As You Like It - 1950 - Broadway Articles Page 13

Flying Over Sunset follows writer Aldous Huxley (played by Harry Hadden-Paton); playwright, diplomat, and congresswoman, Clare Boothe Luce (Carmen Cusack); and film legend Cary Grant (Tony Yazbeck) - each of whom in real life experimented with the drug LSD.

Feld Entertainment’s DISNEY ON ICE: DREAM BIG comes to Southern California at the Honda Center in Anaheim December 8th through 12th and at Staples Center in Los Angeles December 16th through 19th. Got a chance to ask Feld Entertainment’s CEO Kenneth Feld some behind-the-scenes questions on his worldwide-reaching, every-growing entertainment mammoth.

The most important figure in musical theatre history is gone; let's celebrate his life by listening to his incredible works. Reviewer Peter Nason gets you started by listing his choices for the 91 greatest Sondheim songs.

This Week's New Classified Listings on BroadwayWorld for 11/18/2021 include new jobs for those looking to work in the theatre industry.

THE PRODUCERS, the first post-lockdown Desert Theatreworks (DTW) show, is perfect to welcome eager audiences back - a true winner. Ron and Lance Phillips, the married couple that operates DTW, took the opportunity of the hiatus to completely rework the Indio Performing Arts Center, adding a new 250-seat main stage for musicals. As most people know, the Mel Brooks show is loaded with bad taste, but is hilarious nonetheless.

TOOTSIE has taken the town as the first National tour of the Broadway musical opened in Buffalo this week. A full house of Covid vaccinated theatre goers packed into Shea's Buffalo theatre. Based on the 1982 movie, this non-Equity  tour has been rehearsing in Buffalo prior to launching it's visits across the country next week.

What happens when you start living a dream you didn’t know you had? Step into the den of a sexy hostess of shlocky horror at Know Theatre with Shock!: The Spine-Tingling Tale of Miss Spidra, running October 8 - 24, and see how the story behind the story has all the thrills.

Andrew Polec talks about winning The Kurt Weill Foundation for Music's 23rd Annual Lotte Lenya Competition and what he loves about performing HAIR at The Old Globe through October 3rd.

What happens when you start living a dream you didn't know you had? Step into the den of a sexy hostess of shlocky horror at Know Theatre with Shock!: The Spine-Tingling Tale of Miss Spidra, running October 8 - 24, and see how the story behind the story has all the thrills.

Last night I sat in a theatre for the first time in 557 days. I’m positive I wasn’t the only one holding a track record of that caliber, because the excitement in the Hobby Center was tangible. Theatre is back indeed. And what better way to welcome you than the visually stunning, lovely tale of Professor Higgins and his pupil Eliza Doolittle. MY FAIR LADY (1956) is as classic as it gets, the prime example of Broadway at its best and finest.

Center Theatre Group has selected participants for the 2021-2022 L.A. Writers' Workshop, where local playwrights are invited to spend a year in residence at the company researching and writing new works with the feedback from artistic staff and their fellow writers.

Tonight, in their debut show at Don’t Tell Mama, Quentin Harris and Bryce Edwards added their own names to the list of performing teams who use opposition to their advantage. They bill themselves simply as MR. HARRIS AND MR. EDWARDS. If this sounds like a throwback to vaudeville days, it’s not entirely an accident. Harris and Edwards owe much to those old-time show business acts and most of their musical material is drawn from the Great American Songbook and from jazz standards. Quentin Harris knows a great deal about jazz and plays piano in the style of Oscar Peterson and many of the other jazz greats. Bryce Harris is a charmingly off-kilter one-man band, who plays ukulele, banjo, and the world’s most cumbersome looking kazoo. His style is bombastic and more than a little Jolson-esque. Both men are young, still in school, in fact, and so their show is a little rough around the edges as they find their footing. But they have the bones of a really interesting and unique act.

'Both longtime fans of the musical and new audiences alike will have a blast!'

The Green Room 42's most popular act is back on the boards, and the club is back at maximum capacity.

The Muny in St. Louis' Forest Park opened it 103rd season with a performance of Smokey Joe's Cafe on Monday evening with a near capacity crowd. Smokey Joe's Cafe was Broadway's longest running musical revue and features 39 songs written by Jerry Lieber and Mike Stoller including Stand by Me, Poison Ivy, Jail House Rock and Spanish Harlem.

If you're out for a night of good music, dazzling choreography, a touch of nostalgia and a story that still hits too close to home, West Side Story is the place to go.

Learn more about the full lineup including Newsies, The Nutcracker, Carousel, Memphis, and more!

Tacoma Little Theatre has announced their 103rd SEASON of theatre beginning in September.

There is no better time than summer to relax by the pool and curl up with a great book, and you're in luck, because this year, Broadway's best have put pen to paper to turn out theatre page-turners of every kind. From theatre biographies to theatre fiction; theatre books for kids to theatre history; check out our collection of 30 new Broadway books for every theatre lover's summer reading!

1950. Blackpool. Newly-wed Yorkshire couple, Jack and Liz have crossed the Pennines for their first trip to the seaside mecca. Beneath an uncertain September sky, they holiday in a world of stripy deckchairs, sandy sandwiches and stroppy donkeys. As the Wurlitzer organ plays they sway together on the dance floor of the Tower Ballroom.

The acting is all over the place, hit and miss, in this production of an American classic.

It is 1950, and on a rainy South African afternoon in the St. George’s Park Tea Room, Hally (Nick Apostolina) is becoming himself. He was a boy – one prone to arrogance and self-pity, certainly but vulnerable, and capable of sweetness and hope. But now he is becoming a man – a brutal man, “MASTER HAROLD”, who embraces the world’s ugliness and claims it as his own. He does this by spitting in the face of Sam (L. Peter Callender), a Black man who had sheltered him to that point from the world’s worst, including his own father. In this primal way Master Harold joins the oppressors as a way of not joining the oppressed.

It feels like it was just last week that I was at Diamond Head Theatre (DHT), experiencing the joyous all-female cast of Shout! and now, I got to experience more joy from DHT, except through an all-male cast in its energetic production of Forever Plaid. As remained the case with Shout!, Forever Plaid was certainly a welcome and impressive addition to the repertoire of amidst-Covid-mounted productions at the Broadway of the Pacific.

Inspired by a modern heartbreak while artistically framed in the 1950’s, the new video exemplifies how truly timeless the track’s storyline is, addressing a type of heartbreak that transcends generations.

After the myriad stresses of the past year, we could all use some straight-up entertainment and 42nd Street Moon is providing just that with Don’t Touch That Dial: DC and Peter’s Glorious Romp Through the Golden Age of TV Theme Songs. Conceived and directed by DC Scarpelli and Peter Budinger, the show promises, a light-hearted, celebratory stroll down memory lane as Scarpelli and Budinger guide us through the decades of catchy sitcom themes and the evolution of television. The large, diverse cast also includes Moon stalwarts like Meg McKay and Keith Pinto among a host of multi-talented performers who may be new to you. Don’t Touch That Dial is available to stream from June 5 – 27, 2021 as part of 42nd Street Moon’s paid virtual ticketed MoonBeams series. Tickets and further information are available at www.42ndstmoon.org/moonbeams. ​​​​​​​I had the pleasure of speaking with Budinger and Scarpelli last week as they were still putting the finishing touches on the video presentation. As Scarpelli says, “We’re not satisfied with any musical number until it’s utterly dripping with charm and delight.” If you ever run into them at a party, these are definitely the guys you want to talk to as they are both a barrel of fun and an endless font of information about classic TV and musical theater. A married couple, the two have been working together for years as well as performing individually, and their combined theater credits read like a recent history of Bay Area musical theater. The freewheeling conversation covered how they conceived the show and put it together, which obscure songs didn’t make the final cut, and shows they’d love for Moon to mount in the future.