Coney Island Mermaid Parade Names Jesse Malin & Rickie Lee Jones as Royals
by A.A. Cristi - Apr 27, 2026
Coney Island USA announced Jesse Malin and two-time Grammy winner Rickie Lee Jones as King Neptune and Queen Mermaid for the 44th Annual Mermaid Parade, the nation's largest art parade.
Review: INDECENT Centers on Love Winning Over the Forces of Hate as Told by the Author and Performers of Sholem Asch's Groundbreaking Play GOD OF VENGEANCE
by Shari Barrett - Jun 13, 2019
INDECENT now onstage at Center Theatre Group/Ahmanson Theatre in a co-production with Huntington Theatre Company, magnificently directed by Rebecca Taichman, is as close to a Broadway-quality production as you will ever see in the City of Angels, with incredibly entertaining, stylized movement performed by triple-threat performers, guaranteed to draw you into not only the story but the necessity of its truth being brought to the stage now.
BWW Blog: Gillian Abbott - Life as an Underclassman
by Guest Blogger: Gillian Abbott - May 8, 2013
In August, 2009 I was greeted by incredibly enthusiastic students on 65th Street between Broadway and Amsterdam. The Juilliard School: this was my new home and although my mom and sisters were overwhelmed by the welcoming committee, they knew I'd fit right in. Orientation lasted one week in which I met students from all over the world, set up my dorm room, and got use to downsizing from my two-bedroom apartment in Las Vegas. The school held several seminars to orient us, and organized outings to help us get our bearings in the city while having some fun before the Juilliard schedule took over our lives!
Cherie Gil: MASTER CLASS Is Tougher Than DOUBT
by Oliver Oliveros - Jul 27, 2010
On its tenth anniversary, the Philippine Opera Company ('La Boheme', 'Harana') brings back its critically acclaimed production of Terrence McNally's 1996 Tony award-winning play 'Master Class', starring Philippine cinema icon Ms. Gil in the role of the opera world's grand dame Maria Callas (1923-1977). Presented in a master class format, the straight play explores what could have transpired inside the opera's classroom with Callas at the Juilliard 1971-72, at the time when the dramatic soprano had already lost her voice.
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