Review: THREE BILLION LETTERS, Riverside Studios
by Cindy Marcolina - Aug 14, 2025
We are delighted to report that real fringe theatre is back. The invigorating, daring, challenging, form-subverting kind of venture that makes the stage its playground. We haven’t encountered anything like this since before Covid. There isn’t a lot of theatre with specifically scientific research as its core, either. Commercially, The Effect (Lucy Prebble’s play about a clinical trial) had a revival in 2023 with Jamie Lloyd at the helm and Caryl Churchill’s evergreen reflection on human-cloning, A Number, was on just the year before (curiously, both starred Paapa Essiedu). Looking away from the West End, it’s even harder to find something that sits firmly at the junction with science. Three Billion Letters swoops in at the rescue and begs you to think. Created by TAKDAJA, the piece is a heady mix of data and experimentalism. Does our DNA control more than our eye colour and predisposition to illness? How do we determine our identity? There’s so much gene-ius in it.
Capital Stage Appoints Liz Gray as New Managing Director
by A.A. Cristi - Jul 7, 2025
Capital Stage has announced the appointment of Liz Gray as its new Managing Director, effective July 9, 2025. Liz will succeed long-time Managing Director, Keith Riedell, who will retire at the end of August after 19 years of dedicated service.
Review: RADIANT BOY, Southwark Playhouse
by Cindy Marcolina - May 24, 2025
Back in 2023, the Royal Shakespeare Company celebrated the 400th anniversary of the publication of the First Folio with a national playwriting competition. From over 2000 entries, 37, spanning all genres, were picked. Readings for the winning plays were held through the autumn of that year and subsequent productions have been popping up here and there ever since. Nancy Netherwood’s Radiant Boy now landing at Southwark Playhouse directed by Júlia Levai. The writer’s professional debut takes us back to the 80s in North-East of England, where it is believed that a young man is possessed. Back home from studying at King’s College Choir in London, he and his mother keep their friction at bay while they wait for Father Miller to arrive. Can they redeem Russell’s spiritual health? And what is it that’s haunting him exactly?
Exclusive: A.R.T./NY Shares Findings from HEALTH + WEALTH Report
by Team BWW - May 19, 2025
Last week, our friends and theatre allies at A.R.T./NY released a first-of-its-kind research publication about the state of the New York City theatre field. We’ve partnered A.R.T./NY to share highlights from the report, called Health + Wealth, Empowering Theatremakers Through Data.
IndieSpace Doubles Down On Community Engagement Efforts
by A.A. Cristi - Apr 30, 2025
At the beginning of 2025 IndieSpace, an organization established to disrupt the ongoing displacement of small theaters and to create a new model for equitable funding for the indie theater community, took a small but intentional pause-to breathe, to listen, and to realign their direction as an organization.
Lily Seabird Releasing New Album, Shares 'Trash Mountain (1pm)'
by Josh Sharpe - Jan 23, 2025
Burlington-based songwriter Lily Seabird will release her new album Trash Mountain on April 4th. The almost titular lead single “Trash Mountain (1pm)” channels the overwhelming comedown of returning home from tour. Listen to it now.
Cast Set For THE GREAT PRIVATION at Theatre503
by Stephi Wild - Apr 16, 2024
Theatre503 has announced the cast and creative team for 2023 Theatre503 International Playwriting Award finalist Nia Akilah Robinson’s debut play The Great Privation: How to flip ten cents into a dollar.
Courtnie Keaton Joins The Cast of DUALITY At A.R.T. / New York Theatres
by A.A. Cristi - Mar 19, 2024
Courtnie Keaton of Face to Face Films is set to make her Off-Broadway debut in DUALITY, playing the role of Lucy. The play, written and directed by Anthony M. Laura, tells a story of family, trauma and unexpected disruptions. DUALITY is the final part of Laura's memory trilogy.