The Mother of Us All 1947 - Articles Page 1.8

La Jolla Playhouse has announced the first four productions of its 2022/2023 season. The season will also include a re-imagined classic to be co-directed by Tony Award winner Christopher Ashley, the Rich Family Artistic Director of La Jolla Playhouse, and Helen Hayes Award winner Will Davis, as well as a new musical.

 Artistic Director Jeffrey Cass and Executive Director Julie Ann Kornak are proud to announce BrightSide Theatre's 2021-2022 Season - “Tenth Anniversary Season – BrightSide is Back!” 

After having closed its doors to the public in March 2020 due to COVID-19, the Alley Theatre has announced its plans to reopen the theatre in Fall 2021. Reopening the Alley Theatre coincides with its 75th Anniversary Season with performances beginning on October 1, 2021.

From April 16-30, 2021, Carnegie Hall will present Voices of Hope, an online festival that examines the resilience of artists, exploring works that they felt compelled to create despite—and often because of—appalling circumstances and human tragedy.

Get ready for a literary treat at the JCC or from the comfort of your living room! The Cherie Smith JCC Jewish Book Festival (Feb. 20-25, 2021) will warm up your winter nights with an exciting roster of writers from across Canada, the US, Israel, Great Britain and Chile. 

Need something new to read, watch, or listen to? Check out this week's list of new and upcoming releases! This week's list includes the CD edition of soundtrack to the Netflix film adaptation of The Prom, new album from Jason Robert Brown, a song from Andrew Lloyd Webber's production of Cinderella, and more!

The Austin Jewish Film Festival will celebrate its 18th year, a year of significance.

The Martha Graham Dance Company has announced its 95th season, which begins with a special Martha Matinee and the finale of The Eve Project on September 23. The season continues the Company's notable online programming bringing the groundbreaking, iconic work of Martha Graham to audiences around the world.

After a long, uncertain spring, TV is back, for the most part!

Two celebrated Persian-American authors will share highlights from their recently published memoirs and fascinating life histories as Jewish Women's Theatre presents Sunday Morning at The Braid, coming to audiences via Zoom on Sunday, June 28, at 11 a.m. PDT.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

Arthur Miller's electrifying family drama ALL MY SONS won the New York Drama Critics Circle Award for Best New Play and Miller his first Pulitzer Prize when it first opened in 1947, and went on to be a recipient of numerous Tony Awards. Inspired by a story from an Ohio Newspaper on an aircraft factory's troubled contracts during WWII, the tale remains as timely as it is timeless about pointing your finger at someone else rather than soil your own reputation by taking responsibility for your own actions, a personality trait all too evident in today's society.

 Emelin Theate for the Performing Arts has announced its lineup of events and artists in February! Check out the full lineup below:

General Director Ken McConnell and Artistic Director Tobias Picker today announced Tulsa Opera's 73rd season comprising Verdi's Rigoletto; Gluck's Orfeo ed Euridice in a new production with dance; and Mr. Picker and librettist Aryeh Lev Stollman's new opera Awakenings, based on the book by Oliver Sacks and directed by Tulsa native James Robinson. 

Executive and Artistic Director, Keith Gerth and Associate Artistic Director, Stephen Smith of the Oil Lamp Theater in Glenview announce their next production, the gripping thriller Murder on the Nile by Agatha Christie. This tale of mystery and suspense is directed by Oil Lamp's Executive and Artistic Director Keith Gerth and will be performed from September 26th through November 10th 2019 at 1723 Glenview Road in Glenview. 

Group 9 Productions will present an industry reading of 'DeliKateSSen,' a play by Richard Atkins, directed by Matthew Penn with dramaturgy by Mark Medoff, September 23 at 4:30 PM in the Mary Rodgers Room of The Dramatists Guild, 1501 Broadway, 7 fl.

Audience members traverse memories, dreams, emotional and real battlefields, coming in contact with a multitude of characters from Dalton Trumbo's life and novel, as we re-visit Johnny's childhood loves, family members, war room generals, soldiers, nurses, and even major religious figures, each performed to perfection while maintaining the ability to guide and interact with audience members who are often asked to participate and/or share comments during each scene. Soon it becomes apparent in THE JOHNNY CYCLE that each character, whether intentional or not, has sent Johnny to his destiny as he desperately struggles to be heard, trapped between the living and the dead without a voice. Immersive theater at its best!

Juilliard's Ellen and James S. Marcus Institute for Vocal Arts, under the leadership of artistic director Brian Zeger, announces its 2019-20 season of opera and vocal arts performances. Highlights of the upcoming season include three mainstage operas: Mozart's Così fan tutte, conducted by alumnus Nimrod David Pfeffer and directed by faculty member David Paul, on November 13, 15, and 17, 2019, in Juilliard's Peter Jay Sharp Theater; Virgil Thomson's The Mother of Us All, in collaboration with the Metropolitan Museum of Art's MetLiveArts and the New York Philharmonic with Juilliard singers, conducted by Daniela Candillari and directed by Louisa Proske, on February 8, 11, 12, and 14, 2020, in the Charles Engelhard Court at the Metropolitan Museum of Art; and Puccini's La bohème, conducted by Keri-Lynn Wilson and directed by Stephen Wadsworth, on April 22, 24, and 26, 2020, in Juilliard's Peter Jay Sharp Theater.

I'M NOT A COMEDIAN...I'M LENNY BRUCE ran for nine months Off Broadway and for an unprecedented 110 performances in Los Angeles, receiving enormous critical acclaim and dozens upon dozens of rave reviews.

From the epic poetry of Ernest Lawrence Thayer's 'Casey At The Bat' to the sharp-edged vernacular of Ring Lardner's newspaper columns and the nostalgic innocence of Roger Kahn's 'The Boys of Summer,' baseball has been inspiring great literary flourishes for well over a century.

La Jolla Playhouse announces the cast and creative team for its world-premiere production of The Luckiest, by Melissa Ross, directed by former Playhouse Associate Artistic Director Jaime Castañeda, running June 30 - July 28 (press opening: Sunday, July 8 at 7:00pm). in the Playhouse's Sheila and Hughes Potiker Theatre

RONNIE MARMO's tour-de-force embodiment of the most controversial comedian of all time, the hit solo show I'M NOT A COMEDIAN…I'M LENNY BRUCE will play its final performance on Saturday, June 8 at 8:00 PM, prior to a national tour. Written by and starring RONNIE MARMO and directed by Tony Award winner JOE MANTEGNA (star of CBS' CRIMINAL MINDS), the funny and provocative play began as a limited engagement at the Cutting Room and continued performances at the world-famous Theatre of Varieties, The Box (189 Chrystie Street, Manhattan).

The world-renowned Martha Graham Dance Company returns to The Joyce Theater April 2–14, 2019 with The EVE Project, the Company's season theme celebrating female empowerment and the upcoming 100th anniversary of the 19th Amendment. The season focuses on both historical and contemporary ideas of the feminine. Commissioned works from five of today's top choreographers will be presented, and the classic repertory features Martha Graham's heroines and anti-heroines—all with an underlying statement about female power.

The world-renowned Martha Graham Dance Company returns to The Joyce Theater April 2–14, 2019, with The EVE Project, the Company's season theme celebrating female empowerment and the upcoming 100th anniversary of the 19th Amendment, which secured women's right to vote in the U.S. The season focuses on both historical and contemporary ideas of the feminine. Commissioned works from five of today's top choreographers will be presented, and the classic repertory features Martha Graham's heroines and anti-heroines—all with an underlying statement about female power.