O, Say Can You See! 1962 - Articles Page 1.8

There’s an awful lot of death in opera, Timothy O’Leary, the general director of Washington National Opera, lamented on a recent opening night. And those plentiful tragedies are also often further burdened with overbearing scores, turgid storylines, super-large casts and strident if not shrill performances. 

WICKED comes to town this week! And even though it’s running for nearly two weeks, don’t expect to get seats for much longer, because this show is (yes, I’m going to say it, so go ahead and sing it yourself) POPular. WICKED is in fact, pushing up against THE LION KING as the highest grossing musical of all time. This stands to reason, as it is based on what is arguably the most influential film of all time, The Wizard of Oz. WICKED actually has its roots in lesser known novels also called Wicked, by author Gregory McGuire. And now, after fourteen years of various delays, the film version will finally be released later this year.

Dear Readers, I want to share with you one of the issues I come up against while writing these reviews. How much of the story to tell you. Especially with shows such as “Sanctuary City” by Martyna Majok, currently playing at the Seattle Rep, I want you to experience it somewhat blind, and let this brilliantly layered show unfold and wash over you the same way it did for me. But I want to tell you what it’s about. So, I’ll do my best and still try to avoid the spoilers.

United Solo Festival's O TIME has added an encore performance on March 27th 2PM!

Nick Ullett’s The Birthday Party: A Theatrical Catastrophe world premiered March 2, 2024 at the Rogue Machine at the Matrix. Lisa James directs Nick in his real-life account of the cancellation of The Birthday Party in 2014. After a successful opening weekend, Nick found some time to answer a few of my queries.

Acclaimed singer Ben Jones is back at 54 Below on March 10th with a show celebrating Frank Sinatra, including classic American Songbook hits by Cy Coleman, Harold Arlen and Johnny Mercer. We spoke about the inspiration behind this new show, Jones's comedic bents, and what audiences can expect from the show.

Umphress had the 54 Below audience in the palm of her hand this weekend with 15 STORIES.

Escape to Margaritaville, is a 2017 Jukebox Musical written by Greg Garcia, and Mike O’Malley, and based on songs by Jimmy Buffett.

 La Jolla Playhouse has revealed initial programming for the 2024 WOW Festival of immersive and site-inspired work. Learn about the shows!

So, in lieu of this busy audition season, I wanted to share some of my handy-dandy tips and tricks that may help you ace your next audition. I tried to stick to factors that are 100% in your control. Let’s be honest, the last thing you want to think (or sing) to yourself after you walk out of the room is “all that work and what did it get me?”

Trinity Repertory Company is continuing its 60th Anniversary Season with August Wilson's Fences. See performance dates and learn how to purchase tickets.

I am a walking SCAD advertisement - my love for the school is contagious and my knowledge about it is endless. I would advise anyone with a dream to consider the Savannah College of Art and Design.

What did our critic think of MAMMA MIA! at the Wesley Chapel Performing Arts Center?

Appearing as part of their Festival of New Choreography, the Royal Ballet have partnered with the National Ballet of Canada for Dark With Excessive Bright, an extraordinarily intimate experiment which allows audience to experience the art form in a radical way.

What the Constitution Means to Me was written by playwright, screenwriter, and performer, Heidi Schreck. The show is full of laughs, heartbreak, and a profound telling of a woman’s story that unexpectedly, but beautifully, weaves in the direct impacts of her life by the text in our U.S. Constitution. 

Catya McMullen (pictured), a native New Yorker, now finds herself at home in Los Angeles. While working in film and television, her life-long love of theater inspired her to write plays. The world premiere of Arrowhead is her first being presented here, produced by IAMA at Atwater Village Theatre, directed by Jenna Worsham. I decided to speak with Catya about her journey to writing the play, why she set it in Arrowhead, its themes, and how it speaks to different generations of women about love and sexual identity.

Natalie Douglas celebrates her new album 'Back to the Garden' with a concert at Birdland Jazz Club on 2/26.

Theatre for a New Audience is extending the run of Shayok Misha Chowdhury's 'Public Obscenities' at Polonsky Shakespeare Center

Karen Mason and more will lead a concert of select songs from More Than All the Sky by Lori Ada Jaroslow and Morgan Hollingsworth. The concert is set for March 11.

Writing and performing became meaningful to us on a deeper level. Making and sharing music completes something. Songs have become essential to our own spiritual journey and curiosity.

BroadwayWorld chats with virtuoso actor/pianist/filmmaker Hershey Felder about his return to TheatreWorks Silicon Valley in his popular 'George Gershwin Alone' & 'Great American Songbook Sing-Along' shows February 7th thru 12th.

BroadwayWorld has your exclusive first listen to Natalie Douglas' New Single 'You'll Never Know'

A lively, vibrant new jukebox musical based on the 1988 film, La Mirada Theatre's fun and entertaining new production of MYSTIC PIZZA—now playing through February 11, 2024—is a charming, if forgivably predictable coming-of-age tale featuring 80's/90's hits and a cast of likable actors and characters that will easily win audiences' affections.

The Short Film Grand Jury Prize, awarded to one film in the program of 53 shorts selected from 12,098 submissions, went to The Masterpiece, directed and written by Alex Lora Cercos. This year's Short Film jurors are Christina Oh, Danny Pudi, and Charlotte Regan – all of whom are Festival Alumni in honor of the Festival's 40th Edition.

The show is directed by Orlando Pena, the artistic director of Ovations Dance Academy, who has over 30 years of experience in the dance industry. Pena says that he chose this musical because he loves the story, the characters, and the message of the show.