Review: DEATH OF ENGLAND: CLOSING TIME, @sohoplace
8 / 10
It only premiered last October, but Death of England: Closing Time, the final chapter in Roy Williams and Clint Dyer’s state of the nation triptych, not only retains its spine-frosting freshness, but feels more dangerous than ever. Not just because it dives headfirst into the socio-political quagmire of race and identity in 21st Century Britain when the very same dynamics disentangled on stage fuelled violent riots on streets across the country. But because it dares to argue that love shines through storm clouds of hatred.