Another Way Out - 1923 - Broadway Articles Page 2

As only the third American opera company in history to reach this centennial milestone, the Company’s 2022–23 Season will honor San Francisco Opera’s glorious past while inviting the public into an exciting new era of musical excellence under Kim’s music directorship and a renewed commitment to innovation.

Award winning musical theater writers Richard Allen and Taran Gray have announced they will be premiering four of their new original musicals, including the award winning FREEDOM RIDERS: The Civil Rights Musical.

BWW Reviewer Peter Nason chooses the 101 greatest scenes in cinema from 1901 to 2020. See if your favorite movie moments made the list!

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Finbar Lynch has enjoyed an extensive acting career, spanning stage, film and television. His theatre work includes Girl From the North Country (Noel Coward Theatre, Gielgud Theatre and Toronto) Translations (Donmar Warehouse), Richard III (Almeida Theatre), Antony and Cleopatra (National Theatre), and Antigone (Barbican and world tour). In 1999, he was nominated for both Tony and Drama Desk awards for his performance as Canary Jim in Tennessee Williams' Not About Nightingales. He talks to BroadwayWorld about his role as the Stage Manager in the London transfer of Paula Vogel's Indecent at the Menier Chocolate Factory. A Tony Award-winning hit on Broadway, Indecent explores the origins of the controversial play God of Vengeance by Sholem Asch.

CMS'sa??50th anniversarya??seasona??will welcome spring with programs that look back and look forward.  On April 3, Mozart's groundbreakinga??Piano Quartet in G minor, composed by the genius who invented the piano-violin-viola-cello quartet, shows how this new combination of instruments gave an opportunity for expressiveness that would become more pronounced in the Romantic age.  The piece is combined with a piano quartet and a quintet that follow in the next hundred years a?" one by Mendelssohn and one by Strauss. 

With the roaring twenties fast approaching, it's time to reflect on all the shows that made an impact on us over the last decade, and on what we would like to see on stage in the decade to come. The 2010s gave us some groundbreaking new shows - Hamilton, Hadestown, Waitress - incredible revivals - Oklahoma, The Color Purple, Pippin - and breakout stars - Ben Platt, Alex Brightman, Cynthia Erivo, just to name a few. So many shows that graced the stage in the 2010s made lasting impact on audiences. Let's take a look at what shows we'd like to see a revival of in the 2020s!

On the eve of her death, Anne Boleyn reflects on the journey that led her to become a queen, a mother, and, eventually, a woman condemned. A fascinating look at one of history's most famous marriages. Part of the 2nd Stages Series.

FST's The Cottage Offers A Fun Night of Mayhem

INDECENT now onstage at Center Theatre Group/Ahmanson Theatre in a co-production with Huntington Theatre Company, magnificently directed by Rebecca Taichman, is as close to a Broadway-quality production as you will ever see in the City of Angels, with incredibly entertaining, stylized movement performed by triple-threat performers, guaranteed to draw you into not only the story but the necessity of its truth being brought to the stage now.

What makes a Broadway theatre? Technically any venue with 500 seats or more, located along Broadway in New York City's Theatre District is a Broadway theatre, and the art that is produced in these special places is widely considered the highest form of theatrical entertainment in the world. Today, forty-one theatres are technically Broadway houses, each with their own rich history. Below, we're giving you the scoop on the life of every one of them!

The highs and lows of a doomed relationship.

'Based on a true incident' seems a phrase best reserved for a hardboiled television detective series, circa 1954 - perhaps followed by a title card reading, 'A Quinn Martin Production' (if you're of a certain vintage, you'll get my meaning) - but in the case of Bright Star, the Tony Award-nominated musical by Steve Martin and Edie Brickell now onstage at Cumberland County Playhouse through June 6, it's definitely fitting.

New Musical Broken Wings premiered at the Theatre Royal Haymarket in 2018 in semi-staged concert format, Directed by Bronagh Lagan, Produced by Ali Matar and with Orchestrations and Musical Direction by Joe Davison. Following further development, the show now prepares for its first international production dates with a two-week London workshop, culminating in two public presentations at The Other Palace.

Happy New Year Rochester theatre-goers! It is now officially 2019, and with it a new year full of wonderful theatrical productions of all varieties on stages large-and-small across the 585. We're fortunate to live in a city with some of the most diverse and eclectic arts organizations in New York State, so I thought I'd take a minute to highlight some of the productions I'm most excited about in 2019. A couple caveats: #1, the typical theatre season runs September(ish)-June(ish), and most theatre companies haven't announced their 2019-2020 seasons yet, so this article really only encompasses the first half of 2019; and #2, my theatrical tastes and interests aren't necessarily representative of the wider theatre-going community, so this list may not reflect Rochester's most anticipated or talked-about shows on the horizon (notice RBTL's upcoming run of Hamilton didn't make the cut, not for lack of worthiness). That being said, enjoy, and as always your thoughts and feedback are welcome!

Arena Stage presents Pulitzer Prize winner Paula Vogel's thought-provoking play Indecent. Inspired by the 1923 Broadway debut of Sholem Asch's Yiddish drama The God of Vengeance, and the controversy that surrounded its themes of censorship, immigration and anti-Semitism, Vogel explores the behind-the-scenes story of the courageous artists who risked their careers and lives to perform this piece of theater under the most challenging circumstances. Infused with music that combines standards from Yiddish theater with folk traditions of the early to mid-20th century, Indecent, a co-production with Baltimore Center Stage and Kansas City Repertory, is directed by Eric Rosen, with choreography by Erika Chong Shuch and music direction and original music by Alexander Sovronsky. The production runs November 23 - December 30, 2018 in the Kreeger Theater.

The Houston Cinema Arts Society is pleased to announce the full lineup of films, guest artists, live performances, and interactive elements that will populate the 2018 Houston Cinema Arts Festival – as it celebrates its milestone 10th anniversary – from November 8 – 12 at Museum of Fine Arts Houston, Rice Cinema, White Oak Music Hall, Cafe? Brasil, and additional partner venues across the City of Houston.

Victory Gardens Theater's Chicago premiere of Paula Vogel's Tony nominated INDECENT weaves a beautiful narrative about the transcendence of art and human resilience. Director Gary Griffin's staging feels both grandiose and intimate at the same time; the play's action spans a time period from 1906-1950 and travels across continents, but the vignettes contained in Vogel's story are rife with genuine, powerful human emotion. INDECENT was inspired by the true story of the 1923 Broadway debut of Jewish playwright Sholem Asch's God of Vengeance, which had an illicit lesbian romance as one of its main plot points. Vogel's story charts God of Vengeance's journey from the moment Asch first presents the script to his wife through to its first reading and multiple staged productions.

Nadim Naaman is best known for playing Raoul in The Phantom of the Opera in the West End, though he has also appeared in shows like Sweeney Todd, Titanic and Chess. He has released a solo album, Sides, and has just co-written his first musical with Qatari composer Dana Al Farden. Broken Wings is based on a poetic novel by Khalil Gibran about forbidden love, gender equality and religion in 1912 Lebanon.

Goodman Theatre celebrates the lives of "two strong, vibrant women dispensing joy and wisdom" (Chicago Tribune) in a major revival of Emily Mann's Having Our Say: The Delany Sisters' First 100 Years. Directed by the Goodman's longtime Resident Director Chuck Smith, the production features Ella Joyce and Marie Thomas as the Delany centenarians, Bessie (1891 - 1995) and Sadie (1889 -1999), respectively. The sisters were discovered in 1991 when Amy Hill Hearth interviewed them for The New York Times. Following the article, the trio co-authored the book, Having Our Say: The Delany Sisters' First 100 Years-a New York Times bestseller and heartfelt reflection of their family history and triumphs over prejudices in times of social unrest. Mann adapted it for the stage, first at McCarter Theatre Center in Princeton, New Jersey and then to Broadway, where it ran for 317 performances. Having Our Say: The Delany Sisters' First 100 Years appears May 5 - June 10, 2018 in the Albert Theatre (opening night is Monday, May 14). Tickets ($20 - $75; subject to change) are now on sale at GoodmanTheatre.org/HavingOurSay, by phone at 312.443. 3800 or at the box office (170 North Dearborn). ComEd is the Major Corporate Sponsor, Conagra Brands Foundation is the Major Production Sponsor and ITW and PwC are the Corporate Sponsor Partners. 

Oregon Shakespeare Festival (OSF) Artistic Director Bill Rauch announced the Festival's 2019 playbill today. The season, which will be Rauch's last at the artistic helm, celebrates Shakespeare, classics and new plays, including two American Revolutions commissions and a pilot Community Visit Project that will take a bilingual Play on! translation into community venues throughout the region.

Arnulfo Maldonado/Set Design Bobbie Clearly by Alex Lubischer is exciting in its structure and unique storytelling -- I was immediately struck by how engaging the interview format can feel within a theatrical context. What is the setting for such a world? In the film/documentary version of this play, these subjects would be interviewed against a static background. But this play spans both various locations and time.

BRIGHT STAR follows two pairs of star-crossed lovers, two decades apart, all against the backdrop of the Blue Ridge Mountains of North Carolina. And now through March 25, the Tony Award-nominated musical makes its home at the Hobby Center.

Actor Ben Cherry provides his deep appreciation for this play with music that's reminiscent of his character Lemml's feelings for the play within the play. Read on and see this show before it closes March 24.

San Francisco Opera General Director Matthew Shilvock today announced plans for the 2018 19 Season. The Company's 96th Season will open Friday, September 7 with a gala double-bill performance of Pietro Mascagni's Cavalleria Rusticana and Ruggero Leoncavallo's Pagliacci in Jos Cura's production with an international cast featuring Lianna Haroutounian, Ekaterina Semenchuk, Roberto Aronica, Marco Berti and Dimitri Platanias, conducted by Daniele Callegari. To usher in the new opera season, San Francisco Opera Guild will produce its signature benefit event, Opera Ball 2018.