At once a razor-sharp comedy and a sincere tribute to democracy, The Outsider is a timely and hilarious take on modern American politics. Ned Newley doesn't even want to be governor. He is terrified of public speaking; his poll numbers are impressively bad. To his ever-supportive chief of staff, Ned seems destined to fail. But a political guru named Arthur Vance sees things a little differently: Ned might be the worst candidate to ever run for office. Unless the public is looking for... the worst candidate to ever run for office.
The puppet who wants to be a real boy is all grown up in this new musical version - very much the darker side of Disney. Book writer Dennis Kelly went back to the original 19th-century Italian tale, by Collodi, and tonally, John Tiffany's production leans more towards that incarnation: a Pinocchio recognisably in the tradition of grim Grimms' Fairy Tales.
Paper Mill Playhouse, recipient of the 2016 Regional Theatre Tony Award, has announced today the cast and creative team for the East Coast premiere of the new play The Outsider by Paul Slade Smith, directed by David Esbjornson (Driving Miss Daisy).
Timing is everything, they say. Of course, when you're too far ahead of the curve musically-speaking, timing can also be a bitch. Give enough passage, however, and others eventually catch-up, understand... even emulate.
Long Wharf Theatre (LWT) and Sandy Hook Promise (SHP) will partner to offer a series of conversations and programs in connection with the theatre's production of Office Hour, by Julia Cho. The play runs from January 17 through February 11, 2018 on Stage II.
Timing is everything, they say. Of course, when you're too far ahead of the curve musically-speaking, timing can also be a bitch. Give enough passage, however, and others eventually catch-up, understand... even emulate. Such is the case for self-proclaimed micro-legendary weirdoz The Prefab Messiahs.
Offstage drama infamously hijacked the 1995 premiere of Simon Gray's play, with star Stephen Fry walking out mid-run - hastening the production's early closing. Here, then, is a chance to put the focus back on the work itself in Edward Hall's revival.
From January 17 to February 3, 2018, the University Musical Society of the University of Michigan (UMS) presents No Safety Net, a three-week theater festival of four productions that foster timely conversations around slavery, terrorism, transgender identity, and radical wellness and healing. Two of the titles are U.S. premieres and will receive their only U.S. performances as part of No Safety Net. Performances will be held in Arthur Miller Theatre (1226 Murfin Ave, Ann Arbor) and the Stamps Gallery (201 S. Division St, Ann Arbor), with each title examining a different topic related to contemporary social issues.
Street Pharmacy Announce THE GREAT WELLAND MIGRATION TOUR 2018
The Menier has a superb track record with breathing new life into classic musicals, but falls short with their latest revival: Cy Coleman's 1980 portrait of P.T. Barnum, creator of The Greatest Show on Earth . In stripping back some of the spectacle for this smaller space, Gordon Greenberg's production reveals the work's weaknesses as well as those of its leading man.
Now in its sixth year, VAULT Festival returns from 24th January to 18th March 2018 with 300 individual shows, championing new writing, immersive experiences, comedy, film and late night entertainment. Returning to its native venue beneath Waterloo Station, expanding further into satellite venues including Waterloo East Theatre and Network Theatre and with support from We Are Waterloo, the programme is broader and more diverse than ever before. Tickets are available from Dec 5th via vaultfestival.com.
Today's subject Amber Paige McGinnis is currently living her theater life at Theater J as the director of the Tony Award-winning play The Last Night of Ballyhoo. The production runs through December 31st.
Circus: Wandering City, created by ETHEL in partnership with The John and Mable Ringling Museum and directed by Grant McDonald, is a full-evening, multi-media performance program inspired by the heroes behind the magic of the Big Top. Performed seamlessly, the work combines stunning images and films from the Ringling's unmatched archives, complex projection design, and original music composed by members of the quartet.
The Notre Dame Shakespeare Festival has announced its new season of dynamic, world-class productions, centered around stagings of two of Shakespeare's greatest works, Othello and The Merchant of Venice. The 2018 NDSF season will examine issues of race, immigration, and religion, and will encourage audiences, actors, scholars, and artists to consider the topics raised, and their implications for the community.
The New Jersey theatre scene is in full swing with holiday productions and shows planned for the New Year. Give gift of the performing arts to your friends, colleagues and loved ones for the holidays.
The Snowy Day and Other Stories by Ezra Jack Keats has announced the cast for its NYC premiere Off-Broadway at St. Luke's Theatre this January 13, 2018.
MURIEL'S WEDDING THE MUSICAL, the much anticipated musical theatre adaptation of PJ Hogan's iconic movie from 1994, is absolutely wonderful, capturing the heart and soul of its inspiration with an added depth and incredible new music by Kate Miller-Heidke and Keir Nuttall.
Get the best seats in the house to see a new season of classics by the Bolshoi Ballet in HD at The Ridgefield Playhouse
The Russ Liquid Test will perform at Fox Theatre on Saturday, February 10, 2018. Doors: 8:30 pm Show: 9:00 pm.
Drama Learning Center's professional training company for emerging young artists will present Heathers the Musical: High School Edition this January.
The Hudson Valley Shakespeare Festival has announced the complete lineup for the 2018 summer season.
La Jolla Playhouse announces three world premieres and one west coast premiere for its 2018/2019 season, including: The Squirrels, by Tony Award nominee Robert Askins (Broadway's Hand to God), directed by Playhouse Artistic Director and 2017 Tony Award winner Christopher Ashley; Seize the King, by Will Power (Playhouse's The Seven), directed by Playhouse Associate Artistic Director Jaime Casta eda; The Year to Come, by Lindsey Ferrentino (Ugly Lies the Bone) and queens, by Martyna Majok (Ironbound).
Theatres have a way of becoming an artist's second home. It doesn't matter if you are a director, designer, actor, or volunteer the countless hours you invest and the close proximity in which you do your work often create friendships that last a lifetime. And each time you step back through those doors you feel like you're coming home. No one knows this to be true more than Joseph Leo Bwarie, whose current home away from home is the Garry Marshall Theatre in Toluca Lake. Bwarie has been connected with the theatre (known formerly as The Falcon) and the Marshall family for many years, and he recently stepped into a co-artistic directorship of the newly-rechristened theatre, along with another longtime Marshall associate, Dimitri Toscas.
Timing is everything, they say. Of course, when you're too far ahead of the curve musically-speaking, timing can also be a bitch. Give enough passage, however, and others eventually catch-up, understand... even emulate.
George Street Playhouse's Educational Touring Theatre, courtesy of a grant from Novo Nordisk, is bringing its musical comedy Austin the Unstoppable to the Houston Independent School District and faith-based organizations in Houston this fall. Austin the Unstoppable in Houston is supported by a grant from Novo Nordisk, a global leader in diabetes care.
Amy Ross has just been announced as Elphaba in the upcoming UK & Ireland tour of Wicked. We spoke to her at the press launch in Bristol, where the tour kicks off in January.
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