Divas, Sacred and Profane: Goddess and The Last Bimbo of the Apocalypse
5 / 10
Its humans are a lot less interesting than its god, but it relies on them to generate its plot. That’s no offense to Scott, who sings well and is charming enough to hold the stage. It’s more that, outside of its portrayal of Nadira, the show’s book... is made up of a series of generic complications... This makes Goddess less a musical about a goddess and more ‘What if Fiorello! were about Zohran Mamdani?’

