Oh, Boy! 1985 - Articles Page 19

Following their electrifying early morning performance of their hits 'The Last of The Real Ones,' 'Uma Thurman' and 'My Songs Know What You Did In The Dark (Light Em Up)' in NYC's Central Park for Good Morning America's 'Summer Concert Series' today (watch the full set here, including online exclusives 'Champion' and 'Centuries'), multiplatinum modern alt-rock pioneers Fall Out Boy have announced they will release all seven of their studio albums on vinyl as a lavish box set titled The Complete Studio Albums on September 28 via Island/DCD2/UMe. Spanning the band's storied and wildly successful 15-years-and-counting recording career, the comprehensive collection contains all of Fall Out Boy's best-selling studio albums, starting with the band's 2003 pop-punk debut, Take This To Your Grave, including 2005's career-defining double-platinum hit platter, From Under The Cork Tree, and capping off with their most recent album M A N I A which earned the band their fourth No. 1 record upon release this past January. This must-have on-wax collection also includes 2013's combo Save Rock And Roll (PAX•AM Edition) for the first time ever on 12-inch vinyl. The Complete Studio Albums will be made available in two versions - a standard edition on 180-gram black vinyl, and as a limited-edition, 180-gram clear vinyl collection. View the unboxing video here: https://www.youtube.com/watch?v=Prlrcqdr07k

What a night it was at The Muny for Jersey Boys, the 2006 Tony Award winner for Best Musical. And when I say what a night, I mean Oh. What. A. Night. of doo-wop megahits galore! The Muny's opening night audience of over 8,400 showed up ready to be rocked, swayed, grooved, and shook, and all of that and more was delivered.

'There is something so simple, so wholesome about the story and the characters. When Curly made his entrance on opening night at the St. James Theatre in 1943 and sang 'Oh, what a beautiful morning,' the whole audience took a huge sigh of relief. There in the midst of war was a breath of optimism and that beautiful music.' And, indeed, when the speaker, actor Stephen Mark Lukas makes the same entrance seventy-five years later on the stage of the Ogunquit Playhouse in the company's new production of Rodgers and Hammerstein's classic Oklahoma, the entire audience reacts in exactly same way. With a smile as expansive as the territory and a voice as luminous as the bright morning about which he sings, Lukas establishes immediate affection and rapport for the character of Curly, as does his co-star, the lovely, radiant Taylor Quick.

Chester Theatre Company (CTC) presents the American Premiere of Mark Leiren-Young's Bar Mitzvah Boy in Town Hall Theatre, 15 Middlefield Road in Chester, MA from June 21 through July 1, 2018.  

Chester Theatre Company (CTC) presents the American Premiere of Mark Leiren-Young's Bar Mitzvah Boy in Town Hall Theatre, 15 Middlefield Road in Chester, MA from June 21 through July 1, 2018.  

Puppets and monsters and freaks, oh my. Shoreside has an abundance of them in WOOD BOY DOG FISH and they don't play well together at all. This fictional seaside town, home to the terrifying Dogfish Adventure Ride, is a miserable place. Populated with morally repugnant characters and a darkness that seeps into your very soul, it sets the stage for a somber night out at the usually sunny Garry Marshall Theatre.

The Muny announced today its full cast and design teams for the world regional premiere of Jersey Boys, July 9 - 16. This will be the first licensed production of Jersey Boys in the world. Jersey Boys is proudly sponsored by BMO Harris Bank.

Jesse McCartney is an singer, songwriter, and actor. He achieved fame in the late 1990s on the daytime drama All My Children as JR Chandler. He later joined boy band Dream Street, and eventually branched out into a solo musical career. Additionally, McCartney has appeared on shows such as Law & Order: SVU, Summerland, and Greek. McCartney also is known for lending his voice as Theodore in Alvin and the Chipmunks and its sequels, as well as voicing Robin/Nightwing in Young Justice and Roxas and Ventus in the video game series Kingdom Hearts developed by Square Enix.

Rogue Artists Ensemble's 2015 world premiere of WOOD BOY DOG FISH, their unique retelling of The Adventures of Pinocchio, will be receiving a spiffy remounting at the Garry Marshall Theatre beginning May 12, 2018. We had the most opportune opportunity to talk some serious talk with the co-writer of both WOOD BOY DOG FISH editions - Chelsea Sutton, as she shared her histories with the Falcon Theatre, Rogue Artists Ensemble and the late Garry Marshall.

Sordid Lives, a dark comedy by Del Shores, is playing at Out Front Theatre Company this month. BroadwayWorld caught up with T.K. Habtemariam, an Atlanta-based actor who plays Earl "Brother Boy" Ingram in Out Front's upcoming production, to talk about the show. I haven't seen this show before, but I've done a little bit of reading. So, it's about a woman named Peggy who trips over her lover's wooden legs in a hotel room and dies. Yeah. Exactly. And it's funny that her name is Peggy, too. It is? Yeah. I mean, because the fact that she dies because of the wooden legs. Peg-gy. That's really funny. I'm interested to know how your character figures into this story. Brother Boy…Earl Ingram… probably was a little bit before his time, and at the age of 18, he was kicked out of his household for being one big old queer boy. And he was actually put into a mental institution for wanting to either impersonate women or for liking someone of the same sex. And, essentially, back when I was 18, I had a friend named Wardell, and he found out that I had a crush on hi, and he beat me up to a bloody pulp, and my mother, Peggy, who ends up tripping over her lover's wooden legs, put me in a mental institution because she believes the world is not ready for me and my place in this world. But Wardell, 20 years later, ends up busting me out of the mental institution. This is kind of interesting because when I read about the show online, it sounded like a straight silly comedy, but now it sort of sounds like it tackles some real issues. Oh, it's definitely a black comedy, and it definitely tackles a lot of issues. It's traditionally an all-white cast, and we color-flipped the main family, and we've kind of found ourselves in a new definition of the kind of topics that it tackles It was written in the 90s, and it kind of reflects the Southern mentality form the 90s, but now that we're putting it in the context of a black family, there are so many other social issues that are underlying that wouldn't have been beforehand. That was one of the questions that I was going to ask was how the story has changed because of this casting. This is the first all-African-American cast ever, right? Yes. It is. And it's such an honor for me to say I'm the first African-American Brother Boy because Leslie Jordan originated the role, and I remember seeing this movie in high-school and revisiting, I was like "Oh, my goodness. I actually did see this movie." And it is definitely a fantasy in the sense of what anyone of color could get away with. If there was anyone who was queer and of color in a mental institution for being gay, I don't know if that person would still be alive. And Wardell, who busts into the mental institution, comes in with a gun and busts me out, and we both tell this white lady to get the hell out of this place. If that were to happen in the 90s in South Texas, I promise you they wouldn't be alive. And, you know, it does bring in the idea of the interracial relationship, but that's kind of at the bottom of the barrel when it comes to all of the other issues that we cover. Even though I would like to say that Brother Boy has access to mental healthcare and someone who's queer and of color…that's kind of like the last group of people who get healthcare. And also there are moments where black women talk back to white men. There are moments when a black woman tells off a white man. There are moments, when it comes to social diversity back then… You know, we think of period pieces like To Kill a Mockingbird where we are so used to saying, "Okay. Well, at this time, black people were called niggers, so we're just going to have to expect it, you know?" But when it comes to things like I'm a black male in a mental institution for fantasizing about country queens like Tammy Wynette, and I do believe that my character would probably identify as a trans person but back then "trans" wasn't in our vocabulary, so there's the interesting discussion there to happen. So, it just kind of flares up a lot of things that couldn't have happened back then, but today we're using theatre as a way to tell a story that probably wouldn't have ever happened to bring up discussions today. We've had lots of conversations as a team about what these things mean to us today, and a lot of things have to be dug up. For instance, there's a line where a character calls somebody a mulatto. When we think of a white-trash family, we kind of accept the fact that they're going to poke fum at somebody being mixed, but how does it look when a white person says that to a black person? There have been some modifications, of course, with the generosity of Del Shores, where we've kind of said, "Can you rework this or find a way to make this…" And he was into that? He was willing to make those changes? Oh, yeah! He had to think about the script and rework it and rewrite some lines. There are some lines where - I am a black person, and we have to take into consideration that I wouldn't just idolize Tammy Wynette, you know? There are so many other queens at that time. We found moments where I can bring up Aretha Franklin and Tina Turner because that would be reflective of the culture and of the time. When you first auditioned for the role, what was it about the role that really resonated with you? I think that number one is my character type. You always have to think about what kind of roles you are peaked for, in all honesty. I'm usually someone who's taking someone down or who is being taken down. My character-type is the "betrayer" or the "betrayed." And Brother Boy is that kind of character. And then, I do drag as a little side passion project here in Atlanta, and I work with a predominantly queer POC group called Southern Fried Queer Pride, and I've had opportunities to perform in drag, write drag shows, and the play is kind of an amalgamation of both theatre and drag. And it's a cult classic role! Why wouldn't I want to be a part of it? And once I started meeting my castmates and we had rehearsals and what not, the bigger picture started panning out and I stated to see, "Oh, okay. This is what this is really all about." Do you have any projects coming up this summer that we need to know about? There's a passion project that I'm working on. It's kind of like the second installation of it. It's called Weavestock, and it's going to be through Country Fried Queer Pride. It's going to be hopefully happening sometime in August, and it's a project that I'm writing, directing, and being a part of. It's kind of like a play on Woodstock and Wigstock, a phenomenon that happened in New York in the late 80s and early 90s. Lots of drag icons used to perform at Wigstock. Weavestock is basically a celebration of all-black drag. It moves like a jukebox musical where there are written scenes with drag performances. A lot of times, you know, you have to create your own opportunities. Right now, I'm working on cultivating my writing skills and my directing skills and just hoping to create more opportunities for myself herein Atlanta. Sounds like you're on the right track! Looking forward to seeing the show.

Last night, GRAMMY Award winning Paramore appeared on the Late Show with Stephen Colbert for their TV debut performance of recent single, “Rose-Colored Boy.” Paramore recently wrapped their third annual sold-out Parahoy! Deep Search cruise, during which they were presented with their Gold-certified plaques for single “Hard Times.” Paramore will soon be heading out for their summer amphitheater/arena “After Laughter Summer Tour (Tour 5)” with dates starting in June and featuring support from Foster The People and special guests Soccer Mommy and Jay Som.

John Prine's new song 'God Only Knows,' is premiering today. 

Grammy Award winning legends Boy George and Culture Club have revealed plans for a major 2018 U.S. headline tour with the multi-platinum selling band The B-52s. Announced today, The Life Tour: starring Boy George & Culture Club and The B-52s with special guest Thompson Twins' Tom Bailey, will visit 40+ cities across the U.S. with a stop in St. Louis at the Fabulous Fox Theatre on Thursday, September 6.

Theatre East is pleased to announce the five playwrights selected for the 2017-2018 5x5 Drama Series. BOB'S BIRTHDAY by Lowell Bartholomee, JUMPING UP AND DOWN HAPPY TOWN by Lori Fischer, OH, DANNY BOY by Edward Allan Baker, WE THREE by Julia Rae Maldonado, and FAINT TASTE OF CAT FOOD AND SOUR MILK by Barbara Blumenthal-Ehrlich.

At the Table: A Play Reading Series has released its February play, Losing my Religion (in 140 characters or less) by Hannah C. Langley (USC - Dramatic Writing MFA Candidate). This podcast provides emerging playwrights a brand-new platform to present their work in an accessible, polished format featuring professional actors and immersive sound design and music. Previous episodes have included work by Chisa Hutchinson (Somebody's Daughter at Second Stage), Dustin Sullivan (Eugene O'Neill Award Finalist), and Diana Oh ({my lingerie play}).

Legendary singer, songwriter and performer John Prine will release his highly anticipated new album, The Tree of Forgiveness, April 13 on his own independent label, Oh Boy Records (pre-order now). Produced by Grammy Award-winning Dave Cobb, the album is Prine's first featuring new material in over 13 years. In advance of the release, the song “Summer's End” is premiering today. Listen/share HERE.

Calling all humans! Tonight, AN AMERICAN IN PARIS opens at the Saenger Theatre in New Orleans, and this is a show you absolutely don't want to miss. With music by the Gershwin brothers, book by Craig Lucas, and with the choreography and direction of Christopher Wheeldon, this show brings beauty and light to the aftermath of World War II in Paris. We follow three young men who are on a journey to find love and to find their way in the world through making art in a time when the world was struggling to recover.

Now in its 27th year, Buddy: The Buddy Holly Story tells the enduring tale of the musical icon's meteoric rise to fame and his final legendary performance at the Surf Ballroom in Clear Lake, Iowa, before his tragic and untimely death at the age of 22. In 18 short months the Texas-born boy revolutionized the face of contemporary music, influencing everyone from The Beatles to Bruce Springsteen.

The hit musical inspired by the life of rock legend Marc Bolan, 20th Century Boy, returns to the stage on a UK-wide tour to mark the 40th anniversary of the iconic star's untimely death. Opening on 8 March at G-Live in Guildford, the production will enjoy a 20-week tour, visiting 27 theatres through to Saturday 30 June.

Dallas, Texas underground hip-hop sensation JUNYA BOY has released his latest single titled He Aint Right featuring BET Award winning R&B/Pop Artist Bryson Tiller. Junya Boy is currently in the studio with producer Rick Lander, working on tracks for his forthcoming LP Time and Time Again, set to drop in 2018.

Presentation House Theatre (PHT) and Mexico's famed Marionetas de la Esquina present the Canadian premiere of Amaranta Leyva's whimsical and enchanting puppet show, Sleeping Beauty Dreams, at Presentation House Theatre from January 25 to February 4, 2018. A princess with overprotective parents and a lonely boy whose single mother works all the time are at the heart of this international collaboration. As they embark on a journey of self-discovery, both the princess and boy learn about the power of positive risk-taking.

Oh the Thinks you can think when you think about Seuss! Plunging audiences, striped-hat-first, into Dr. Seuss's whimsical world, Seussical takes over the Allenberry stage with all your favorite Seuss characters including Horton the Elephant, The Cat in the Hat, Gerturde McFuzz, Mayzie La Bird, and a little boy with a big imagination, Jojo. Bursting with frivolity and imagination, the colorful characters transport us from the Jungle of Nool to the Circus McGurkus to the invisible world of the Whos. The Cat in the Hat tells the story of Horton, an elephant who discovers a speck of dust that contains the Whos, including Jojo, a Who child sent off to military school for thinking too many 'thinks'. Horton faces a double challenge. Not only must he protect the Whos from a world of naysayers and dangers, but he must guard an abandoned egg, left in his care by the irresponsible Mayzie La Bird. Seussical is fun for the whole family!

Piano virtuoso Kory Caudill released his Christmas With Kory Caudill & Friends earlier this month, and his original song, 'Sleepy Little Baby Boy,' was made available to radio today

Asaka, Agwe, Erzulie and Papa Ge. Together they make up the gods of Once on This Island, and they are back on Broadway this season.

King Ave Players is proud to present 'The Fantasticks' at King Ave United Methodist Church! Come and join us for this fabulous show, refreshments, and a free will offering. Admission is free, but a $10 donation is encouraged. Free childcare will be available on Friday and Sunday. Performances run October 19th thru 22nd and are 7:30pm nightly with a 3pm matinee on Sunday. All performances are at King Avenue United Methodist Church, 299 King Ave., Columbus, OH. Childcare is available during the Friday evening and Sunday matinee performances. Admission is free, but a $10 donation is encouraged.