All's Well That Ends Well 1993 - Articles Page 4

Building on the previous success of the “Summer Fun & Games” brand, The ABC Television Network is expanding its slate of game shows to three nights, adding four new exciting series to the upcoming schedule. In addition to bringing back the iconic “Press Your Luck” and “Card Sharks” to TV, ABC will launch two new alternative shows – “Holey Moley,” an epic mini-golf competition featuring NBA superstar Stephen Curry as resident golf pro; and “Family Food Fight,” hosted by renowned restaurateur and New York Times best-selling cookbook author Ayesha Curry. All of these shows are part of the summer premiere dates schedule announced today by the network.

In this two-person character study, Joey Brant (R. Emmett Lee, who more than adequately took on the challenge of learning to speak Hebrew for the part) is a Jewish divorce lawyer in his 60s who never had a bar mitzvah ceremony. For reasons which become clear in the story, Joey's bar mitzvah ceremony must take place at the synagogue he attended five decades ago where his grandson Ben Goldman will carry on the family tradition with his own bar mitzvah in a matter of months. Joey, a thoroughly secularized man, must now re-connect with the faith of his ancestors, but promptly alienates the synagogue's regular instructor. But when Joey goes to meet with the temple's new rabbi for his bar mitzvah lessons, he is shocked to find a woman is now in charge.

Most of the characters fail to use words properly to convey directly what is important to them or us. But as I have said, the underlying problem is larger. It is a mismatch of moral paradigms. The possibility of rationally settling the underlying issues by a dialogue among the participants is hard to conceive. This play seems instead to be more about making people grasp, at a gut level, the speakers' personhood,

Berkeley Repertory Theatre today announced the full cast and creative team for Metamorphoses. This co-production with the Guthrie Theater is led by nationally and internationally renowned writer and director Mary Zimmerman.

Following the recent news that a fire had destroyed the entire set of their touring production on New Year's Eve, London Classic Theatre are pleased to announce that the extension of the UK tour of Charlotte Keatley's My Mother Said I Never Should will go ahead as planned. Kathryn Ritchie returns to play Jackie Metcalfe and will be joined by Rebecca Birch (Rosie Metcalfe), Lisa Burrows (Margaret Bradley) and Judith Paris (Doris Partington). Artistic Director of LCT, Michael Cabot, directs the production, which tours to a further 14 venues in 2019. The tour starts at New Theatre Royal Portsmouth on 6 February, with performances in Newtown, Ipswich, Doncaster, Middlesbrough, Richmond, Derby, Poole, Winchester, Worthing, Epsom, Swansea and Oldham before concluding at the Yvonne Arnaud Theatre, Guildford in April. Press night will take place on Wednesday 27 February at Richmond Theatre.

Arcola Theatre in association with Maya Ellis today announce the full cast for the world premiere of Gabriel Gbadamosi's Stop and Search. Artistic Director of the Arcola Mehmet Ergen directs Munashe Chirisa (Akim), Tyler Luke Cunningham (Lee), David Kirkbride (Tone), Shaun Mason (Tel) and Jessye Romeo (Bev). The production opens on 14 January, with previews from 9 January, and runs until 9 February.

Lucas Hnath's A Doll's House, Part 2 produced by Orlando Shakes in partnership with UCF runs from January 2 - February 3, 2019. Tickets (starting at $30) are available now by phone (407) 447-1700 ext. 1, online at orlandoshakes.org, or in person at the John and Rita Lowndes Shakespeare Center (812 East Rollins Street).

Berkeley Repertory Theatre today announced the full cast and creative team for Metamorphoses. This co-production with the Guthrie Theater is led by nationally and internationally renowned writer and director Mary Zimmerman.

February 8 will see the release via the venerable Bar/None label of Songs From Robin Hood Lane and From Memphis to New Orleans, two thought-provoking looks at an often overlooked period of Alex Chilton's long, curious career.  He was at the height of his cult star fame in the mid 1980s to mid 1990s when he made these recordings. It is some of his best most honest work oddly neglected for some time but delivered here for enthusiasts and neophytes alike. All these recordings have been out of print for decades.

Arcola Theatre in association with Maya Ellis today announce the full cast for the world premiere of Gabriel Gbadamosi's Stop and Search. Artistic Director of the Arcola Mehmet Ergen directs Munashe Chirisa (Akim), Tyler Luke Cunningham (Lee), David Kirkbride (Tone), Shaun Mason (Tel) and Jessye Romeo (Bev). The production opens on 14 January, with previews from 9 January, and runs until 9 February.

Jamie Lloyd's 10-anniversary season of Pinter (which kicked off in style earlier this autumn) continues with two more batches of miniatures - from familiar shorts like A Kind of Alaska to sketches and more obscure works - plus another tantalisingly starry company.

The Jewish Museum will present Martha Rosler: Irrespective, a survey exhibition of the work of the influential artist Martha Rosler, from November 2, 2018, through March 3, 2019. Rosler is considered one of the strongest and most resolute artistic voices of her generation; she is also a prolific writer, lecturer, professor, and advocate for social justice. She skillfully employs diverse materials to address pressing matters of her time, including war, gender roles, gentrification, inequality, and labor. From her feminist photomontages of the 1960s and 1970s to her large-scale installations, Rosler's vital work reflects an enduring and passionate vision.

Lucas Hnath's A Doll's House, Part 2 produced by Orlando Shakes in partnership with UCF runs from January 2 - February 3, 2019. Tickets (starting at $30) are available now by phone (407) 447-1700 ext. 1, online at orlandoshakes.org, or in person at the John and Rita Lowndes Shakespeare Center (812 East Rollins Street).

Inspired by director Sacha Gervasi's own experiences, MY DINNER WITH HERVE is a struggling journalist's story of his unlikely friendship with actor Hervé Villechaize, the world's most famous knife-wielding French dwarf, as it unfolds over one wild night in LA – an encounter that will have life-changing consequences for both.

City Winery Chicago, 1200 W. Randolph Street, announces neo-soul/R&B innovator Musiq Soulchild, jazz vocalist Bobby McFerrin (“Don't Worry, Be Happy”) and more. The following shows go on sale to the public on Thursday, October 4 at noon.All tickets will be available at citywinery.com/chicago.

The Maxwell C. King Center for the Performing Arts Theatre for Youth Program announces its 24th season of excellent performing arts and educational theatre opportunities for children on the Space Coast.

Each summer, the Ocean Grove Camp Meeting Association (OGCMA) presents its annual Sacred Masterwork concert and this year is no exception. Rich in spiritual trills and sacred thrills, Music of the Spirit, the 2018 free concert features GWYNETH WALKER's Songs of Faith - which was commissioned by OGCMA and hasn't been performed here since its 2013 debut - and JOHN RUTTER's splendid Gloria. Jason C. Tramm will conduct The Great Auditorium Choir and guest soloists Monica Ziglar, Katherine Pracht, Ronald Naldi and Justin Beck, accompanied by the MidAtlantic Brass Ensemble and organist Gordon Turk. The Great Auditorium is located at 54 Pilgrim Pathway in Ocean Grove, New Jersey, and is handicapped-accessible.

Find out what happens to the beloved characters in FIDDLER ON THE ROOF after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his 'Tevye' stories ('What, Me Worthy?' and 'Get Thee Gone!'), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ('Strange Jews on a Train,' 'The Yiddish Sisyphus' and 'A Stepmother's Trash-Talk'). The production is set to officially open next Tuesday, July 17th at The Playroom Theater in the Heart of the Theatre District, 151 West 46 Street (just east of Seventh Ave.)

Interrobang Theatre Project is pleased to announce its ninth season, featuring three knockout dramas presented at its new resident home, Rivendell Theatre, 5779 N. Ridge Ave. in Chicago's Edgewater neighborhood. This season, Interrobang explores "identity/crisis," with three plays featuring characters on the edge of something new, battling old demons and making room for fresh starts.

Find out what happens to the beloved characters in FIDDLER ON THE ROOF after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories ("What, Me Worthy?" and "Get Thee Gone!"), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ("Strange Jews on a Train," "The Yiddish Sisyphus" and "A Stepmother's Trash-Talk").

Australian-based Brazilian singer-songwriter Juliana Areias wraps up her first U.S. Tour today, June 29, with a salute to 60 years of the bossa nova at The Green Room 42, an upscale cabaret club serving New York City's theater district. Drawing on traditional Brazilian bossa nova rhythms, Ms. Areias performs a distinctive style of Latin Jazz which has made her a hit down under. She will be joined by a Brazilian jazz ensemble which includes Oriente Lopez on piano, Jorge Continentino on flute and sax, Itaiguara Brandão on bass, and Samuel Martinelle on drums. Her show highlights a blend of original songs from her internationally acclaimed 'Bossa Nova Baby' CD plus a selection of exclusive arrangements of bossa classics and samba hits.

Australian-based Brazilian singer-songwriter Juliana Areias wraps up her first U.S. Tour on Friday, June 29, with a salute to 60 years of the bossa nova at The Green Room 42, an upscale cabaret club serving New York City's theater district. Drawing on traditional Brazilian bossa nova rhythms, Ms. Areias performs a distinctive style of Latin Jazz which has made her a hit down under. She will be joined by a Brazilian jazz ensemble which includes Oriente Lopez on piano, Jorge Continentino on flute and sax, Itaiguara Brandão on bass, and Samuel Martinelle on drums. Her show highlights a blend of original songs from her internationally acclaimed 'Bossa Nova Baby' CD plus a selection of exclusive arrangements of bossa classics and samba hits.

Find out what happens to the beloved characters in Fiddler on the Roof after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories ("What, Me Worthy?" and "Get Thee Gone!"), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ("Strange Jews on a Train," "The Yiddish Sisyphus" and "A Stepmother's Trash-Talk").

The National Theatre has announced its May-September 2018 season.

It's not a reinvention, but a celebration of the classical musical that delivers familiar songs and themes. It is well worth coming to this CABARET where indeed… life is beautiful.