Clue: The Musical 1997

Opened: December 3, 1997
Closing: December 28, 1997

Clue: The Musical - 1997 - Off-Broadway History , Info & More

Players Theatre
115 MacDougal St. New York, NY 10012

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Review: CLUE: A NEW COMEDY brings full out fun to Emerson Colonial Theatre
by R. Scott Reedy - May 2, 2024


What did our critic think of CLUE: A NEW COMEDY at Emerson Colonial Theatre?

Full Lineup for Iconic Disney Films Featured on Freeform's '30 Days of Disney' Released
by Josh Sharpe - May 1, 2024


Summertime is the best time to transport yourself into a nostalgic world as Freeform celebrates “30 Days of Disney” with legendary Disney films starting June 1. The programming event will feature the world television premiere of Disney-Pixar’s animated film “Lightyear.” Other Freeform premieres include Disney-Pixar’s “Soul” and Disney Animation’s “Fantasia” (1940 and 2000). See the full lineup here!

Interview: Christopher Michael of CINDERELLA At Sierra Rep Shares His Thoughts on the West Coast, WICKED, and the Wonderful World of Sonora
by Courtney Symes - Dec 16, 2023


The Prince is giving a ball! Rodgers and Hammerstein’s Cinderella is nearing the end of its run at Sierra Repertory Theatre (SRT) in Sonora, and you don’t want to miss the party. Slightly different than its Disney counterpart, this Cinderella is the sophisticated sister. Full of humor, social causes, and beautiful gowns, it has everything needed to entertain the whole family. BroadwayWorld spoke to Christopher Michael, who plays endearing revolutionary Jean Michel, about Cinderella, Sierra Rep, and which coast is the best coast.

BWW Q&A: Summer Bohnenkamp of The Straz Center
by Joshua Wright - Oct 10, 2023


BroadwayWorld sat down for an interview with Summer Bohnenkamp, Chief Programming and Marketing Officer at the Straz Center for the Performing Arts following their 2023/2024 season announcement.

Review: CLUE at Matthews Playhouse
by Perry Tannenbaum - Apr 20, 2023


With deft direction that plumbs the depths of silliness in turning a Parker Brothers board game to farce, Jill Bloede weds the flimsiness of the 1985 film's plot with a divinely flimsy set populated by precision actors scurrying around amid flawless transitions and scene changes, lifting Sandy Rustin's stage adaptation to heights of delight, ridiculous story and all.

Review: Everyone's a suspect with The Pollard's murder/mystery musical CLUE
by Adrienne Proctor - Mar 12, 2023


Audiences have a chance to get in on the action and help solve the murder with CLUE: The Musical. Based on the popular whodunnit board game, CLUE is an interactive mystery musical that's entertaining and fun for all audiences. Come ready to investigate, as the ending to this musical changes from night to night.

FUNNY GIRL, MJ & More Set for 2023-2024 Bank of America Broadway on Hennepin Season
by Chloe Rabinowitz - Feb 9, 2023


Hennepin Theatre Trust has announced the 2023-2024 Bank of America Broadway on Hennepin season, which will include a 15-week lineup of the newest and hottest touring productions featuring six Minnesota premieres and three returning favorites.

Berkeley Repertory Theatre's The Ground Floor to Celebrate 10th Anniversary With Upcoming Residency Lab
by Chloe Rabinowitz - Oct 4, 2022


Berkeley Repertory Theatre’s Artistic Director Johanna Pfaelzer and Director of the Ground Floor Madeleine Oldham announced the Residency Lab participants and the return to full capacity of the Residency Lab portion of The Ground Floor: Berkeley Rep’s Center for the Creation and Development of New Work.

Virtual Theatre This Week: June 21-27, 2021- with Kate Reinders, Amanda Kloots, and More!
by Nicole Rosky - Jun 21, 2021


This week (June 21-28) in live streaming: Kate Reinders, Amanda Kloots and Jennifer Nettles visit Backstage Live, Fredi Walker-Browne shares Ten Minute Tidbits, a Kerry Butler masterclass, Tovah Feldshuh in Becoming Dr. Ruth, and so much more!

Wake Up With BWW 5/19: First Look at Ben Platt in the Upcoming DEAR EVAN HANSEN Film, and More!
by Stephi Wild - May 19, 2021


Today's top stories: Dear Evan Hansen film has released its first official trailer and production photos, Paper Mill announces upcoming season, pre-Broadway engagement announced for Paradise Square, and more!

Breaking: SONGS FOR A NEW WORLD, A JOLLY HOLIDAY, CLUE, THE WANDERER & SISTER ACT Announced For Paper Mill's 2021/22 Season
by Alan Henry - May 18, 2021


BroadwayWorld has learned details of Paper Mill's upcoming 2021-2022 season. Productions set include Jason Robert Brown's SONGS FOR A NEW WORLD, a production titled 'A Jolly Holiday' in partnership with Disney on Broadway, CLUE - the 1997 off-Broadway Peter DePietro musical based on the popular Hasbro board game, the long awaited THE WANDERER based on the life and music of Dion, and the Broadway smash-hit SISTER ACT.

BWW Feature: Learn More About Some of Our Favorite Cabaret Couples
by Stephen Mosher - Feb 13, 2021


The history of show business is loaded with couples who work as well offstage as they do on. These twosomes have brought their offstage magic to the stages of the cabaret and concert world.

BWW Feature: MASH NOTE TO VIOLET at Cadence Theatre Company In Partnership With Virginia Rep
by Susan Haubenstock - Jun 23, 2020


A spectacular small musical I adored, and a spectacular big one I missed.

Virtual Theatre Today: Wednesday, May 27- with Chad Kimball, Alex Brightman and More!
by Nicole Rosky - May 27, 2020


Today (May 27) in live streaming: Chad Kimball visits Backstage Live, Debra Messing and Victoria Clark visit Stars in the House, and so much more!

Virtual Theatre Today: Tuesday, May 26- with Joshua Henry, Lynn Ahrens, Brandon Victor Dixon and More!
by Nicole Rosky - May 26, 2020


Today (May 26) in live streaming: Star Trek Voyager reunites, a new episode of It's the Day of the Show Y'all, and so much more!

BWW Exclusive: The 101 Greatest Television Episodes of All Time - from I LOVE LUCY to BETTER CALL SAUL
by Peter Nason - Apr 22, 2020


BWW Reviewer Peter Nason chooses the best TV episodes from the 1950's to 2020; see if your favorites made the list!

BWW Review: ANASTASIA National Tour Impresses All Ages at Gammage Auditorium
by Timothy Shawver - Nov 2, 2019


The first clue that ANASTASIA was going to be different than what I expected was a note on the title page reading, “Inspired by the Twentieth Century Fox Motion Pictures.” Plural? A savvy journalist, I quickly asked Siri to bring up the imdb page for “Anastasia”. Turns out Fox made ANASTASIA twice, the 1997 animated off-brand Disney princess movie and a 1957 film that scored Ingrid Bergman's second Oscar and marked Helen Hayes' transition to the big screen. And it turns out the musical version has more in common with LES MISERABLES and RAGTIME than BEAUTY AND THE BEAST. Gone is the hell-wizard Rasputin, his talking fruit bat sidekick, and the singing demon caterpillars. At intermission, I asked my third grade niece, Adalyn, how she was liking it. “It's awesome…it's real people, like no Beast or anything. No animals.” We decide that Disney staged musicals are great but more it's more impressive when you can achieve the magic without a story that departs from reality. ANASTASIA is historical fiction hypothetical. It poses a “what if…?” that a daughter of the last czar of Russia (The Grand Duchess Anastasia Nikolaevna) escaped when the czar's family was executed in 1918. Rumors persisted for decades that Anastasia did, in fact, escape. In 2007, DNA testing confirmed the remains of all four Grand Duchesses were in the Imperial grave. In this version, Terrence McNalley's book follows Anastasia's rediscovery of her identity after surviving the attack on her family and sustaining some plot enabling amnesia. Renamed “Anya” she grows up and makes a life in post-Revolution Russia. Anastasia's grandmother, the Dowager Empress (in a staggeringly moving performance by Joy Franz) has fled to France and offered a cash reward for anyone escorting the rumored alive Anastasia to Paris. The wily duo Vlad (Edward Staudenmayer) and Dmitry (Jake Levy) pull a My Fair Lady style makeover on Anya to collect the Dowager's prize. They are pursued by Gleb (Jason Michael Evans). A Soviet officer drawn to Anya romantically but tasked with finding and eliminating the last Romanov. Anya's memory becomes somewhat coaxed back, but the Dowager has stopped seeing Anastasia claimants after too much heart-break from countless frauds. It sounds dark, but with high-tech digital scenery and inspired performances across the cast it is delightful. Stephen Flaherty (Music) and Lynn Ahrens (Lyrics), responsible for bringing us RAGTIME, ONCE ON THIS ISLAND, LUCKY STIFF, as well as the Oscar nominated songs carried over from the animated film. ANASTASIA is a perfect context for this pair. “Stay, I Pray You” (my favorite song of the evening) is evocative of RAGTIME's “New Music”. The two songs literally race my heart in a strangely specific way. My real test of a National Tour at Gammage is how fast I get the music playing in my car on the way home. At ANASTASIA I was already finding, “Stay, I Pray You” walking through the parking lot. The rest of the score is similarly haunting. Lila Coogan, as Anya/Anastasia, powers through the score with nuance, clarity, and passion. Tari Kelly, as Countess Lily, and Stadenmayer (Vlad) were Adalyn's favorite performances and I have to agree. This incredibly gifted pair take the “triple threat” designation (singer, dancer, actor) and go quadruple with the addition of flawless comic timing. The choreography by Peggy Hickey is masterful. It somehow combines inventive and traditional throughout and the ten-minute slice of “Swan Lake” infused into “Quartet at the Ballet” is the highlight of the second act. It's a fun-size version that gets an under-represented art form onto the plate. This kind of trope often means the plot putting the plot on hold. But here, it is the connective tissue between Anya, Dmitry, the Dowager, and Gleb as they each bring us up to speed heading into the show's climax. Ultimately, the show's success comes from applying a higher artistic standard to the “previously-animated-film-now-theatrically-staged” genre. It cashes in on the name draw of the 1997 film then gives the viewer something much more enriched than what they think they are coming to see.

Phillip Aleman Joins Staff of Bond Theatrical Group
by Julie Musbach - Jul 17, 2019


Principals DJ Martin, Temah Higgins and Mollie Mann of Bond Theatrical Group, a fully independent booking, marketing and publicity company for live entertainment, announced today that industry marketing and press veteran Phillip Aleman will join the company effective immediately.

Will Reynolds & Eric Price Announced Winners of 14th Annual Fred Ebb Award
by Julie Musbach - Nov 5, 2018


The Fred Ebb Foundation in association with the Roundabout Theatre Company will present the fourteenth annual Fred Ebb Award for aspiring musical theatre songwriters to Will Reynolds and Eric Price. The award, named in honor of the late award-winning lyricist Fred Ebb, will be presented by Alan Cumming on Monday, November 26th from 6-8pm at a by-invitation-only ceremony in the Penthouse Lounge of The American Airlines Theater.

BWW Review: Hale Centre Theatre Presents THE SCARLET PIMPERNEL
by Herbert Paine - Aug 30, 2018


Hale Centre Theatre's season-opening production of THE SCARLET PIMPERNEL, directed by the inimitable Cambrian James ~ is two and a half hours of spirited story-telling, featuring a bravura performance by Austin Delp as the heroic Sir Percy Blakeney. Show runs through October 6th.

West End's ALADDIN And THE LION KING Announce Summer Pop-up Experience
by Stephi Wild - Jul 13, 2018


Disney's hit West End musicals Aladdin and The Lion King have today announced that a summer Pop-Up will open its doors to Disney fans old and new in Covent Garden throughout August. Located at 25 Long Acre in the heart of Theatreland, the Pop-Up will be open every day from Tuesday 31st July until Sunday 26th August with a host of free interactive experiences and special events to enjoy.

BWW Review: THE DROWSY CHAPERONE at Candlelight Music Theatre
by Greer Firestone - Mar 26, 2018


Lerner and Loewe created MY FAIR LADY from Bernard Shaw's "Pygmalion". Rodgers and Hammerstein adapted the 1909 Ferenc Molnar play "Liliom" and transplanted the setting from Budapest to the coast of Maine in CAROUSEL. That's generally how musicals are birthed. Not so with THE DROWSY CHAPERONE, which makes its nascency the more intriguing and Broadway fanciful.

Michael Barra to Lead The Araca Group's Media & Entertainment Division
by BWW News Desk - Oct 20, 2017


Leading Broadway producing company The Araca Group (Urinetown, SpongeBob SquarePants) has today announced they they've extended their arrangement with producer Michael Barra to lead their Media & Entertainment division.

Windham Theatre Guild 2017-18 Season Subscriptions Now Available
by BWW News Desk - Jul 6, 2017


The WTG is proud to present its 2017-2018 Main Stage Season of six shows. You can save money by purchasing a subscription or flex pass now. You can get all six shows or you can purchase a flex pass and see any four of the six shows. 

Araca Group and Dramatists Play Service Launch THE HOLLYWAY COLLECTION
by BWW News Desk - Jun 21, 2017


Leading Broadway producing company The Araca Group (Urinetown, Wicked, Disgraced) today announced plans to launch a collection of Hollywood-inspired stage plays to be licensed to professional and amateur theaters around the world. 

Other Productions of Clue: The Musical

1997   Off-Broadway
Off-Broadway

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