Review: ELF THE MUSICAL at Edmonds Driftwood Players
ELF at Driftwood Players is full of humor and heart and a lot of plain old fun.
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ELF at Driftwood Players is full of humor and heart and a lot of plain old fun.
“Rodgers and Hammerstein’s Cinderella” is an enduring classic for a reason.
JESUS CHRIST SUPERSTAR has long been a mainstay in the musical theater world.
Dear Readers, there’s an interesting an innovative new work based on an old classic playing in Capitol Hill with Pony World Theatre’s “Not / Our Town”.
Dear Readers, if you’re at all familiar with The Williams Project, then you know of their hard-hitting shows.
Dear Readers, I’m going to offer up a few unpopular opinions of mine.
In this time of year with black cats, ghouls and ghosts, and things that go bump in the night, it stands to reason that Seattle Shakespeare would bring out one of the bloodier and creepier of Shakespeare’s canon, “Macbeth”, or “the Scottish play” as it’s known by superstitious theater fo
THE GLASS MENAGERIE invites you to lean in and join the world of the Wingfield Family.
A world premiere play, set in the 1650’s, that resonates so much with today? That’s what we currently have from Macha Theatre Works with their production of “La Tofana’s Poison Emporium”.
The Can Can, Seattle’s fabulous burlesque house, celebrates the 15th anniversary of their collaboration with The Triple Door by bringing back their ode to Tim Burton’s “The Nightmare Before Christmas” with their tantalizing “This Is Halloween”.
Chances are you were forced to read Harper Lee’s classic, “To Kill a Mockingbird” in school.
THE FOREIGNER at As If Theatre provides a farcical romp of entertainment while yet managing to deliver a poignant message on racism and fear of others that remains as relevant today as when Shue wrote it forty years ago.
If you’ve ever seen a MAP Theatre show, Dear Readers, then you know they tend toward the odd little stories laced with humor, but ultimately fairly dark and twisted.
The problem with a one person show, Dear Readers, or even a mostly one-person show is that often the author can tend to ramble.
Dear Readers, I am a sucker for both a sweet love story and even more so when we mix in a little magical realism.
The air is electric.
The Griswolds’ have been to Wally World, they’ve visited family for Christmas, and they’ve nearly destroyed Europe on their vacations.
Dear Readers, I’m going to set the “Way Back Machine” to 2011 where I was first introduced to the works of playwright Tarell Alvin McCraney as the Seattle Rep had produced his stunning “The Brothers Size”, a show that hit me so hard in the gut that I think about it to this day.
Howard Ashman and Alan Menken’s “Little Shop of Horrors” is arguably one of those near perfect musicals.
A secluded inn full of guests, a massive snow storm, and a murderer on the loose combine into a delicious murder mystery, masterfully written by Agatha Christie, and delightfully produced by the Driftwood Players.
The history of colonization of indigenous lands in this country and other countries is a sensitive subject that many shy away from.
What did our critic think of NONSENSE AND BEAUTY at Theatre22?
The Can Can is back, Dear Readers, with their ode to all things that go bump and grind in the night, “The Hitchcock Hotel”.
ALMOST, MAINE at Heart Repertory Theatre beckons us to stop a while and enjoy a brief time of shared moments with average people in average situations, a slice of life if you will.
The juggernaut, the glory, the hot ticket in town has returned.
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