If I Were You - 1892 New York History , Info & More
If I Were You - 1892 - New York Articles Page 2
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by Frank Benge - Oct 29, 2016
BroadwayWorld recently had an opportunity to sit down with Jeff Davis, Artistic Director for Agape Theatre and author of an adaptation for the stage of Charlotte Perkins Gilman 's 1982 short story THE YELLOW WALLPAPER for a rare look into the process of adapting a classic piece of literature as a theatrical experience. THE YELLOW WALLPAPER will play the Hewlett Room of the Georgetown Public Library for one night only, Saturday, November 12th at 7:30pm.
by Don Grigware - Oct 17, 2016
I have heard this little double couplet poem since childhood, and have always been terrified by it, so, if I see a story depicted about accused murderess Lizzie Borden of Fall River, Massachusetts, I expect two people to end up corpses, her stepmother and her father. In the new musical by Katrina Wood Spindle City: The Lizzie Borden Musical, now playing at the Secret Rose Theatre, only her father's murder is enacted. But... Lizzie loved her father, in spite of his intolerable business tactics, and... despised her money-hungry stepmother. Does this omission of her murder from the retelling of the infamous story make any sense? Hardly. But that's just one of the problems plaguing this uneven musical at the Secret Rose through November 5.
by BWW News Desk - Jul 19, 2016
To celebrate the life of Victoria Woodhull and promote ONWARD VICTORIA, the team created a hashtag: #34DaysOfVictoriaWoodhull. The first female Presidential candidate was only 34 when she ran for President in 1872. For 34 days, facts from her remarkable life were shared. BroadwayWorld has exclusive access to all 34 below!
by Marietta Lunceford - May 29, 2016
School is out and the fun days of summer are upon us. But that doesn't mean that there isn't a lot of great theatre still available.All of this and there is more coming soon about summer camps and their productions. I know I have a summer full of shows I am seeing. I hope you do, too! As one friend put it, 'If you are ever bored in Birmingham, it is your own fault!' Amen.
by Tyler Peterson - Apr 19, 2016
Know Theatre of Cincinnati wants you take a chance by picking a show, any show, at the 13th Annual Cincinnati Fringe Festival, running May 31-June 11, 2016. With 12 days full of of opportunities to catch 50 live productions, Visual Fringe art projects, musical guests, and the nightly Fringe Bar Series at Know Theatre (Fringe Headquarters), you'll find yourself lucky to have more to experience at Fringe this year than ever before.
by Lynn Beaver - Apr 1, 2016
KUTX personality, Laurie Gallardo, is one of our city's treasures. On
March 6, 2015 a select audience was invited to an outstanding evening of Austin
icon Gallardo reading several short stories and poems.
by Tyler Peterson - Feb 18, 2016
-This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera, theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights.
by Christina Mancuso - Feb 18, 2016
This summer marks another historic milestone for the annual Bard SummerScape festival. For the first time since its founding, this season's focus is on the music and culture of Italy, with seven weeks of music, opera,theater, dance, film, and cabaret keyed to the theme of the 27th Bard Music Festival, "Puccini and His World." This intensive examination of the life and times of Giacomo Puccini opens a window onto Italy's rich musical heritage from Palestrina to Menotti, by way of the most popular and successful - yet, paradoxically, frequently critically underrated - opera composer of all time. Complementing the music festival, some of the Tuscan master's most compelling compatriots provide other key SummerScape highlights. These include a rare, fully staged production of Iris, a forerunner of Madama Butterfly by Puccini's close contemporary Pietro Mascagni; the world premiere of Demolishing Everything with Amazing Speed, four newly unearthed puppet plays from leading Italian Futurist Fortunato Depero, as reimagined by Dan Hurlin;the world premiere of Fantasque, a new ballet set to the music of Respighi and Rossini by John Heginbotham and Amy Trompetter; a film series on "Puccini and the Operatic Impulse in Cinema"; and the return of Bard's authentic and sensationally popularSpiegeltent,hosted by the inimitable Mx. Justin Vivian Bond. Taking place between July 1 and August 14 in the Frank Gehry-designed Richard B. Fisher Center for the Performing Arts and other venues on Bard College's stunning Hudson River campus, SummerScape's 2016 offerings provide new opportunities to discover that, as Time Out New York puts it, "the experience of entering the Fisher Center and encountering something totally new is unforgettable and enriching." Tickets go on sale on Monday, February 15; click here for more information.
by Tyler Peterson - Feb 11, 2016
'The New World Symphony: Dvorak in America' is a puppet and object theater work examining the influence of African-American and Native American music upon the great 19th-century Czech composer Antonin Dvorak (1841-1904). The piece is written and directed by Vit Horejš and performed by Czechoslovak American Marionette Theatre. It traces how Dvorak helped America accept its beautiful multicultural musical traditions by his enthusiasm for African-American and Native American music during his short but influential time in the USA. La MaMa Theatre will present the play's world premiere run March 10 to 27, 2016 in its Ellen Stewart Theatre, 66 East 4th Street (East Village). Composer and Musical Director is saxophonist James Brandon Lewis.
by Krista Garver - Jan 20, 2016
CoHo Productions new adaptation of Charlotte Perkins Gilman's THE YELLOW WALLPAPER is a disturbing portrait of a woman driven to madness by the very thing that is supposed to cure her.
by Tyler Peterson - Dec 1, 2015
This December and January, FEINSTEIN'S/54 BELOW presents an exciting lineup of the brightest talent from Broadway and beyond. Located just below the legendary Studio 54 at 254 West 54th Street. For a detailed schedule of upcoming performances at Feinstein's/54 Below and to purchase tickets, visitwww.54Below.com/Feinsteins.
by Matt Smith - Jan 13, 2015
DALLAS — The Dallas Opera is proud to announce the five phenomenal mainstage productions of the 2015-2016 Season, “Seeking the Human Element,” to be presented in the magnificent Margot and Bill Winspear Opera House at the AT&T Performing Arts Center located in the Dallas Arts District.
by BWW News Desk - Oct 24, 2014
Now anyone and everyone can join in the thrill of opening night at the opera! The Dallas Opera and the Sheila and Jody Grant Opera Discovery Program, with support from the AT&T Performing Arts Center, present an evening of FREE entertainment at Dallas's popular Klyde Warren Park, the second annual “Dallas Opera Opening Night Simulcast in the Park” featuring Mozart's class-conscious romantic comedy, The Marriage of Figaro.
by BWW News Desk - Oct 23, 2014
Music Director Alan Gilbert will conduct the New York Philharmonic in Barto?k's Piano Concerto No. 3, with Yefim Bronfman as soloist, and Bruckner's Symphony No. 8 (Ed. Nowak, 1890), tonight, October 23, 2014, at 7:30 p.m.; Friday, October 24 at 8:00 p.m.; Saturday, October 25 at 8:00 p.m.; and Tuesday, October 28 at 7:30 p.m.
by BWW News Desk - Sep 18, 2014
Music Director Alan Gilbert will conduct the New York Philharmonic in Barto?k's Piano Concerto No. 3, with Yefim Bronfman as soloist, and Bruckner's Symphony No. 8 (Ed. Nowak, 1890), Thursday, October 23, 2014, at 7:30 p.m.; Friday, October 24 at 8:00 p.m.; Saturday, October 25 at 8:00 p.m.; and Tuesday, October 28 at 7:30 p.m.
by BWW News Desk - Aug 14, 2014
Now anyone and everyone can join in the thrill of opening night at the opera! The Dallas Opera and the Sheila and Jody Grant Opera Discovery Program, with support from the AT&T Performing Arts Center, present an evening of FREE entertainment at Dallas's popular Klyde Warren Park, the second annual “Dallas Opera Opening Night Simulcast in the Park” featuring Mozart's class-conscious romantic comedy, The Marriage of Figaro.
by Patrick Brassell - Jun 1, 2014
It is possible to do a rock show about an era that predates rock - think of Spring Awakening, Evita, and Bloody Bloody Andrew Jackson - but these fellows don't seem to know what rock has to do with Lizzie Borden.
by Shari Barrett - May 13, 2014
On August 4, 1892, Lizzie Borden's father and stepmother were found bludgeoned in their family home. Lizzie was arrested for murder and the trial date set for June 5, 1893. The trial lasted 14 days and caused a national sensation as it was the first public trial in the United States to be covered extensively by the media. Although Lizzie Borden was acquitted, the question still remains: "Did she or didn't she?" We challenge you to make your own decision after seeing BLOOD RELATIONS.
by Shari Barrett - Apr 18, 2014
On August 4, 1892, Lizzie Borden's father and stepmother were found bludgeoned in their family home. Lizzie was arrested for murder and the trial date set for June 5, 1893. The trial lasted fourteen days, and caused a national sensation as it was the first public trial in the United States to be covered extensively by the media. Popular opinion was split on her innocence or guilt. Did she or didn't she do it? See BLOOD RELATIONS and decide for yourself.
by Jessica Showers - Apr 8, 2014
Good morning, BroadwayWorld! Because we know all our readers eat, sleep and breathe Broadway, what could be better than waking up to it? Today's big news: Jonathan Groff kicks off AIDS Walk New York, BLITHE SPIRIT gets a new edition and more!
by David Clarke - Oct 8, 2013
I can't pinpoint the date that the musical LIZZIE first made a bleep on my radar, but I do know that by June 16, 2013, I was dying to hear the album. Living in Houston, Texas, I missed the LIZZIE pre-release listening party at Bowery Electric. Feeling as though Andrew Borden himself were locking me away from the album, my anticipation of the anachronistic hard-rock score left me dreaming of bloody axes and Victorian ladies turned punk-rock goddesses singing their hearts out. Luckily, after roughly four months of anticipation, I finally got my hands on LIZZIE, a theatrical concept double album, and I couldn't be more blown away.
by Kelsey Denette - Mar 1, 2013
Music Director Marin Alsop and the Baltimore Symphony Orchestra (BSO) announce the Orchestra's 2013-2014 season, its seventh under the direction of Maestra Alsop.
by Roy Berko - Apr 2, 2012
"Lizzie Borden took an ax, gave her mother forty whacks, when she saw what she had done, gave her father forty-one." That line from a caustic poem not only attempted to describe the 1892 murder of Borden's parents, but became a limerick used gleefully by girls for jumping rope.
by James T Harding - Mar 12, 2012
The Columbus Association for the Performing Arts (CAPA) and Broadway in Columbus (BIC) today announced the 2012-13 Fifth Third Bank Broadway Series season. Four of the productions on the five-show subscription series have never before been seen in Columbus, including Irving Berlin's White Christmas, Million Dollar Quartet, Green Day's American Idiot, and War Horse, winner of five 2011 Tony Awards including Best Play. Disney's Beauty and the Beast, presented by NETworks, will also return to Columbus to kick off the new season. In addition to the five-show season package, season specials will include the return of Les Miserables and Wicked.
by Roy Berko - Feb 8, 2012
CAPSULE JUDGEMENT: SPRING AWAKENING is an emotionally stirring, relevant, and well staged production. This is not a should see, it's a must see presentation. Bravo! Bravo! Bravo!
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