Hugh Bonneville will make his Australian stage debut alongside Lisa McCune in a new production of Noël Coward's PRIVATE LIVES at Theatre Royal Sydney, directed by RSC associate Christopher Luscombe.
AS YOU LIKE IT, currently running at The City Theatre, has been transformed from its original comedic writing by William Shakespeare, into a dramedy set during the great depression in America's backyard. The premise of this show begins with young and fair Rosalind, fleeing the court from persecution into the Forest of Arden. Rosalind, along with her cousin Celia, venture into the woods dressed as a maid and a gentleman in what appears to be a young child's game. The laws of attraction quickly interfere with their plan of evasion from the court. Young Orlando catches the eye and heart of Rosalind early in the play, and as their adventures continue in the forest, their paths inevitably cross. However, with Rosalind in disguise, Orando plays like putty in her hand, as she manipulates his motives and desires. Seemingly all characters in AS YOU LIKE IT are desperately looking for love, and falling hard for the wrong person. With one of Shakespeare's most renowned comedies, the show presented at The City Theatre is presented more dramatically with less gags than common productions.
Andrea Goss, who plays Sally Bowles, a young British singer at the Kit Kat Club in CABARET, spoke with me from her Denver appearance last week. Andrea has also appeared in RENT and ONCE. CABARET opens at Omaha's Orpheum on October 11 and runs through the 16th.
Goodman Theatre launches its new 2009/2010 Season with tap dancing, acrobatics, tumbling, guitar- and ukulele-playing in an original take on the rarely-produced Marx Brothers classic musical ANIMAL CRACKERS, written by George S. Kaufman and Morrie Ryskind, with music and lyrics by Bert Kalmar and Harry Ruby
