2017
Shortly before performances began for MY FAIR LADY at Lyric Opera, I had the opportunity to sit down with Lisa O'Hare (Eliza Doolittle) and Bryce Pinkham (Freddy Eynsford-Hill) for a conversation backstage at the opera house. O'Hare and Pinkham are no strangers to working together, as they both originated roles in the 2014 Tony Award-winning musical A GENTLEMAN'S GUIDE TO LOVE AND MURDER. Pinkham in fact revealed that one of the reasons he signed on to MY FAIR LADY was to have a 'front-row seat' to see O'Hare's take on Eliza, a role she has performed previously in the West End and in a 2008 U.S. national tour. While dressed in street clothes but still wearing faces full of stage makeup, O'Hare and Pinkham chatted with me about what it's been like to reunite, why they're excited to be involved in this staging of Lerner and Loewe's classic musical, and how it feels to perform on the Lyric stage. Read on for excerpts from the conversation.
by Molly Tracy - Oct 4, 2016
Goodman Theatre presents Mary Zimmerman's revival of Wonderful Town, extending the show through October 23. Featuring a company of over 40 actors and musicians, the Goodman production of Leonard Bernstein's whimsical love letter to Manhattan marks the first major revival in more than 10 years.
by Caryn Robbins - Aug 22, 2016
Today, production designer David Korins speaks exclusively with BWW about the challenges and triumphs of re-creating the 1950's for a live television audience.
by BWW News Desk - May 20, 2016
Legendary scenic and costume designer, MICHAEL YEARGAN (currently represented on Broadway with Fiddler on the Roof and The King and I), and costume designer SUSAN TSU are among the 2016 TDF/Irene Sharaff Awards recipients. The awards will be presented at a ceremony tonight, May 20, at 6:30pm, at the Edison Ballroom (240 West 47th Street).
by BWW News Desk - May 18, 2016
Legendary scenic and costume designer, MICHAEL YEARGAN (currently represented on Broadway with Fiddler on the Roof and The King and I), and costume designer SUSAN TSU are among the 2016 TDF/Irene Sharaff Awards recipients. The awards will be presented at a ceremony on Friday, May 20, at 6:30pm, at the Edison Ballroom (240 West 47th Street).
by Tyler Peterson - Mar 31, 2016
Legendary scenic and costume designer, MICHAEL YEARGAN (currently represented on Broadway with Fiddler on the Roof and The King and I), and costume designer SUSAN TSU are among the 2016 TDF/Irene Sharaff Awards recipients. The awards will be presented at a ceremony on Friday, May 20, at 6:30pm, at the Edison Ballroom (240 West 47th Street). Ms. Tsu was selected to receive the 2016 TDF/Irene Sharaff Lifetime Achievement Award for costume design and Mr. Yeargan will receive the Robert L.B. Tobin Award for Sustained Excellence in Theatrical Design. The awards are presented through Theatre Development Fund's Costume Collection.
by Pat Cerasaro - Jun 19, 2015
Today we are toasting this week's big news than Megan Hilty will take on the title role in ANNIE GET YOUR GUN.
by Pat Cerasaro - Mar 27, 2015
Today we are celebrating the many stage and screen iterations of CINDERELLA.
by Erica Miner - Oct 16, 2014
Opera has been as large an identification with Thomas Hampson's persona as anything else.
by BWW News Desk - Sep 26, 2014
Guerilla Opera presents Let's Make a Sandwich, an experiment in opera production, which includes two world premiere operas with music and librettos by composers Rudolf Rojahn and Curtis K. Hughes, and stage direction by Copeland Woodruff and Giselle Ty. Through performance, this production investigates the culture of contemporary opera production and highlights where the influence of the composer ends and the director begins. Let's Make a Sandwich plays for one weekend only: Thursday through Saturday, September 25, 26 and 27, 2014, at 8 p.m. with an audience talk-back on Friday, September 26; all performances are in The Zack Box Theater at The Boston Conservatory, located at 8 The Fenway in Boston, MA. Tickets can be purchased beginning Wednesday, September 10, 2014, and are $15 general admission, $10 senior citizens and free for students with a valid ID (for at-the-door purchases only). Please call The Boston Conservatory Box Office at (617) 912-9222 or visit www.bostonconservatory.edu/tickets for more information. Let's Make a Sandwich is sung in English and is 90 minutes in duration.
by BWW News Desk - Sep 25, 2014
Guerilla Opera presents Let's Make a Sandwich, an experiment in opera production, which includes two world premiere operas with music and librettos by composers Rudolf Rojahn and Curtis K. Hughes, and stage direction by Copeland Woodruff and Giselle Ty. Through performance, this production investigates the culture of contemporary opera production and highlights where the influence of the composer ends and the director begins. Let's Make a Sandwich plays for one weekend only.
by BWW News Desk - Aug 25, 2014
Guerilla Opera presents Let's Make a Sandwich, an experiment in opera production, which includes two world premiere operas with music and librettos by composers Rudolf Rojahn and Curtis K. Hughes, and stage direction by Copeland Woodruff and Giselle Ty. Through performance, this production investigates the culture of contemporary opera production and highlights where the influence of the composer ends and the director begins. Let's Make a Sandwich plays for one weekend only: Thursdaythrough Saturday, September 25, 26 and 27, 2014, at 8 p.m. with an audience talk-back on Friday, September 26; all performances are in The Zack Box Theater at The Boston Conservatory, located at 8 The Fenway in Boston, MA. Tickets can be purchased beginningWednesday, September 10, 2014, and are $15 general admission, $10 senior citizens and free for students with a valid ID (for at-the-door purchases only). Please call The Boston Conservatory Box Office at (617) 912-9222 or visit www.bostonconservatory.edu/tickets for more information. Let's Make a Sandwich is sung in English and is 90 minutes in duration.
by Tyler Peterson - Aug 25, 2014
Guerilla Opera presents Let's Make a Sandwich, an experiment in opera production, which includes two world premiere operas with music and librettos by composers Rudolf Rojahn and Curtis K. Hughes, and stage direction by Copeland Woodruff and Giselle Ty. Through performance, this production investigates the culture of contemporary opera production and highlights where the influence of the composer ends and the director begins. Let's Make a Sandwich plays for one weekend only: Thursday through Saturday, September 25, 26 and 27, 2014, at 8 p.m. with an audience talk-back on Friday, September 26; all performances are in The Zack Box Theater at The Boston Conservatory, located at 8 The Fenway in Boston, MA. Tickets can be purchased beginning Wednesday, September 10, 2014, and are $15 general admission, $10 senior citizens and free for students with a valid ID (for at-the-door purchases only).
by BWW News Desk - Jan 30, 2014
Opera Theatre of the Rockies is excited to announce their 16th Season – “A Season of Exotic Splendor” featuring two full-scale productions that will transport audiences to mystical lands of passion, romance and drama. The season will also include the expanded 2014 Vocal Arts Festival.
by Guest Blogger: Eric Ulloa - Nov 1, 2013
Like a page straight out of a comic opera, 'The Most Happy Fella' utilizes a trio of comic relief to introduce us to the world of Tony's Vineyard and just how damn Italian it all is. This relief comes in the form of three chefs that work for Tony and when not cooking, they belt out their powerhouse voices (you have NO idea what you're in store for until you hear them!) that bring down the house eight shows a week. This week I give you the actors that bring Pasquale, Guiseppe and Ciccio to life - Martin Sola, Greg Roderick and Daniel Berryman. I hope you enjoy getting to know this tasty trio! (I promise that sounded a lot less creepy in my head)
by Stephen Hanks - Jul 27, 2013
With the International Al Jolson Society's 17th Annual Long Island Festival just three weeks away (On August 17, from 9am to 4:30pm, at Oceanside Knights of Columbus, 2985 Kenneth Place, Oceanside, NY 11572.), BroadwayWorld.com Cabaret Review/Columnist and passionate Al Jolson fan Stephen Hanks fantasizes about what it might be like to have a conversation with 'The World's Greatest Entertainer,' 53 years after he died. You ain't read nothin' yet.
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