Almost Like Being In Love - 2001 - London Articles Page 7

There is a day that is crystallized in the American consciousness as a day you will never forget, a day you can recall in perfect detail: September 11, 2001. On that day, so much of the bedrock of humanity felt like it was eroding into chaos as we all watched those planes strike the World Trade Center and reduce it to rubble, again and again. But COME FROM AWAY calls on us to remember something different about that day. It hearkens to the heart of what unites humanity rather than divides it. It is a look at the beauty of kindness being lived out in a small community on an island in Canada and how that kindness can overcome even the worst of days.

Mid-January in New York City does not appear to be a particularly romantic or momentous time of year for The Big Apple. The Christmas decorations have come down (most of them at least) and the holiday revelers and hoards of tourists have retreated, getting on with their own lives for the start of a new year -- and in this case, a new decade -- during a very tumultuous time where everything matters and nothing, especially in the arts, feels arbitrary.

What are the best monologues to do from Shakespeare for an audition? We've got 10 monologues for men & women picked by our experts to help you pick what monologue to do including both comedic and dramatic options!

A Twisted Christmas Carol marks Doug Engalla's eighth production as Director at The Group Rep. Doug has worked with Phil Olson since 1997 on a number of productions, including five World Premieres in the Don't Hug Me series (most recently, as director of Don't Hug Me, We're Family in 2018), as well as the 2016 World Premiere of A Nice Family Christmas (featuring Tony Award-nominated actor, Marcia Rodd) at The Group Rep. A Twisted Christmas Carol is Doug's sixth World Premiere as Director with Phil Olson. Doug's cast of Phil Olson's A Nice Family Gathering - also in 2016 at The Group Rep - earned a Best Ensemble, Small Theatre nomination from the NAACP Theatre Awards. Doug's previous directing project at the Group Rep was for Neil Simon's Rumors in 2018. He is preparing to open A Twisted Christmas Carol this Sunday December 15. You have such a great rapp

On the morning of the terror attacks of September 11, 2001, there were a lot of other planes in the sky that had to be re-routed and emergency landed wherever pilots were able to find a runway. Thirty-eight of those emergency landings took place in the tiny town of Gander, Newfoundland's quiet airport that was on the verge of being shut down for lack of use. The people of Gander, rather than being overwhelmed by the massive influx of 7000 scared and confused people from all over the world, sprang into action, set up shelters, made food and took people into their homes for five days until they could safely travel home. This is the rare 9-11 story that doesn't focus much on the attack itself, but instead on the ripple effect it had on the whole world, and how even in the midst of tragedy, people come together to help each other. While the premise might sound a bit corny, the execution is absolutely brilliant and the story balanced in a way that feels true to human nature and not at all saccharine. COME FROM AWAY is a rare new musical based on true events that is original, unique and absolutely wonderful.

How does a musical based on a book go from a dream to reality? 92Y presents Tony Award-winning producer Daryl Roth, and authors Jodi Picoult and Steve Kluger in an illuminating panel moderated by Gordon Cox.

The national tour of 'Come From Away' is warming hearts across America. A 'Best Musical' winner all around the world, the smash hit musical has won the Tony Award for 'Best Direction of a Musical' (Christopher Ashley), 4 Olivier Awards (London) including 'Best New Musical,' 5 Outer Critics Circle Awards (NYC) including 'Outstanding New Broadway Musical,' 3 Drama Desk Awards (NYC) including 'Outstanding Musical,' 4 Los Angeles Drama Critics Circle Awards (North American Tour) including 'Best Production,' 4 Helen Hayes Awards (D.C.) including 'Outstanding Production of a Musical,' 4 Gypsy Rose Lee Awards (Seattle) including 'Excellence in Production of a Musical,' 6 San Diego Critics Circle Awards including 'Outstanding New Musical,' 3 Toronto Theatre Critics Awards including 'Best New Musical,' 3 Dora Awards (Toronto) including 'Outstanding New Musical/Opera' and 'Outstanding Production,' and the 2017 Jon Kaplan Audience Choice Award (Toronto).

The original stars of the cult musical PETE N KEELY are reuniting for a run of shows at Birdland. Here, Stephen Mosher talks to the stars about life after Pete N Keely and how it feels to sing together again.

Internship application season is officially underway! To help you navigate it all and prepare you to apply, we're giving you an inside look at some of the New York theatre community's most coveted internships, including Feinstein's/54 Below, Marathon Digital, and more to see what the day-to-day intern life is like and what these companies look for in applicants. Check it all out!

The 32nd Annual Virginia Film Festival will feature a deep and diverse program of more than 150 films, including some of the hottest titles on the festival circuit today, and an array of special guests from throughout the industry, and from across the globe. This year's lineup includes award-winning actor, writer, and director Ethan Hawke, noted actor Ann Dowd, international bestselling author John Grisham, actor Dennis Christopher, acclaimed filmmaker Wanuri Kahiu - plus more than 100 filmmakers in all.

Trying to persevere under a law designed to oppress, Athol Fugard's STATEMENTS AFTER AN ARREST UNDER THE IMMORALITY ACT explores the affect on individuals and relationships when personal and emotional freedom is out of your control. The success of this production is evidenced by its five Kanna Award nominations at the KKNK festival, and is now brought to the intimate setting of Fugard's Studio Theatre for local audiences to get lost in.

Making its Michigan-debut as the season opener at Wharton Center September 10th through the 15th, Come From Away is about the story of the 38 planes that were diverted to Gander, Newfoundland, on 9/11. BWW Detroit got the opportunity to talk with Marika Aubrey, who is currently playing Beverley, Annette, and others on the Come From Away national tour.

September brings some of music's most iconic female performers including Motown stars Martha Reeves and the Vandellas, Lady of Soul Oleta Adams and '80s icon Jody Watley. Local artists include the Honolulu Jazz Quartet, Henry Kapono presenting his Artist 2 Artist Concert Series featuring Blayne Asing, Elijah Sky and Mike Lewis's 2nd Annual Tribute to the Great City of New York. The Blue Note Comedy Series continues with comedian Esther Ku and '90s Alternative super group 10,000 Maniacs makes their Blue Note debut. We're celebrating Hispanic Heritage Month with Eddie Ortiz & Son Caribe and Yvette Moore presents a tribute to Gloria Estefan. Stef Mariani's invites you to her album release celebration of 'Highway of Love' and local favorites Good Foot Hawaii! take the stage. The Hawaii News Now Jazz Legends Series continues with Keiko Matsui and Lightnin' Larry Dupio presents an eclectic night of traditional and original Big Island blues. Willie K returns, electric blues guitar powerhouse Robben Ford takes the stage and the month rounds out with singer-songwriter Jon McLaughlin.

La Mirada Theatre for the Performing Arts Producing Artistic Director BT McNicholl announces its most ambitious and a?oeSpectacular, Spectaculara?? season of special events ever! Revel in the unmistakable sounds of THE RIGHTEOUS BROTHERS and THE FOUR FRESHMEN and to the songs of country legend TRAVIS TRITT; sing along with MOULIN ROUGE and THE LITTLE MERMAID, and do the time warp with ROCKY HORROR's Dr. Frank-N-Furter!  

From the award-winning Anna Jordan (Killing Eve, Sid Gentle Films Ltd; Succession, HBO), written between the Brexit vote and Trump's Presidential victory, We Anchor in Hope captures a moment of deep uncertainty in recent history and the characters' lives when local pub, The Anchor, closes for good. Chaos is in the air, and yet life goes on. For the duration of the play's run The Bunker will become The Anchor - transformed into a functioning pub with post-show events including pub quizzes, karaoke nights and music.

Few characters become so embedded in the fabric of pop culture that merely the mention of a color can elicit their memory. Such is the case, however, for Elle Woods, the golden-haired Malibu native at the center of Legally Blonde. Talk about the color pink for too long and someone in your circle is guaranteed to quote one of the now-iconic lines made immortal by Reese Witherspoon in the 2001 film. The 2007 Broadway musical burdened its star, Laura Bell Bundy, with the responsibility of carrying on Ms. Witherspoon's legacy while appearing in almost every scene and belting her lungs out. This hot pink explosion of female empowerment and sisterhood is a deceptively demanding production with a non-stop score by Laurence O'Keefe and Nell Benjamin. While the DC premiere at The Keegan Theatre is a fun evening, the overly-choreographed production feels like Elle Woods' first day at Harvard: its trying a little too hard.

In Broadway by Design, BroadwayWorld is shining a spotlight on the stellar designs of this Broadway season, show by show. Today, we continue the series with Derek McLane, Justin Townsend, Peter Hylenski and Catherine Zuber, who acted as scenic, lighting, sound and costume designers for Broadway's Moulin Rouge.

Funny lady Gina D'Acciaro is about to bring back Famous Adjacent to Rockwell Table and Stage July 17. She is such a revered performer, her shows return for encore performances. In our conversation she talks about this show and ehat suits her theatrical tastebuds. How did you come up with a title like Famous Adjacent? Explain to our readers. Then...tell us about your show. 

Last week we brought you a backstage look at some of the instruments played by  Come From Away band member Ben Power. Today, we take a closer look at even more instruments with Romano Di Nillo, Caitlin Warbelow and Carl Carter!

The French Institute Alliance Fran aise (FIAF), New York's premier French cultural and language center, today announced the 2019 Crossing the Line Festival, featuring 11 performances and a gallery exhibition from a geographically, generationally, and artistically diverse group of artists whose work transcends genres and boundaries. All performances are world, US, or New York premieres; they are united by their convention-breaking fearlessness as they confront topics from social injustice to personal demons. Many of the performances pay homage to legendary artists of our time and previous eras, while the theme of migration and its transformational effects on identity informs several others. The festival runs from September 12 to October 12. Ticket are available at crossingtheline.org.

A perfect remedy for the summertime blahs.

There are laugh-out-loud moments but the comedy comes mostly from the social commentary and sharp, British gallows humour that touches a chord with anyone who has ever felt overlooked, dismissed, humiliated or rejected.  These are the men that Donald Trump appealed to with the promise of bringing back the industrial boom.  They measure their masculinity by what they can provide and their lack of prospects (especially in the face of the capable working women in their lives) only exacerbate their feelings of failure.

PRIVATE LIVES is one of Noel Coward's greatest works. It is timeless in its humour and with the right cast, it is a delightfully hilarious exploration of all sides of love and passion. The cast assembled in the Stratford Festival's production does justice to Coward's clever use of words and wit, all but guaranteeing the audience a fun night out at the theatre.

Rutherford and Son sees director Polly Findlay reunite with actors Justine Mitchell and Sam Troughton, the three having previously worked on Beginning. Sam discusses reuniting with the two, as well as his impressions of this 'haunted house of a play'.