From Door to Door - 2004 - Off-Broadway Articles Page 17

Berkeley Repertory Theatre presents A Doll's House, Part 2, written by Lucas Hnath and directed by Les Waters, which begins previews on Thursday, September 6 and runs through Sunday, October 21. Individual tickets begin at $30 ($15 if you're under 35) and can be purchased online at berkeleyrep.org or by phone at 510 647-2949 beginning August 12, 2018. Subscription tickets are available now. 

Superstar singer Carrie Underwood opened up about getting beyond three miscarriages, motherhood and music in a revealing interview with Tracy Smith that was broadcast today on CBS SUNDAY MORNING on the CBS Television Network.

There's just something about Kristin Chenoweth. It's almost undefinable, perhaps even undescribable, yet as with any writer's efforts to put into words how remarkable the woman behind the image is, I'll give it my best shot, attempting to encapsulate the wonder that is Kristin Chenoweth in 2,000 words or less (but if I go over, don't judge too harshly - I'm simply stating the facts that prove the folly of my initial hypothesis).

The Woman Who Went to Space as a Man - Part fact, part fever dream, and part musical, this captivating new work opens with Alice B. Sheldon - better known to sci-fi aficionados as author James Tiptree, Jr. - contemplating suicide. Dodging in and out of reality, the play, with a bold musical score from award-winning world music artist Yuval Ron, investigates gender, longing and creativity as self-exploration through one of the science fiction world's greatest literary tricksters. Sheldon was most notable for breaking down the barriers between writing perceived as inherently 'male' or 'female,' as it was not publicly known until 1977 that Tiptree was, in fact, a woman. Inspired by the biography 'James Tiptree, Jr.: The Double Life of Alice B. Sheldon' by Julie Phillips along with 'With Delicate Mad Hands' by James Tiptree, Jr., The Woman Who Went to Space as a Man, is a co-production from Son of Semele Ensemble and opens on October 27 at Son of Semele Theater in Los Angeles.

Theater Resources Unlimited (TRU) presents its annual free introductory panel Thursday, September 20, 2018: WHO IS TRU? A Free Introduction to Our Community and Programs at 7:30pm (doors open for networking at7pm) at The Playroom Theatre, 151 W. 46th Street, 8th fl., NYC. This panel is free but please reserve using the bright red reservation box athttps://truonline.org/events/who-is-tru/, or call at least a day in advance (or much sooner) for reservations: 212-714-7628; or e-mail TRUStaff1@gmail.com.

Buffalo Theatre Ensemble (BTE), the professional Equity company in residence at the McAninch Arts Center, 425 Fawell Blvd. on the campus of College of DuPage (COD) opens its 2018-2019 season with "The Dingdong, or How the French Kiss," a new adaptation by Mark Shanahan from "Le Dindon" by Georges Feydeau. Five actors play 13 roles in this bubbly, fast-paced adaptation of Feydeau's classic directed by BTE Artistic Director Connie Canaday Howard, where opening the wrong door can lead to mayhem, giggles and ultimately some unexpected understandings of a happy marriage. The play runs Sept. 6-Oct. 7. There will be a preview Sept. 6. Press opening is Friday, Sept. 7.   

Just when Seattleites thought they'd experienced all the magic of the holiday season, The Buttcracker returns in a haze of sweat, glitter, and hairspray for the fourth year in a row. This city's beloved modern-dance variety show salutes the glory of '80s hair metal with a festive 'mix of professional dance and raunchy satire,' (The Seattle Times).

Buffalo Theatre Ensemble (BTE), the professional Equity company in residence at the McAninch Arts Center, 425 Fawell Blvd. on the campus of College of DuPage (COD) opens its 2018-2019 season with "The Dingdong, or How the French Kiss," a new adaptation by Mark Shanahan from "Le Dindon" by Georges Feydeau. Five actors play 13 roles in this bubbly, fast-paced adaptation of Feydeau's classic directed by BTE Artistic Director Connie Canaday Howard, where opening the wrong door can lead to mayhem, giggles and ultimately some unexpected understandings of a happy marriage. The play runs Sept. 6-Oct. 7. There will be a preview Sept. 6. Press opening is Friday, Sept. 7.   

Jocelyn Bioh's hit MCC production of SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY lands in Los Angeles at the Center Theatre Group's Kirk Douglas Theatre running September 2 through September 30, before encoring back in New York City at the Lucille Lortel Theatre October 16 through November 25. We had the opportunity to chat with Mirirai Sithole, one of the original cast members who's making the trek between coasts.

Award winning Jamaican actress Dianne Dixon will appear onstage at The Public Theater for the first time in a staged reading of Canadian playwright Trey Anthony's family drama How Black Mothers Say I Love You, under the direction of Tony Award winner Kenny Leon.

After opening its first permanent home in November 2017 and presenting an inaugural season that included a "tantalizing production" of Pay No Attention to the Girl, a New York Times critic's pick, Target Margin Theater (Founding Artistic Director David Herskovits, Associate Artistic Director Moe Yousuf) is pleased to announce its second season at The Doxsee. The 2018-2019 season continues Target Margin's multi-year focus on The One Thousand and One Nights, a collection of Silk Road, MENA (Middle Eastern / North African), and South Asian stories, and includes a new presenting series.

This September, Milagro is thrilled to announce the second season of INGENIO, a New Works Project funded once again by the National New Play Network (NNPN).

It may not have the romantic sweep of 'Some Enchanted Evening' or the driving intensity of 'Don't Rain On My Parade,' but so far, the best new theatre song of this young season is a finely-crafted emotional shut-down carrying the unlikely title 'Michael In The Bathroom.'

Built in 1913 as the flagship for the big time vaudeville circuit run by E.F. Albee and Martin Beck, manager of the Western Vaudeville Managers Association, the Palace was the perfect showplace for the biggest of big time vaudeville during the last two decades of its existence.

Berkeley Repertory Theatre today announced final casting for A Doll's House, Part 2, written by Lucas Hnath and directed by Les Waters, which begins previews on Thursday, September 6 and runs through Sunday, October 21. Individual tickets begin at $30 ($15 if you're under 35) and can be purchased online at berkeleyrep.org or by phone at 510 647-2949 beginning August 12, 2018. Subscription tickets are available now. Press night of this first show of Berkeley Rep's 50th anniversary season will be on Thursday, September 13.

AstonRep Theatre Company, under the new artistic leadership of Derek Bertelsen and Sara Pavlak McGuire, is thrilled to announce its 2018-19 Season, kicking off this fall with Martin McDonagh's dark comedy THE LONESOME WEST directed by Company Member Dana Anderson. This winter, the season continues with AstonRep's 10th ANNUAL WRITERS' SERIES, a daylong festival of workshops from talented local and regional writers. The season concludes next summer with Rebecca Gilman's drama THE CROWN YOU'RE IN WITH, directed by Co-Artistic Director Derek Bertelsen. 

AVENUE Q became an overnight sensation on Broadway in July 2003 following a sold-out engagement and was extended four times after being presented Off-Broadway by Vineyard Theatre and The New Group. Since it roared into the spotlight - with its singular cast of people and puppets including Princeton, Kate Monster, Rod, Nicky, Trekkie, Christmas Eve, Gary Coleman and Lucy T. Slut - opening on Broadway on July 31, 2003, AVENUE Q has given over 6,000 performances, running seven years on Broadway before transferring to New World Stages in 2009, where it continues to play to large and happy houses.

MIGHTY REAL: A FABULOUS SYLVESTER MUSICAL, the hit musical celebration of the life and music of the original 1970s "Queen of Disco," Sylvester, returns to New York City August 11th, 2018. 

George M. Cohan has been attributed to being the father of the American Musical, whose works are the very roots of Broadway and musical theater that we know today. Without his numerous contributions to the American theater, Broadway as we all know it probably wouldn't even exist. This is the idea that's drummed rather loudly and patriotically by the ending of YANKEE DOODLE DANDY, the 2004 stage musical now in the midst of its Southern California regional premiere via Musical Theatre West. A fairly entertaining, if inescapably old-fashioned jukebox musical that paints rather broad strokes rather than giving a deep dive into Cohan's life story, this new production continues performances at the Carpenter Center for the Performing Arts in Long Beach through July 22, 2018.

Summer would not be complete without seeing at least one Shakespeare play outdoors somewhere in Los Angeles. This year I decided to spend a bewitching night in Griffith Park, selecting to see my favorite Bard comedy, A MIDSUMMER NIGHT'S DREAM, presented by the Independent Shakespeare Company (ISC) celebrating the 15th anniversary season of free Shakespeare in Los Angeles City Parks. In 2010, ISC moved free Shakespeare in Barnsdall Park to Griffith Park, the second largest city park in California. The growth in attendance has been extraordinary, certainly due in part to the quality of the productions. So grab a blanket or a lawn chair, pack a picnic, and take a short hike into Griffith Park to a land of wonder and imagination thanks to the Independent Shakespeare Company's A MIDSUMMER NIGHT'S DREAM - and bring the kids!

In support of their forthcoming new album, British music legends Soft Machine will embark on their first North American tour since 1974 in October 2018, followed by the second North-American leg of the tour in January/February 2019. In concert, their set list will include material from all parts of the band's repertoire from 1970 onwards, but this is emphatically not a nostalgia act resting on its laurels. Last weekend Soft Machine played their first two shows in North America since 1974 (it was in 1974 they toured USA and Canada during the Bundles/Allan Holdsworth era). Both shows, at the Montreal Jazz Festival and Quebec City, were exceptionally well received by the enthusiastic audience and local press.

McDaniel College offers a variety of art, music, theatre, literary, film and other events during the fall of 2018.